Tag Archives: meat

22/12/2023 · 10:12 am

Edward Kidder’s Early 18th Century Mince Pies

This post complements the 2023 Christmas special of The British Food History Podcast called ‘Mince Pies’:

As promised on this year’s Christmas episode of the podcast, all about mince pies, here is my pastry recipe and method for making the shaped-mince pies in E. Kidder’s Receipts of Pastry and Cookery. It was originally published in 1721, but I used the 1740 edition of the book (here’s a link to the document). If you go to the end of the book, you will see lots of different minced pie templates, just like the ones below. The idea was that you rolled out your pastry and cut a shape out, then made pastry walls, filled them with mincemeat, placed on lid on top and baked it. Really beautiful, but fiddly-looking shapes, I’m sure you’ll agree.

I felt a little nervous making them, so let me at this point, say a massive thank you to Ivan Day for the advice he gave me on shaping these pies. Ivan has an excellent blog with a fascinating article about mince pies (click this link to read it).

In the Christmas episode, I considered making some of the pie designs in Robert May’s The Accomplisht Cook (first published in 1660), but I found Edward’s designs much easier to extrapolate into three-dimensional pies! However, here are a few from May’s book to give you an idea of the sorts of minced pies he was making:

The Materials

The first thing you need to do is get organised with your templates. I simply took screenshots of the book, printed them out and cut them out. You can make them any size you like. My shapes were around 10cm wide, and I went for the ones that looked the easiest!

Then you need the correct tools for the job. I have collected over the years various pastry tools, both antique and modern. The wheels are called jiggers, which are used for cutting pastry. The antique ones usually come with a crimping tool attached, and these are used to fuse two pieces of pastry. The one I own with what looks like a flat pair of tweezers was particularly helpful for the pies I made here. I used a paring knife to cut out the shapes – the jiggers weren’t appropriate for these smaller pies.

Jiggers do come in handy for cutting out the pastry walls – essentially strips of pastry – I have a tool that’s made up of 5 jiggers on one expandable frame so you can cut several strips of the same thickness in one go.

That’s the tools of the trade, but now let’s look at our ingredients: we need mincemeat (I used the lamb mincemeat, recipe here) but you can use any you like.[1] Then we need some pastry that is mouldable (we don’t want the walls collapsing in the oven!) yet edible.

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Mouldable Hot Water Pastry

I came up with the following recipe, based on one given by Jane Grigson in English Food.[2] It’s very good for moulding, but not particularly delicious, I made a few changes and I think it’s pretty good. It is simple to make, and this was enough for 8 to 10 pies, depending upon how large your templates are (you could, of course, make one large one!)

500 g plain flour

125 g salted butter, diced

125 g lard, diced

75 ml hot water

2 tbs icing sugar

First, rub the butter into the flour until it resembles breadcrumbs. Put the lard in a saucepan and pour the hot water over it. Heat gently, but be careful – you don’t want it to boil and splutter. Stir in the icing sugar and when it is dissolved, make a well in the centre of the flour-butter mixture and pour into it three-quarters of the hot liquid. Cut the liquid in with a knife, then pour the remaining hot liquid to pour over any dry patches that remain. Once all of the water has been added, give the pastry a knead (leave it to cool a little if you need to). It should be smooth, pliable and waxy. Cover with cling film and allow to cool completely, but do not refrigerate.

Constructing the Pies

Now you can roll out a third of the pastry thinly – aim for the thickness of a pound coin, 2 to 3 millimetres – and cut out your bases. Now roll out another third into a long strip, long enough to go around the perimeter of your shapes. To do this, use a piece of string to trace around the shape. When the appropriate length, use a ruler to cut your strips at your desired thickness. I went for 2 cm, but I could have gone thicker than that, I think.

Now the fiddly bit: brush the edges of the bases with plain water and glue the sides on. Use your finger and thumb to pinch them together, and then crimp them with a crimper tool if you have one. Repeat with all of your shapes and place in the fridge for a few hours to firm up. When firm, roll out the final third of the pastry and cut out your lids.

Fill your pies with your chosen mincemeat, brush the rims of your pies with water and fix on the lids in the same way as you did the bases. Make a steam hole and place back in the fridge for 30 minutes to firm up again. Meanwhile, preheat your oven to 200°C.

If you like, brush your pies with an egg wash before you bake them for 25 minutes, or until a good golden-brown colour. If you are making large pies, turn the heat down to 175°C and cook longer: you should see or hear the filling bubbling, telling you it is ready!

Notes:

[1] Though it is best to use a low-sugar recipe, not a gloopy one from the supermarket shelves. I recommend Jane Grigson’s orange mincemeat or Mrs Beeton’s traditional mincemeat.

[2] See Oldbury Gooseberry Tarts on the other blog.

Westmorland Sweet Lamb Pie

This post complements the 2023 Christmas special of The British Food History Podcast called ‘Mince Pies’:

I have written several times about mince pies and mincemeat over the years on the blog. There are my two go-to mincemeat recipes: Jane Grigson’s Orange mincemeat, and Mrs Beeton’s traditional mincemeat, along with instructions on how to make small, individual mince pies. This year, however, I wanted to make an old-fashioned sweet lamb pie, once eaten in Westmorland in the Northwest of England, a defunct county now making up parts of Cumbria and North Yorkshire. It was one of the last areas of the country to carry on putting meat in its mincemeat mixtures.[1] Like all mince pies of the past, they were not eaten only at Christmas, but much of the year, though because of the dried fruit content, they were associated with wintertime.

I was first introduced to this pie by Jane Grigson, and I made it many moons ago, for the Neil Cooks Grigson blog, I really liked it and have been meaning to revisit it.[2] These pies were not of the small individual type, but large plate pies, baked in a pie plate made of earthenware, tin or enamel.[3]

I’ve based the recipe on hers, but I did make some changes inspired by other recipes found on the Foods of England Project website.[4] The mincemeat isn’t cooked, but because of the booze and sugar content, it keeps very well. Don’t be put off by the meat content, it makes the filling succulent – and you can taste it, but this blurring of sweet and savoury is most delicious, something I have come to embrace after so many years of making historical British food.

The filling:

This makes around 2 ¼ litres of well-packed filling, but I do intend to make two large pies at least and lots of smaller ones, so scale down if need be. It keeps for months if left somewhere dark, dry and cool; and remember mince pies are for life, not just for Christmas.

500 g lean lamb

200 g lamb or beef suet, membrane and sinew removed (packet stuff is acceptable if fresh is unavailable)

350 g apples, peeled and cored

120 g almonds

250 g each currants, raisins and sultanas

300 g soft, dark brown sugar

100 g chopped candied peel

Juice and zest of 2 oranges

120 ml dark rum

1 tsp salt

½ tsp ground black pepper

1 tsp each ground mace and cinnamon

½ freshly grated nutmeg

To make a truly ‘minced’ meat, you need to chop the meat, suet, apples and almonds quite finely. (You can, of course, use minced lamb, slivered almonds and grated apple and suet).

Mix everything together in a large bowl and pack tightly into sterilised jars.[5] Leave to mature for at least a week before using.

The pie:

These pies were made on pie plates, but you can make them in any flan or pie tin you like. For my 26 cm diameter pie plate I used the following amounts, though the pastry was quite thin, so you may want to proportion things up in line with perhaps 360 g flour. I will leave it to you to judge size and thinness. There are instructions on how to make small, individual mince pies here.

300 g plain flour

150 g butter, or 75 g each butter and lard

75 g caster or icing sugar

80-100 ml cold water

Egg wash: 1 egg beaten with ½ tsp salt

Dice the fat and rub into the flour until breadcrumbs are formed (or use the flat beater on a machine, set to slow), then add the sugar, mix, and add the water slowly mixing and stirring. Bring everything together to form a firm dough. You might not need all of the water. Knead briefly to smooth the dough, cover and then leave to rest in the fridge for around 30 minutes.

Roll out two-thirds of the dough into a round, lift and lay it over the plate neatly. Prick the base with a fork. Spoon the filling in. Again, go with your gut – do you want a thin amount or loads? I added enough to come up to the lip of my plate.

Roll the remaining third of the pastry out into a round. As it rests, wash the rim of the pie plate and place the lid on top, securing it with a crimping tool or fork prongs or with your thumb or forefinger. Cut a steam hole and brush with egg. You can sprinkle a little sugar over the top if you fancy.

Place in the fridge to firm up and preheat the oven to 200°C. When the oven has come up to heat, slide the pie onto the centre shelf and cook for around 35 minutes, or until a good golden-brown colour and you can see the filling bubble through the steam hole.

Best eaten warm with thick cream, or rum butter.

I ate my first piece so quickly, I forgot to photograph it. This is my seconds.

[1] Mason, L. and Brown, C. (1999) The Taste of Britain. Devon: Harper Press.

[2] Read the original post here: http://neilcooksgrigson.com/2014/01/02/388-sweet-lamb-pie-from-westmorland/

[3] Grigson, J. (1992) English Food. Third Edit. Penguin.

[4] Hughes, G., ‘North Country Sweet Pie’, The Foods of England Project. http://www.foodsofengland.co.uk/northcountrysweetpie.htm

[5] To sterilise jars, heat them in the oven for 25 minutes at 120°C. Any rubber seals – or lids with rubber seals, can be sterilised in very hot water.

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Tagged as baking, Christmas, food, history, lamb, meat, mincemeat, mutton, pie, pies, recipe, Recipes, regional cookery, Teatime, traditions, Westmorland

10/11/2023 · 1:06 pm

To Roast a Haunch of Venison

Christmas isn’t too far away and the chances are you are probably already discussing what meats you will be roasting on the big day. Well, I am going to stick my neck out and suggest venison. Game used to be a very important part of the Christmas feasting, especially in the countryside, making an excellent centrepiece to the day’s feasting.

Regular readers will know that I love cooking with game, but it has been a while since I cooked some up for the blog. I got the opportunity to cook a nice haunch of venison because I was sent some from Farm Wilder to try out, and my gosh it was good. Apart from the meat being tender and delicious, the deer that make their venison are culled as an important part of land management in Southwest England. Without any natural predators, their numbers are increasing and pretty as they may be, they are very damaging to woodland habitats – in short, they are a menace![1]

A medium-rare roasted haunch of Farm Wilder venison

For more information about Farm Wilder and their venison, click this link.

The important thing when buying a roasting joint is to buy as large a one as possible; large joints always roast juicier and more evenly. Bear in mind that any excess venison can be chopped and made into a hunter’s pie – essentially a shepherd’s pie but with lamb swapped for venison. I’ve suggested a 2 kg haunch but don’t worry if yours is a different weight, I have included a formula for calculating the roasting time in the method. The haunch is the equivalent of beef topside, but I think it is a much superior joint in both tenderness and flavour.

Venison is best marinated before cooking; it adds a complexity of flavour to the meat and makes it even more tender. Many recipes go into great detail about how this should be done using cooked marinades, but I think the best is also the simplest: red wine, red wine vinegar, olive oil and some herbs and spices.

Folk also make a big deal about the meat drying out in cooking (venison being a very lean meat) and there are – again – complex methods to keep the meat moist: larding it with needles or tying sheets of pork backfat or skin around it. These work, but I have found that smearing the joint with plenty of butter and covering it all with smoked streaky bacon works perfectly, adding more depth of flavour; and you get to eat some crispy bacon with your dinner.

I chose to serve my venison with potatoes and parsnips roasted in duck fat, Brussels sprouts, gravy and a fruit jelly: redcurrant is the easiest to get hold of from the shops, but quince or medlar jelly can be used too.

Serves 8:

2 kg haunch of venison

½ bottle red wine

125 ml red wine vinegar

125 ml olive oil

Around one dozen black peppercorns and juniper berries

A bunch of herbs: e.g., rosemary, thyme, marjoram or winter savoury sprigs, 3 or 4 fresh bay leaves

2 carrots, peeled and sliced

2 sticks celery, trimmed and sliced

1 leek or onion, trimmed and sliced

75 g salted butter, softened

Salt and pepper

6 to 8 rashers of smoked streaky bacon

2 tbs of redcurrant, quince or medlar jelly

2 or 3 tsp cornflour

500 ml beef stock

The day before you want to cook the venison, place it in a tub only slightly larger than the joint itself along with the wine, vinegar and olive oil. Lightly crush the spices, tie the herbs with some string and add those too. Make sure the venison is covered – or mostly covered – by the wine mixture then cover and refrigerate. Turn the meat once or twice if it is not completely submerged.

Next day, take the tub out of the fridge a few hours before you want to cook the meat, so it can come up to room temperature. Preheat your oven to 225°C. Calculate your cooking time: for rare meat roast for 15 mins per 500 g of meat plus 15 minutes; for medium 18 mins per 500 g plus 15 minutes.[2]

Now prepare the meat. Spread your vegetables in the centre of the tray and place the venison on top. Dab it dry with some kitchen paper then smear the top with the butter, season well with salt and pepper, then cover the top with the bacon, making sure each rasher overlaps the next slightly.

Ladle around half of the marinade into the tin and slide the meat into the oven. Roast for 15 minutes and then turn the heat down to 180°C. Baste the venison every 15 to 20 minutes or so, adding more marinade if it starts to dry up.

For the last 15 minutes of the cooking time, turn the heat back up to 225°C, remove the bacon, give the meat one more baste, and let it crisp up at the edges. Take the tin out, remove the meat to a board or dish and cover with kitchen foil. It will sit very happily there as you roast your potatoes and cook your veg.

Now make the gravy. Strain the contents of the tin into a jug and spoon or pour a couple of tablespoons (approximately) of the buttery olive oil layer into a saucepan. Discard the rest of the fat. Put the pan over a medium heat and stir in 2 teaspoons of cornflour. Once incorporated, cook for a minute before adding the juices. Mix to blend, before adding the beef stock, mix again and then add the remaining marinade. Cook for 10 minutes, then add the jelly and season with salt and pepper. If the gravy isn’t as thick as you’d like, slake another teaspoon of cornflour in a little cold water and stir it in. When ready, strain into a warm jug.

Remove the outer mesh covering the joint, slice and serve with the gravy, the crisp bacon rashers and extra jelly on the side.

Notes:

[1] It is for this reason that I consider venison a vegan-friendly food: we’d have to cull them whether we ate meat or not, so we may as well.

[2] If you like your meat well done, I can’t help you.

Forgotten Foods #10: Porpoise

The harbour porpoise was the most commonly species eaten. They are 1.5 to 1.9m meters in length (Ecomare/Salko de Wolf Den Hoorn Texel)

It seems almost inconceivable that the porpoise – a type of small dolphin – would ever have been eaten, but it was once a most high-status ingredient. Although it is obviously a mammal, in the Middle Ages it was considered a fish, and therefore it could be eaten on fast days (all of the cetaceans were ‘fish’ as were seals and beavers’ tails) and it was usually served on fish days as a substitute for venison, another very high-status meat.[1] It seems that this was a bit of a blip for Europe: for the last few centuries, as well as in antiquity, dolphins have been very much considered a ‘friend of man’, and not an animal that should be eaten, not so in the Middle Ages.[2] The word porpoise comes from the Old French words porcus and piscus: ‘pigfish’ They have also gone by the names ‘mere-swine’ and ‘seahog’[3] and were eaten at the poshest of posh feasts. When George Neville celebrated becoming Archbishop of York in 1466, he held a huge feast, inviting 2000 guests of very high rank, the fish course was made up of 608 bream and pike, and 12 porpoise and seal.[4]

There were several ways of preparing it; if fresh it was poached and served in slices. In the late 14th century manuscript Forme of Cury, it is served with frumenty.[5] Sometimes it was cooked in a broth with wine, vinegar, bread, onions and its own blood.[6] It was also salted and cooked with dried peas and beans, rather like salt pork. If tip-top fresh, ‘porpesses must be baked’. The carving term for a baked porpoise is ‘undertraunche’[7], and it is served dressed with vinegar, cinnamon and ginger.[8]

The earliest mention of a porpoise hunt occurring in the British Isles comes from the 7th century just off the Irish coast by ‘foreigners’ most probably Vikings. The 10th century manuscript Ælfric’s Colloquy does mention the hunting of dolphins[9] and when we tick into the 11th century – during the reign of Æthelred II (the Unready) – there are rolls listing fisheries in Gloucester which specialised in fishing for them. Just one porpoise is mentioned in the Domesday Book – it was paid as geld at an estate in Kent. Post-conquest, they appear more frequently in ordinances for example: 10 people were supplied for Henry III in 1256 at the Feast of St. Edward – a feast that always occurs during Lent.[10]

A medieval depiction of a dolphin eating a fish (from
Kongelige Bibliotek, Gl. kgl. S. 1633 4º, Folio 60v)

One does have to wonder how much luck was needed when it came to ‘hunting’ them because the majority of them seem to have been opportunistically acquired after the poor beasts were found beached. One, therefore, also has to wonder just how fresh these porpoises were when delivered to a noble’s kitchen. I suspect that they were very quickly salted down and stored until there were ordered. There were laws laid down as to who owned the poor creatures after they were found beached; for most of the Middle Ages they were considered ‘wrecks of the sea’, so it was a case of finders’ keepers, but in the 13th and 14th centuries – the period when eating porpoises reached its peak – it was asserted that all beached porpoises belonged to the Crown.[11]

The number of porpoises consumed really drops in the Early Modern Era: Henry VIII was gifted a porpoise at Calais in 1532, and in 1575 (during the reign of Elizabeth I) one appeared for sale at Newcastle Market. After that, mentions of porpoises as food seem to dry up.[12]

If you are a historical cook, you might be wondering what you could substitute if you wanted to recreate a dish containing porpoise for a medieval menu. Historian Peter Brears has one fine suggestion: use a large piece of the freshest, firmest and largest block of tuna you can afford![13]

[1] Brears, P. (2012). Cooking & Dining in Medieval England. Prospect Books.

[2] Davidson, A. (1999). The Oxford Companion to Food. Oxford University Press.

[3] Gardiner, M. (1997). The Exploitation of Sea-Mammals in Medieval England: Bones and their Social Context. Archaeological Journal, 154(1). https://doi.org/10.1080/00665983.1997.11078787; The Shuttleworth Family. (1858). The House and Farm Accounts of the Shuttleworths of Gawthorpe Hall, in the County of Lancaster, at Smithils and Gawthorpe From September 1582 to October 1621 · Part 4 (J. Harland, Ed.). The Chetham Society.

[4] Brears (2012)

[5] Frumenty: a whole wheat ‘risotto’, ‘messe it with porpays’, says Forme of Cury.

[6] Hieatt, C. B., & Butler, S. (1985). Curye on Inglysch: English culinary manuscripts of the fourteenth century. Oxford University Press.

[7] In the Middle Ages each animal served at table had its own carving term: so one doesn’t carve a porpoise, one ‘undertraunches’ it.

[8] Brears (2012); Furnivall, F. J. (1931). Early English Meals and Manners. Forgotten Books.

[9] It also states that whales should not be hunted: far too dangerous. Read a translation online here: https://pdf4pro.com/amp/view/aelfric-s-colloquy-translated-from-the-latin-by-2a9241.html

[10] Gardiner (1997)

[11] Ibid.

[12] The Shuttleworth Family (1858)

[13] Brears (2012)

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Tagged as dolphin, food, forgotten foods, history, meat, Mediaeval, Middle Ages, porpoise

18/10/2022 · 1:27 pm

My Best Yorkshire Pudding Recipe

Carrying on from my conversation about Yorkshire pudding with Elaine Lemm on the podcast recently, I thought I should toss my hat into the ring with my own recipe.

This post complements the episode ‘Yorkshire Pudding with Elaine Lemm’ on The British Food History Podcast:

This is a simple affair, and after some rigorous recipe testing, using fewer eggs or different mixtures of milk and water, as well as different receptacles in which to cook the batter, I think it is both excellent and fool proof. It goes by the tried-and-tested equal ratio method: i.e. equal volumes of plain flour, milk and eggs, plus a good pinch of salt, and animal fat (in my case, lard).

The pudding takes around 40 minutes to cook, the perfect amount of time to rest your roast meat before carving and serving.

In the podcast episode Elaine and I came to the conclusion that anything made in a muffin tin, isn’t really a proper Yorkshire pudding. Indeed, the consensus on my Special Postbag Edition of the podcast, cooking the batter in a tray achieves the best proportion of crispy, crunchy bits on the fringes and nice puddingy softness in the base. Listen to that episode here:

Have something to add to the debate? Please get in contact or leave a comment at the end of this post, I’m sure I shall be revisiting the subject in future postbag episodes.

A large pudding has both softness and crunch

Cooking in a dish that is good and thick is important for a good rise: you need something that will heat up in the oven, but also retain it when the cool batter is poured in. Don’t go for anything flimsy here: a really thick metal tin, or even better, an earthenware dish: it’s thickness and its property of retaining heat creates a pud with a fantastic rise: I got such a good one it almost hit the grill elements in my oven when put on the middle shelf! I give the dimensions of my dish in the recipe, but don’t worry if yours is slightly different; puddings like this are very forgiving with respect to dish size.

If you like the blogs and podcast I produce, please consider treating me to a virtual coffee or pint, or even a £3 monthly subscription: follow this link for more information.

Make the batter a few hours (minimum one) before you want to cook it.

Serves 6 to 8 if eaten with a roast dinner:

¾ cup (180 ml) plain flour

A good three-finger pinch of sea salt

¾ cup (180 ml) eggs

¾ cup (180 ml) milk, full fat, if possible

30 g lard, dripping or goose or duck fat

Put the flour and salt in a bowl, make a well in the centre and pour your eggs inside the well. Use a whisk to combine the eggs and flour, starting in the well, gradually mixing the flour into the eggs. This prevents lumps forming.

Once the flour and eggs are mixed, add the milk, whisking slowly at first, until it is fully mixed in, then give it a good thrashing for 30 seconds or so. Leave, covered, at room temperature until you want to cook it. If you like, pour the whole lot into a jug, for easier handling later.

When you are ready to cook your pudding, preheat the oven to 200°C.

Place the fat in your tin or dish – I used an earthenware dish of dimension 20 x 28 cm, with steeply sloping sides – and place on the centre shelf of your oven. Give the dish and fat plenty of time to get fully hot: I leave it in there for a good 25 minutes.

Now give the batter a final good whisking, quickly (but carefully) open the oven door, pull the shelf of the oven out slightly so that you can pour in the batter. The batter should sizzle and frill up in the fat.

Quickly push the shelf back into place and close the door. Do not open the door until 25 minutes have elapsed.

Bake for 25 to 30 minutes, depending upon how dark you like your risen crispy edges.

Remove and slice into squares, serving it up with your roast dinner.

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Tagged as baking, food, meat, Podcast, pudding, recipe, regional cookery, roast, Yorkshire

07/08/2022 · 11:04 am

Braised Shoulder of Mutton

This post has been written in a collaboration with Swaledale Online Butchers, ‘a strictly whole-carcass, nose-to-tail butchers based in Yorkshire.’ Their meat is of the highest quality, and they supply to some of the best restaurants in the country.

Braised shoulder of mutton is an iconic British dish, though I wonder how many of us has ever tried it. That it was such a part of our food culture is reflected in the fact that it is a very popular pub name. The shoulder is made up of several muscles, all of which work hard, so slow cooking is essential. Braising is by far the best way to cook it: the meat sat in the cooking liquid goes wonderfully tender whilst the rest of the meat roasts and the skin goes crisp.

Mutton and lamb go very well with anchovy, and I’ve chosen to roast my mutton spread with Gentleman’s Relish, the spiced potted anchovy spread. If you can’t get hold of it, don’t worry, you can make some yourself, or simply mash some canned anchovies with a few spices.

The shoulder takes 6 hours to cook, but don’t let that put you off; for the vast majority of the time, you don’t need to do anything at all!

Serves 8

2 leeks or red onions, sliced

4 good sized cloves of garlic, crushed with the flat of a knife

8 sprigs or rosemary, marjoram or oregano

1 shoulder of mutton, on the bone

Salt and pepper

20g (half a tub) Gentleman’s Relish or ½ can of anchovies and ½ tsp each nutmeg, mace and cayenne pepper

125g butter, softened

500ml red wine

250 ml beef or mutton/lamb stock

2 level tsp cornflour

1 tsp brown sugar or 1 tbs redcurrant jelly

Preheat your oven to 120°C.

Strew the leek or onion, garlic and herbs over the base of roasting tin large enough to fit your mutton.

On a board, season the underside of the meat, then place in the tin, skin side up. If using Gentleman’s relish, spread it over the skin of the mutton, then spread the butter on top of it. If using anchovies, simply mash them with some of the softened butter with the spices.

Season again with salt and pepper – though hold back a little on the salt if you have used Gentleman’s Relish – and pour the stock and red wine over the lamb. Cover with foil and braise in the oven for 5 ½ hours.

Remove from the oven and turn up the temperature to 220°C, take off the foil and pour the majority of the cooking liquor into a saucepan. Be careful here – it’s easier to remove the mutton to a board, then pour the wine and stock, then pop the mutton back in the pan.

Return the mutton to the oven for 25 minutes to crisp up, basting it half way through the time. Remove, cover with foil and allow to rest.

Meanwhile, spoon off any fat from the liquid and place over a high heat to reduce by half. Slake the cornflour in a little cold water and whisk into the reducing gravy. Add the sugar or redcurrant jelly, taste and correct for seasoning. Add more sugar or jelly if required.

Take the meat from the bone and cut into thick slices and place on a warm serving dish and pour the gravy through a sieve into a gravy jug.

Serve with mashed potatoes, kale and carrots.

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Tagged as braise, meat, mutton, roasting meat, shoulder, Swaledale Butchers

03/08/2022 · 10:48 am

Mutton Chops

This post has been written in a collaboration with Swaledale Online Butchers, ‘a strictly whole-carcass, nose-to-tail butchers based in Yorkshire.’ Their meat is of the highest quality, and they supply to some of the best restaurants in the country.

I was contacted by Swaledale Butchers recently to write some traditional recipes using their excellent meat. Swaledale is an online butcher who share exactly the same ethos as I do: championing all cuts of meat, not just the prime ones, so when they asked me to choose a couple of items to cook at home, I jumped at the chance.

I decided to choose mutton, a meat that many folk think is tough and not worth eating. They couldn’t be more wrong! Eating mutton over lamb is no different to eating beef over veal. A longer life gives the meat more flavour, but it is certainly not tough. To prove my point I chose two very different cuts one requiring slow cooking, the other a quick cook: shoulder and chops. I’ll deal with the shoulder in a future post soon. Today it’s all about tender mutton chops.

A 19th century chap sporting a fine set of mutton chops

Breaded Mutton Cutlets with Lemon Butter Sauce

Mutton chops were a very popular food, grilled or fried and served with a strong tasting sauce or gravy. Devilled mutton chops are very good – indeed if you fancy a go at that, I have an excellent devil sauce recipe here. My recipe for breaded chops couldn’t be more different though; it’s an excellent summery dish that’s especially useful for people who, like me, don’t have a barbecue but really enjoy eating al fresco.

The chops may be breaded and fried, and the sauce somewhat buttery, but it’s surprisingly light; using chicken stock over beef or mutton stock, as one might usually expect. For the aromatics, I eschew rosemary and mint completely and go instead for zesty marjoram and grassy parsley.

Feel free to trim the chops into cutlets, but I always think you’re losing a lot of the meat, and these chops from Swaledale have such soft fat, it really would be a crime to cut it off. Because it is a rather quick cook, you may want to trim the small amount of rind, but it is really not a necessity.

Serves 2

80 g breadcrumbs made from stale bread (gluten-free bread works very well here, by the way)

Zest 1 lemon, grated

2 tsp finely chopped parsley

1 tsp finely chopped marjoram (oregano, thyme or savory are good substitutes)

Salt and pepper

4 mutton chops, cut around 1 ½ inches/4 cm thick.

1 egg, beaten

30 g lard or dripping

2 level tsp plain flour or corn flour

300 ml chicken stock

50 g butter, diced and chilled

A squeeze of lemon juice

Mix the breadcrumbs, lemon zest and herbs, season with salt and pepper and spread the mixture out onto a plate. Coat each chop in egg, then coat in the breadcrumbs, tapping away excess. Set aside.

Melt the lard or dripping in a heavy based frying pan over a medium heat. Once hot, add the chops. It’s important to leave them be for the first two or three minutes, lest you lose the breadcrumb coating. After four minutes turn them over and cook the other side, basting the chops every now and again. After 8 minutes they will be ready, remove and place on kitchen paper and put them in a warm oven to keep them crisp.

Now make the sauce. In the same frying pan, turn up the heat to medium-high (don’t worry about any dark brown breadcrumbs, we’ll deal with those soon) sprinkle the flour and stir with a wooden spoon so that the flour absorbs any stray fat, then pour in the stock by degrees, making sure there are few lumps. Bring to a boil and simmer for a couple of minutes to cook out the flour, then take off the heat and whisk in the cubed butter two or three cubes at a time. Add a squeeze of lemon juice. Taste and check for seasoning, adding more lemon, salt or pepper as required. Pass through a sieve and straight into a sauceboat.

Serve the cutlets and the sauce with steamed new potatoes, mushrooms fried in butter and a rocket salad.

Beautifully soft and tender mutton chops.

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01/08/2021 · 9:53 am

To Make Frumenty/Furmenty

This post complements the episode ‘Forme of Cury with Christopher Monk’ on The British Food History Podcast.

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29/06/2021 · 7:30 am

Saltpetre and Salt Prunella

On my Jane Grigson blog I recently completed a recipe, the 441^st, Smoking Meat. It wasn’t so much a recipe, more a bit of advice, and the advice was: don’t bother. However, I wanted to have a go at curing and smoking my own bacon, so took this as an opportunity, and because there was no recipe in English Food, I could do my own thing with respect to the recipe (see The Premise). All of Jane’s cured meats contain a combination of salt and saltpetre – also known as potassium nitrate – which has a bad rep these days because it has been implicated as a causative agent in diseases associated with eating processed meat products (more on that later). So, with my bacon, I thought it a good opportunity to see if leaving out the saltpetre would have any observable detrimental effects. SPOILER ALERT! My bacon is still completely fine three months after making it, stored at room temperature – there isn’t the merest trace of mould – and it got me thinking about its use in meat curing and processing and whether it needs to be included.

Just what is the function of saltpetre? Everyone does agree that the pink colour saltpetre gives the meat is attractive. However, there is certainly disagreement out there as to its efficacy in preservation. According to Jane Grigson saltpetre ‘no preservative value’¹ and Elizabeth David is of the belief that it is simply ‘the cosmetic of the preserved meat industry.’²

On the other side of the argument Larousse Gastronomique reckons it a ‘powerful bactericide [that] has been used since ancient times to preserve food.’³ Harold McGee concurs, adding that it is particularly effective against the bacteria that causes botulism.⁴

In conclusion: I don’t know what to think.

It seems that it hasn’t been used since ‘ancient times’ either; according to Peter Brears, ‘there appears to be no evidence for the use of saltpetre, sugar or smoking in medieval meat preparation, only salt.’⁵

Natural deposits of saltpetre pic: William Haun

Saltpetre can be found deposited naturally as veins in rocks – indeed, saltpetre literally means salt stone. Houses built on foundations dug into rocks containing the mineral sometimes find saltpetre can be found in crystalline forms in damp cellars. It is relatively rare, but it was in demand in the Middle Ages, not for its preserving powers but as an ingredient in gunpowder. In the sixteenth century a method of production was devised after an alchemist found that after boiling the water from urine the crystalline material left behind was highly flammable.⁶ With further refining of the process, urine was combined with faeces and lime on an industrial scale. It was said that the best urine for the job was ‘Bishops’ piss’; not because it was the urine of a holy man, but because of the large volume of wine that Bishops drank. The process even makes an appearance in the Canterbury Tales:

Chalk, quicklime, ashes and the white of eggs,

Various powders, clay, piss, dung and dregs,

Waxed bags, saltpetre, vitriol and a whole

Variety of fires of wood and coal.⁷

Everyone was well aware how saltpetre was made, and people – as you might expect – did not want to use a product derived from human waste in their food and continued to use saltpetre from natural sources at great expense. Today it is made from ammonium nitrate and potassium chloride.

An engraving showing equipment used to extract saltpetrefrom ‘soil’. From *The Laws of Art and Nature, in Knowing, Judging, Assaying, Fining, Refining and Inlarging Bodies of Confin’d Metals* (1683) by Lazarus Erckern (pic: science photo library)

When saltpetre comes into contact with meat, the nitrate part of the molecule reacts with haemoglobin (in the blood) and myoglobin (in the muscle) to form a nitrite, which reacts further to form nitric oxide. It is the nitrite and globin molecules reacting that form the pink colour. The products of reduction are stable away from oxygen in the air, however if one takes a slice from the meat to reveal the pink meat within, the nitrites oxidise back into nitrates and the meat loses its rosy tinge.

Some recipes ask for salt prunella, which is simply saltpetre that’s been formed into little balls and dissolve at a slower rate that regular saltpetre. It also contains a small proportion of potassium nitrite to help kick-start the chemical processes in the meat. Again sources disagree as to the truth of this.

Saltpetre is used in very small amounts – when I used it in the past, I used approximately a teaspoon or two to every 500 g salt. You can purchase it on the internet, but it is much better to buy salt mixes for curing that contain salt and nitrates already mixed and measured.

This brings us to health – this chemical which is added in small amounts is getting the blame for causing heart disease and bowel cancer in those who eat processed meat products. Well, there is certainly a correlation between consumption of processed meats and cancer. But let’s not jump on nitrates as the causative agent: correlation is not causation, after all. Remember when red wine was supposedly good for your heart? It wasn’t true – there was a correlation, sure, but only because folk who drink red wine tend to be middle class, and therefore tend to also exercise regularly and eat a heathier diet. Nothing to do with wine.* I suspect there is something similar going on with nitrates: they are used in processed meats, which are cheap and much more likely to be consumed by poorer families, who in turn, are less likely to eat fewer fresh fruit and vegetables, and less likely to own a gym membership. As it turns out, nitrates may actually be beneficial in that they help lower blood pressure.

The jury then is still out. And in the case of my own homemade, nitrate-free bacon, leaving out the nitrates hasn’t caused the meat to go bad, and it stayed relatively pink too. Removing it might not improve the nation’s health, but at least it removes a chemical that’s been produced from nasty chemicals which can only be good for the environment.

Do you have any thoughts on the matter? Let me know them in the comments.

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*In fact it has been demonstrated that there is no safe minimum alcohol levels – it’s all bad, sorry!

References

1. Grigson, J. Charcuterie and French Pork Cookery. (Grub Street, 1969).

2. David, E. Spices, Salt and Aromatics in the English Kitchen. (Penguin, 1970).

3. Larousse Gastronomique. (Hamlyn, 2001 edition).

4. McGee, H. On Food and Cooking: The Science and Lore of the Kitchen. (Allen and Unwin, 1984).

5. Brears, P. Cooking & Dining in Medieval England. (Prospect Books, 2012).

6. Beach, H. By the Sword Sundered. (Authorhouse, 2014).

7. Chaucer, G. The Canterbury Tales. (Translated by Nevill Coghill, Penguin, 1951).

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Filed under Britain, food, General, history, Meat, Uncategorized

Tagged as curing meat, diet & health, food additives, history, meat, nitrates, preserving, salt prunella, saltpetre

23/03/2021 · 4:46 pm

Pie-Style Pressure Cooker Pigeon

Last post I told you all about the origins of the pressure cooker, and how it was invented by Frenchman Denis Papin in the seventeenth century. One part of his story really struck a chord with me, and that was an almost throwaway comment made by diarist John Evelyn. He attended the ‘philosophical supper’ where Papin cooked for the members of the Royal Society, everything pressure-cooked in his “Digester”. Evelyn wrote about in his diary and described how deliciously tender everything was, but noted that the pigeons were particularly delicious:

We ate pike and other fish, bones and all, without impediment; but nothing exceeded the pigeons, which tasted just as if baked in a pie, all these being stewed in their own juice, without any addition of water save what swam about the digestor

As soon as read that, I knew I had to try it.

I don’t know what your mind conjures up when you imagine what a pigeon pie was like in days of yore, but I always think of Dorothy Hartley’s illustration and description in her wonderful book Food in England. Hers has a double crust and a layer of suet dumpling dough inside, but it was the interior of the pie that I was interested in here.

After a pie dish is lined with the pastry, a slice of braising steak is laid inside with the pigeons on top, then there is a sprinkling of bacon pieces and mushrooms. Stock or gravy is poured over them before the dumpling layer and second pastry layer are added on top. This recipe is for old pigeons that require long cooking, but if young pigeons (squabs) were used, the pies were cooked quickly and at a high temperature, the shortcrust pastry swapped for flaky or puff pastry and the stewing steak swapped for sirloin or veal. There is no definitive recipe, and there are recipes for pigeon pie from the seventeenth century that contain oysters, bone marrow, pistachio nuts and cockerels’ stones (testes). However they are cooked, pigeon pies were well regarded because of their tenderness.

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In my interpretation of pie-style pressure cooker pigeon, I stuck quite closely to Hartley’s description, though I added a few aromatic herbs and vegetables and good glug of red wine. I heartily recommend it, and the pigeons do come out exceedingly tender:

Serves 4

1 good knob of butter or bacon fat, around 30 g

4 cloves of garlic

1 leek, trimmed and sliced

2 sticks of celery, chopped

3 bay leaves

12 sprigs thyme

2 portobello mushrooms, sliced

Salt and pepper

2 tbs plain flour

6 rashers dry cured streaky bacon (smoked or unsmoked)

2 oven ready woodpigeons

400 g piece of braising steak (I used top rib)

125 ml red wine

250 ml beef stock

2 tbs chopped parsley

Melt the butter or fat over a medium high heat and add the garlic, leek and celery. Tie the bay leaves and thyme with some string and toss into the mixture. Season well with salt and pepper. Fry and brown the vegetables for around 10 minutes, stirring occasionally. Add the mushrooms and fry for a further 5 minutes.

Meanwhile season the flour and scatter it over a plate. Give the steak a good coating of seasoned flour by pressing it down so that it gets a good covering of flour: make sure you do both sides.

Lay out 3 bacon rashers side by side on a board, sit a pigeon at one end and roll up, tucking the rashers underneath. Repeat with the other pigeon.

Take the pan off the heat, sit the beef on top of the vegetables, sprinkling in any flour that refused the stick to the beef. Sit the pigeons on top and pour over the wine and stock. The liquid should cover the beef, but only go up around a third of the pigeons. Add more stock – or plain water – if necessary. Add the parsley and then close the pressure cooker lid.

Bring up to full pressure and then turn down to a quiet hiss for 1 hour. Turn the heat off and allow to cool enough so that the lid can be removed safely.

To serve, remove the pigeons from the cooker, take off the bacon and return it to the vegetables, then remove the pigeon breasts – you should be able to do this with a spoon – and divide the beef into four pieces.

Just look how clean the meat comes from the bone. Deliciousness.

Mash the very soft bacon into the vegetables. Place a piece of beef in the centre of a plate or deep bowl, sit a pigeon breast on top and spoon over the vegetables and gravy.

Serve with mashed potatoes and garden peas.

References

The Accomplisht Cook (1660) by Robert May. Available at: http://www.gutenberg.org/ebooks/22790

The Diary of John Evelyn Volume II (1665-1706) by John Evelyn. Available at: http://www.gutenberg.org/ebooks/42081

Food in England (1954) by Dorothy Hartley

Modern Cookery for Private Families (1845) by Eliza Acton

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Tagged as game, history, meat, pigeon, pressure cooker, recipe, seventeenth century

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