Monthly Archives: January 2013

The Original (Quince) Marmalade

As I mentioned in my previous post about Seville oranges that the original marmalade was in fact made from quinces and not oranges, I thought I would give you a recipe that I have recently used for the stall. It’s a recipe that appears in Eliza Acton’s 1845 book Modern Cookery. It’s an easy recipe that would be a good one to start with if you have never made a sweet preserve as you don’t need to mess about with sugar thermometers and setting points. One of the great things about making preserves with quinces is the glorious colour they go. A relatively brief boil transforms them from a pale apple-yellow to a vibrant orange-coral.

The tricky thing is getting your hands on some quinces they are available from October, but I have recently seen some organic ones in the Manchester organic grocers Unicorn. If your local greengrocer doesn’t have them on their shelves, it is worth asking if they can get them. My grocer was very happy to get me a full tray for just a tenner, so I was very pleased with that.

I have recently found another slightly more complicated version of this recipe but I have not tried it – we’ll have to wait for next autumn for that one!

Eliza Acton’s Quince Marmalade

2kg (4 1/2 lbs) quinces

water

granulated sugar

Wash and scrub any fluff of the quinces, then peel and core them. Place them in a large pan and pour over enough water to almost cover. Turn up the heat and when it begins to boil, turn heat down to a simmer and stew 35-45 minutes until the fruit is soft. Strain and pass fruit through a mouli-legumes.

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Put the pulp back in the pan with the strained juice and add 280g sugar for every 500ml juice or, 1 ½ lbs sugar for every pint of juice). Stir and dissolve under low heat then, simmer until it resembles ‘thick porridge’ and begins to leave the side of the pan when you stir it.

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Pour the marmalade into sterilised pots. It is very good as a jam on toast, with cheese or as an accompaniment to hot or cold meats.

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Filed under Britain, cooking, food, Fruit, General, history, Nineteenth Century, Preserving, Recipes, Uncategorized

Seville Oranges and Seville Orange Marmalade

The weather outside may be miserable and the evenings still long, but luckily there is a little fleeting  sunny surprise popping up in grocers around the country that can perk us up no end; at least if you know where to find them. It is Seville orange season and a small window of just a few weeks is all we have to cook with this delicious fruit.

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The Seville orange is very bitter and is only really grown in Spain for us British to make our Oxford marmalade. What a treat home-made marmalade is; oranges, water and sugar that is all that are needed to produce such a delightful, very British preserve. If you have never made your own, have a go before they are all disappear again.

Like all citrus fruits, the Seville orange comes originally from China. It was imported on trade routes via Italy, to the Mediterranean countries of Europe. All of these original orange trees were bitter in flavour like the Seville. In the first half of the 17th century, sweet orange trees were delivered to the Portuguese coast by ship. These sweet oranges quickly superseded the bitter ones, that is for that small area of Spain that still grows them.

The flowers of Seville oranges are also used to make orange flower water, another of my favourite ingredients.

Seville and game painting

Rabbit with Red Legged Partridge and Seville Orange by Jean-Baptiste Chardin 1728-29

Below is a recipe for  Seville orange marmalade, but it is useful to know that the zest and juice of these oranges go very well with game and some shellfish such as scallops as the above painting shows.

 

Seville Orange Marmalade

Oddly enough, marmalade was not made from Seville or any other orange at first, but quince (a knobbly cousin of apples and pears). It did come from Spain though, in fact the Spanish word for quince is marmalada. Every day’s a school day.

This recipe is Jane Grigson’s and it is a good strong bittersweet ‘Oxford’ style marmalade.

Ingredients

3 ¼ litres water

1 ½ (3 lb) Seville Oranges

3 kg (6 lb) granulated sugar

Give your oranges a good scrub and place them in a preserving pan or large stockpot with the water. Bring to a boil and simmer for about 1 ½ hours until the oranges are tender.

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Take them out with a slotted spoon. They will probably collapse in on themselves, but don’t worry about that. Let them cool a little, then halve them and scoop out their innards. Tie up the scooped-out pulp in a piece of muslin. If you want a soft set, just put the bag of pulp straight into the pan, if you want it well set, give it a good squeeze to get as much pectin out of the pith and into the liquor as possible (I’m a soft set man).

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Next, shred the peel, you can be as careful as you want, and you can cut them as thick as you want. You can do this by hand or in the food processor by blitzing them using the pulse setting – be careful though, you don’t want a load of slurry. I’m usually dead against using food processors for this sort of thing, but I quite like the irregular pieces you get with this method. Tip them into the pan along with the sugar. Over a medium heat, stir until the sugar dissolves.

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Now you need to be brave and bring it to a full rolling boil for at least 15 minutes , you need it very hot so that the marmalade can set. You have several options to test for a set, but I use a combination of a sugar thermometer and the wrinkle test. Pectin – a chemical that essentially glues plant cell walls together – will set to a gel at 105⁰C (221⁰F), so a thermometer is crucial if you want to know if you are getting close. It can take a while because water needs to evaporate to get five degrees above boiling point. Keep a close eye on it and when it gets close do the wrinkle test. For this test put a side plate in your freezer a little while before you want to make your marmalade, and when you’ve achieved 105⁰C (221⁰F), turn off the heat and spoon out a little of it onto your cold plate. Return it to the freezer for a couple of minutes. Push the jelly; if it wrinkles up, your pectin is set. If not, boil up again and retest after 10 minutes.

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When ready, turn off the heat and allow it to cool for 15 minutes – this important step will stop your peel from floating to the top in a single layer – then pot into sterilized jars (bake them and their lids for 25 minutes at 125⁰C or 250⁰F).

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Syllabubs

Today the syllabub is rather an unfamiliar dessert but from the 17th and early 20th centuries it was a pudding staple. It has gone through some minor changes along its way but its essence has remained the same. Originally milk was sweetened and mixed with cider sack – a sweet fortified beer not unlike sherry – and left to curdle and treated as a drink served hot or cold. At the same time at more solid version was being made with cream and wine and spirits. More recently less alcohol and more cream was used producing a dessert that could stand in a cool place that would remain delicious, soft and fully whipped – this was known as an ‘everlasting syllabub’.

The Sense of Taste Philip Mercier (1680-1760)

Detail of The Sense of Taste by Philip Mercier (1680-1760) showing a salver of syllabubs

The word syllabub comes from the name Sille, an area in the Champagne region of France that made the eponymously named wine, and the word bub, an Elizabethan slang word meaning a bubbling drink, hence Sille bub – wine mixed with a frothy cream. In fact it was a case of the frothier the better, and the best way to achieve this is to spray milk straight from the udder (which has a natural froth) into the wine, this kind of syllabub was also called ‘Hatted Kit’ and a recipe appears for it in Elizabeth Raffald’s 1769 book The Experienced English Housewife:

“To make a Syllabub under the cow

Put a bottle of strong beer and a pint of cider into a punch bowl, grate in a small nutmeg and sweeten it to your taste. Then milk as much milk from the cow as will make a strong froth and the ale look clear. Let it stand an hour, then strew over it a few currants well washed, picked, and plumped before the fire. Then send it to the table.

elizabeth raffald Elizabeth Raffald

Charles II found this sort of syllabub so delicious that he kept cows at the palace in case he got a hankering for some Hatted Kit – he would walk up to one and squirt some milk into his flagon of wine, sack or cider.

If you are a tee-totaller, don’t worry because Sir Kenholm Digby, writing in 1669, gives recipes for syllabubs flavoured with plum juice, cherry syrups and Seville orange.

By the 19th century, the syllabub was generally made from whipping cream together with sweetened wine. The wine was flavoured with lemon and fortified with a little brandy, and it is a recipe for one of these everlasting syllabubs that I give below. It comes from Elizabeth David’s 1969 pamphlet Syllabubs and Fruit Fools (which can be found in her book An Omelette and a Glass of Wine).

Elizabeth David’s Everlasting Syllabub with Almond Biscuits

Elizabeth David

The ingredients of a syllabub, we find, are simple and sumptuous. The skill demanded for its confection is minimal, the presentation is basic and elegant.

Elizabeth David

These syllabubs were the original topping to trifles before plain whipped cream took over. They are often served with jellies or with sweet biscuits so I’ve given a recipe for some simple crisp almond biscuits too.

The most important ingredient here is the wine; you can use any sweet or dessert wine, by personal favourite being a nice Muscat. I managed to get hold of an excellent and very reasonably-priced organic free-trade one from Case Solved Wines in Manchester.

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This recipe makes between 4 and 6 servings

Ingredients for the syllabub

8 tbs sweet or dessert wine

2 tbs brandy

pared rind of one lemon

60g (2 oz) sugar

300ml (½ pint) double cream

freshly grated nutmeg

The day before you want to serve the syllabub, mix the wine and brandy in a bowl, add the lemon peel and steep overnight.

Next day, strain the wine into a large bowl and stir in the sugar until dissolved. Pour in the cream and whisk until thick. Be careful not to over-whip the cream. Spoon into glasses and scatter a few raspings of nutmeg over them.

For the biscuits:

100g (4oz) butter

50g (2oz) caster sugar

150g (6 oz) plain flour

50g (2 oz) ground almonds

Cream the butter and sugar together and then mix in the flour, and finally the almonds. Bring the mixture together with your hand to form a dough – it’ll be very ‘short’, i.e. crumbly, but it will come together – don’t be tempted to add any water or milk because it will result in a biscuit that is not crisp, and you don’t want that. Roll out the mixture to the thickness of a pound coin (about 3mm) and cut into rounds.

Bake for 8-10 minutes at 200⁰C (400⁰F) until tinged with golden brown. Cool on a wire rack and store in an airtight tub.

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