Category Archives: baking

Cornish Splits (& More on Cream Teas)

Cornish splits are soft and pillowy enriched bread rolls and were the original cakey element of the Cornish cream tea. Bread rolls such as these were – and indeed are– eaten all around the country. There were Devonshire chudleighs, Yorkshire cakes and Guernsey biscuits, for example. But it was the people of Devon and Cornwall who combined them with clotted cream and jam.

These light, fluffy rolls are enriched with butter and are made extra soft by being made with milk rather than water and are covered with a tea towel as soon as they come out of the oven – the captured steam softening the exterior crust. Once cooled – or better, just warm – the rolls are not cut open, but split open with the fingers, hence their name.

Of course, the cream tea as we know today it is made up a scone, clotted cream and jam. Some places sell them made with whipped cream, but that will not do. The phrase ‘cream tea’ meaning a scone/split with jam and cream (as opposed to tea with cream in) seems to be relatively modern – the earliest printed reference of one coming from a 1932 article in The Cornishman newspaper (see foodsofengland.com). The earliest mention of a combination of jam, cream and bread eaten together pops up in the Devon town Tavistock’s accounts dating from the tenth century!

Cutting from The Cornishman, Thursday 3rd September 1931 (foodsofengland.com)

Some establishments in Cornwall still serve a split instead of a scone in their cream teas, but they are few and far between. Many folk reckon that the split is superior to the scone in a cream tea, the scone winning out by virtue of it being much quicker and easier to make. The Devonians apparently turned to scones before the Cornish, presumably because Cornwall is more cut-off. So, we have a situation where the rivalry between the two lands can be stoked. The Cornish can claim they invented the cream tea because they invented the split, but the Devonians can claim they invented it because they came up with the cream tea we think of today.

The bakery where I grew up in Pudsey, West Yorkshire sold Cornish splits filled with whipped cream, thin seedless raspberry jam and lots of icing sugar. I used to love them, so I was keen to make them myself and have a proper Cornish cream tea.

This enriched dough is a little trickier to work with than regular white bread dough, but you can make it by hand without things becoming too much of a horrible sticky mess. I prefer to use the dough hook these days I must admit. I use strong bread flour to gain a nice rise, but older recipes use regular plain flour; feel free to use it too, but whilst your splits will be more historically authentic, they will be less light for it: your choice!

Makes 12 splits:

500 g white strong bread flour

8 g instant yeast

10 g salt

60g caster sugar

75 g softened butter

280 g warm milk

I’ve written before about making and forming bun dough in more detail before, so if there’s too much brevity here, click this link.

Mix the flour, yeast, salt, sugar in a bowl. Make a well and add the butter and then the milk. If you have a food mixer with a dough hook, mix slowly to combine, then turn up to speed 4 and knead for around 6 minutes or until the dough has become tight and smooth and no longer sticky.

You can of course do all of this by hand, using a little flour for kneading at first until the dough loses its stickiness.

Using your hand, form the dough into a tight ball, pop in a lightly oiled bowl and cover with cling film or a damp tea towel. Leave somewhere warm until it doubles in size, which could take 90 minutes depending upon the ambient temperature.

When ready, divide into 12 equal sized pieces, form them into balls and arrange on a baking sheet. Cover with a large plastic bag or tub and wait for them to prove. Once doubled in size again – it should take much less time than the first rising – place in a cold oven and turn it to 200°C. Bake for 25 minutes, but if at any point, the splits look like they getting too brown, turn the temperature down to 175°C.

When ready, remove from the oven to cooling tray and quickly place clean tea towels over the buns to prevent them crisping up.

When cold, you can sprinkle with sugar if you like, then slice or split and fill with jam and cream.

References:

The Cornish split, original cream tea accompaniment, Cornwall Live website, www.cornwalllive.com/whats-on/food-drink/cornish-split-original-cream-tea-1336003

Good Things in England, Florence White, 1932

English Bread & Yeast Cookery, Elizabeth David, 1977

Classic Meals: Cream Tea, Foods of England website, http://www.foodsofengland.co.uk/creamtea.htm

The Taste of Britain, Catherine Brown & Laura Mason, 1999

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Clotted Cream

There’s nothing more Cornish than a good blob of clotted cream on a lovely cream tea. Unless you are from Devon of course, then there’s nothing more Devonian than a good blob of clotted cream on a lovely cream tea.

For those not in the know, clotted cream is a very thick cream with a much higher butterfat content than double (heavy) cream; weighing in at 64% and 48% respectively (for comparison, single cream is 18% fat, and full-fat milk is around 4%).

Clotted cream has a long history in Devon and Cornwall, and it is reckoned that it was first introduced to England by Phoenician settlers around 2000 years ago. Phoenicia was on the eastern Mediterranean coast in, what is now Syria, Lebanon and northern Isreal. The clotting of cream was a way of preserving buffalo milk. By removing the watery liquid, leaving mainly butterfat, the growth of spoilage organisms is retarded. The folk of Devonshire knew of its efficacy in this area; it was said that not even a witch’s breath could turn it sour.

If you have ever tried it, you will know that clotted cream – aka clouted cream or scalded cream in older books – is absolutely delicious and is well worth buying. It is possible to make your own and there is a recipe at the end of the post of you would to try your hand at it.

The best thing about it is the buttery, nutty crust that forms on the top as part of the manufacturing process. It is made by gently heating rich milk or cream in large shallow pans to a temperature of 80 to 90°C, the heat traditionally coming from cinders or charcoal. Once the buttery crust had formed, it was carefully but quickly moved to a cool place and sat upon some slate so make the cooling process as rapid as possible; the cold shocking the thin skimmed milk into sinking quickly and making a layer underneath the thick cream. These days, it’s all done with centrifuges, which is rather less romantic.

Once completely cooled, the clotted cream was lifted away with cold, wet hands and mixed in cold, wet wooden bowls to remove the last of the watery milk. It was then layered up in pots. I found a 1755 home recipe from an Elizabeth Cleland who recommended sprinkling rose water and sugar between the layers – the result must have been delicious!

The left-over skimmed milk, by the way, was taken away and either drank or used to make scones or Devonshire splits.

From the point of view of butterfat extraction, clotted cream is a much more efficient method than basic skimming techniques. The reason it is not the standard technique, I assume, is that double skimming requires no heating or centrifuges, tipping the balance of economy in double cream’s favour. Couple this with the fact that modern refrigeration and pasteurisation is doing the lion’s share of the preserving today means that the process of clotting cream is no longer required for that purpose. We eat it for the sheer love of it (ditto smoked fish and meat).

Mrs Beeton’s Book of Household Management says that there are two types of clotted cream: Devonshire and Dutch. She goes on to explain the difference – Dutch clotted cream is thick enough to stand a spoon up in. Now, in my (humble) opinion, it ain’t clotted cream unless you can stand a spoon up in it, so I can only conclude that English clotted cream – at least from a Victorian Londoner’s point of view – was relatively runny compared to that of today’s

Clotted cream is used to make ice cream, some biscuits and as a topping to the old-fashioned pudding Devonshire junket, a sweetened milk dessert set with rennet, producing curds and whey. It can be used to enrich sauces and soups too but use with caution – things can end up too rich.

Rodda’s is the largest producer of clotted cream and is based in Cornwall. There is much debate between the folk of Devon and Cornwall as to whether the cream should be added before or after the jam. Nick Rodda reckons his grandfather knew why:

We always put our cream on top because we are proud of it, Devonians are slightly ashamed of theirs, so they cover it up with their jam.

I must confess to siding with the Devonians on this one. It’s all down to what you think the buttery cream’s role is. The argument goes something like this:

The Cornish: it is the cream, and you wouldn’t put cream under your fruit salad/trifle/fruit tart etc, now would you?

The Devonians: it is the butter, and you wouldn’t spread butter over the jam on your toast/crumpet/muffin etc, now would you?

Your choice.

Home-Made Clotted Cream

All you need to make your own is some double cream, an oven and patience.

Before…

Preheat your oven to 80°C. Pour around 1 litre of double cream into a wide, shallow ovenproof dish, place it in the oven and leave in there for 12 hours. If you are really patient, leave for 18 hours to achieve a darker, more delicious caramel-flavoured crust.

…after

Carefully remove from the oven, cover with kitchen foil and pop straight into the fridge to cool quickly and undisturbed.

Once fully chilled, lift the clotted cream from the dish and layer up in pots. I filled three good-sized ramekins with mine. The amount of skimmed milk at the bottom will vary depending upon how long you left the cream in the oven for.

The cream keeps for 7 days in the fridge.

References:

Clotted Cream, RS Chavan, A Kumar & S Bhatt, 2016, In Encyclopedia of Food and Health

The Complete Housewife, Elizabeth Cleland, 1755

How do you take your cream tea?, BBC Cornwall website, 2010 http://news.bbc.co.uk/local/cornwall/low/people_and_places/newsid_8694000/8694384.stm

Mrs Beeton’s Book of Household Management, Isabella Beeton, 1861

My Devonshire Book, Henry Harris, 1907

William’s Practical Butter Book, Xerxes Addison Willard, 1875

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Cornish Pasties

As promised, some Cornish recipes and I start with a classic. Cornish pasties are a simple combination of chopped (not minced) beef, potatoes, turnips and onions. It’s seasoned well – especially with black pepper and baked in shortcrust pastry. You can moisten it with a bit beef stock and season it further with some thyme leaves if there’s some hanging around, but you really don’t need to. Sometimes you may find some carrot in your pasty, if you do, thrown it back the face of the person who gave you it, because there is no place for carrot a Cornish pasty.

Cornish pasties were given to Cornish tin miners or field-workers so they could slip one into their pockets and eat them for lunch, the thick crimp being a useful handle protecting it from dirty fingers. The meat-to-vegetable ratio varied depending upon what folk could afford at the time. It don’t think it should be too meaty, but if you disagree simply alter my proportions in the recipe below.

Cornish tin miners, pasties in hand

Also, for a Cornish pasty the crimp must go down the side, not over the top, as you might see in some bakeries. That is a Devonshire pasty, I believe.

As discussed in the comments in my previous post, these pasties did not have a sweet filling at one end and a savoury one at the other. What you have there is Bedfordshire clanger, but I’m sure you knew that.

One final thing, some advice from Jane Grigson: “Cornish pasties are pronounced with a long a”. We use a short a Up North, and I refuse to change.

Pasties ready for the oven

If you’ve never made a pasty in your life, this is the one to start with; the ingredients are raw so there is no messy gravy and juices getting everywhere and making things difficult. It seems too simple to be delicious, but it is. The secret is in the seasoning. I use a rounded teaspoon of salt, but you can use less; be warned though, use no or little salt, and you will have a bland stodge-fest before you, my friend.

On the subject of salt, notice the crazy amount of salt in the egg wash – a good half-teaspoon of salt in your beaten egg provides a strong and appetising shine to the final product. I believe that is, as the kids say, a kitchen hack.

For 2 large or 4 medium-sized pasties:

For the shortcrust pastry:

400g plain flour

100g each salted butter and lard, diced

around 80g water

For the filling:

300g chuck, skirt or braising steak, gristle and fat removed

125g onion (a medium-sized one), chopped

125g turnip, peeled and thinly sliced

250g potato, peeled and thinly sliced

salt and freshy-ground black pepper

thyme, fresh or dried (optional)

4 tbs beef stock or water

Egg wash:

1 egg beaten with ½ tsp salt

Begin with the pastry. Place the flour, butter and lard in a mixing bowl. If you have an electric mixer, use the flat beater and turn on to a low speed until the mixture resembles breadcrumbs. If you are doing this by hand, rub the fat into the flour with the tips of fingers. It shouldn’t take longer than five minutes.

Trickle in the water with the mixer on its slowest speed and stop it as soon as the dough comes together. If doing by hand, add half the water and mix in with one hand, trickling in the rest of the water as you mix.

Either way the dough should some together and not feel sticky – it shouldn’t stick to your worktop, but it will feel a little tacky.

Lightly flour your work surface and knead the pastry briefly. This is where you may go wrong – over-kneading results in tough, shrinking pastry. The way to tell you are done kneading is to pinch some of the dough between your thumb and forefinger – it should just split around the edges when you pinch it hard (see pic).

Cover the dough and pop in the fridge to rest for 30 minutes.*

Meanwhile, get the filling ready. Place all the vegetables and a good pinch of thyme if using in a large mixing bowl. Season and mix with your hand, then add the meat, season that and then mix in. Remember to be generous with the black pepper – add what you think is sufficient, then do a couple more twists of the milk.

Remove the pastry from the fridge and split into two or four equal pieces. Form into balls and roll each out on a lightly floured surface, using a lightly floured rolling pin. I rolled out two large dinner plate sized circles of dough to around 3mm thickness – that of a pound coin. Don’t worry if they are a little wonky, they get tidied up as we go. That said, if it’s looking more like a map of the Isle of Wight than a circle, you might want to neaten up a little.

Now heap up the filling in a line just slightly off centre, dividing equally between the circles of dough. Sprinkle with the beef stock or water. Brush a semi-circle of egg wash down the edge nearest to the filling and then fold the dough over leaving the dough beneath poking out by 5 or 10mm.

Next egg wash the side again and crimp down the edge –  this makes things extra-secure as the filling expands in the oven. To crimp, fold over one corner inwards with a finger, squidge down the next section of pastry and repeat until you have worked all your way around the pasty.

Place on a lined baking tray, egg wash the tops and poke in a couple of holes with a sharp knife. Bake for 1 hour at 200°C, turning down the temperature to 180°C once the pastry is golden brown, around 20-30 minutes into the bake.

Remove and eat hot or cold.

*I will write a more in-depth method for pastry at some point, honest!

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Baked Gooseberry Pudding

The last in a quartet of gooseberry posts – I promise I will change the subject next post.

In my honest, humble opinion this is the best gooseberry dessert recipe. It’s old-fashioned and simple to make – gooseberries are baked with a little brown sugar and a knob or two of butter, all covered in cake sponge. The berries are still very sharp and are perfectly balanced with the warm, sweet sponge. This is much more superior to the better-known Eve’s pudding – stewed cooking apples covered in sponge cake. I suspect this would work excellently with blackcurrants.

This recipe crops up in my traditional English or British cookery books, but I first heard of it from Jane Grigson (as I have many dishes) in her book English Food.

For the pudding, you can make any amount of topping, it’s dependent upon whether you like a thin or thick layer of sponge and the dimensions of your baking dish. I used a soufflé dish of diameter around 7 inches/18 centimetres. I think this is a good amount for this size, and for most family-sized dishes.

The sponge is made using the all-in-one method, so make sure your butter is extremely soft to ensure a light topping.

2 tbs Demerara or soft light brown sugar

a couple of knobs of salted butter

gooseberries, topped and tailed

100 g very soft, salted butter

100g self-raising flour

100g caster sugar

2 eggs

Set your oven to 180°C.

Scatter the sugar and dot the butter on the bottom of your baking dish and cover with the gooseberries; you are aiming for a generous single layer of them.

Place the butter, flour, caster sugar and eggs in a bowl and beat together with an electric mixer until the mixture is smooth and well-combined. Using a large spoon or spatula, add the cake batter in big spoonfuls over the gooseberries and level it, you don’t have to be very neat here, the baking batter will flatted itself out.

Place in the oven and bake for around an hour until the top is a deep golden-brown colour.

Serve immediately with custard or lightly-whipped cream sweetened with a little icing sugar.

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Breadcrumbs – a Beginner’s Guide

Many traditional recipes require fresh or dry breadcrumbs; they are an integral part of many puddings and savoury dishes. They are present in small amounts in sausagemeat, terrines and other early meat puddings absorbing the fats, or may be the main constituent in the stuffing for a roast bird. They are also sometimes used in dumplings instead of wheat flour. In sweet puddings they provide body and structure to custards such as Queen of Puddings, or the cheese and egg mixture in a Yorkshire Curd Tart.

Dried breadcumbs can be sprinkled over the tops of dishes (such as my Macaroni Cheese) or used to coat something ready for deep or shallow-frying. I have memories of my mum buying those oddly-orange coloured packs of dried breadcrumbs to coat her fish before frying it. Well, needless to say, making your own will not result in everything it touches look like a Findus Crispy Pancake.

Making Fresh Breadcrumbs

Fresh breadcrumbs require stale bread, and I think that only real bread – i.e. a loaf made at home or in a real traditional or artisan bakery – makes decent breadcrumbs. Factory-made supermarket bread and tends to go mouldy before it goes stale due to its high-water content.

The type of bread is typically white bread, but you can use any you want, especially if there is only a small amount required, but wholemeal and sourdough breads will impart their own flavours if the main constituent. White bread and brioche are best for sweet puddings.

Unless the bread is very well-coloured, I don’t usually remove the crusts, even if the recipe says I should. Feel free to remove them yourself, I don’t mind the odd brown speckle in the final dish.

Making them couldn’t be easier. If you have a blender or food processor, simply tear the bread in small chunks and blitz. Usually slower speeds work best. Regular blenders can be a little tricky because they taper at the blades; however, dust off that Nutri-Bullet; they work excellently for breadcrumbing.

If you don’t have a food processor or blender, you can go old-school and grate the bread by hand with a large cheese grater with a good grip on it. Good quality bread will crumb easily, so it isn’t the chore you might expect it to be.

Your breadcrumbs can be used straight away or frozen for later. Whenever you have stale bread in the house, crumb it and freeze it and it’s there waiting for you the next time you have the uncontrollable urge to make a Treacle Tart!

Making Dry Breadcrumbs

If dry breadcrumbs are what you are after, just take your fresh crumbs and spread them on a dry baking tray and pop them in the oven set to around 110°C. Check them after 20 minutes and give them a mix around. Keep baking in bouts of 20 minutes until you are satisfied that they are completely dry. Let them cool and place in an airtight box. They will keep happily for several weeks.

If the crumbs are not fine enough, blitz in a clean but bone-dry food processor until they are as fine as you desire, and great for a posh Scotch Egg.

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Suet – A Beginners’ Guide

Suet is the essential fat in many British puddings, both sweet and savoury, as well as stuffings and dumplings, mincemeat at Christmastime and – of – course suet pastry. It makes some of my most favourite British foods. It’s role is to enrich and lubricate mixtures, producing a good crust in steamed suet puddings.

Suet is the compacted, flaky and fairly homogenous fat that is found around animals’ kidneys, protecting them from damage. Here’s a very quick little guide to buying and using it in recipes.

snapseed-02Flaky fresh beef suet

Don’t be put off by suet – I served up Jam Roly-Poly to a group of 18 American undergraduates recently, and they’d never heard of a suet pudding before. They all came back for seconds!

Several recipes already on the blog use suet:

Fresh Suet

Fresh suet can be bought from your local butcher at a very low price. Most commonly available is beef suet and it can be used in any recipe in the book. You can also buy lamb and pork suet – and sometime venison – which are all great when using the meat of the same animal in the filling (e.g. Lamb & Mint Suet Pudding). Pork suet is sometimes called flead or flare fat. Sweet suet puddings, however, require beef because it is flavourless, whilst lamb is distinctly lamby; not great in a Jam Roly-Poly.

Fresh suet can be minced at home or by your butcher or can be grated. I prefer to do the latter, as it’s quick and easy. You must avoid food processors however, as you end up with a paste. Grater or mincer, you will need to remove any membranes and blood vessels – much easier to do as you grate, hence why it’s my preferred method.

snapseed-01Freshly-grated beef suet

I find it best to buy enough suet for several puddings, grate it and then freeze it. Fresh suet can be kept frozen for up to 3 months.

atora

Preparatory Suet

Although not as good as fresh, packet suet bought from a supermarket is a perfectly good product and store cupboard standby. Atora is the iconic brand producing a shredded beef suet as well as a vegan alternative; these vegetable suets are made from palm oil and are therefore somewhat environmentally unfriendly. However, Suma produce one that is made from sustainably sourced palm oil, so keep a look out for that in shops.

suma_vegetarian_suet

Preparatory suet can be switched weight-for-weight in any recipe unless otherwise indicated.

And that’s my very quick beginners’ guide to suet, have a go at cooking with it, you won’t be disappointed.

 

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Twelfth Night Cake

 

Upon the table was an immense dish, and in the dish was the biggest Twelfth-cake that the eyes of childhood had ever beheld. It was a positive monster, and whitened sugar of the most approved kind encrusted it all over.

From Little Grub, E H Knatchbull-Hugesson 1874

Twelfth Night, on the fifth day of January, is on the last day of Christmastide and was once the party highlight of the twelve-day long festival. In fact, Twelfth Night used to be the big day where gifts would be exchanged, and folk would make much merriment, very aware of the austere months ahead of them. All of this, including the cake, has moved to Christmas Day, of course.

The focal part of the Twelfth Night side-table was the elaborately-decorated Twelfth cake, essentially a rich fruit cake containing brandy, covered in a layer of rock-hard royal icing, the top groaning under the weight of sugar figures and other intricate sculptures and piping. Inside each Twelfth cake a large dried bean or pea would be baked; on the big day those who discovered them would be proclaimed king or queen for the rest of the day.

Queen Victoria’s 1849 Twelfth cake

Some Twelfth cakes were extremely expensive, and every baker or confectioner in the land worth their salt would produce a breath-taking, awe-inspiring shop window filled with cakes of differing sizes, all covered in wonderful sugar-work. There was huge competition between confectioners to produce the best displays; and no wonder, selling any number of these bespoke cakes meant some real money had been made that winter!

Many people, of all ages and conditions, – young and old, gentle and simple, giddy and thoughtful, – stepped every hour to look through the large plate-glass window, and see the grand show of Twelfth-cakes.

From The Queen of the Twelfth-Cakes, Cuthbert Bede 1857

The Twelfth Night cake began life – like many traditional cakes did – as a yeast-leavened bread, enriched with dried fruit and ale (see also Simnel Cake). Over time, the cakes were enriched further with brandy or rum and sugar, giving it a close texture. Eventually, chemical raising agents were used to give the batter a lift.

Here’s a 1604 recipe from a lady called Elinor Fettiplace:

Take a peck of flower, and fower pound of currance, one ounce of Cinamon, half an ounce of ginger, two nutmegs, of cloves and mace two peniworth, of butter one pound, mingle your spice and flower & fruit together, but as much barme [the yeasty froth from the top of fermenting beer barrels] as will make it light, then take good Ale, & put your butter in it, saving a little, which you must put in the milk, & let the milk boyle with the butter, then make a posset with it, & temper the Cakes with the posset drink, & curd & all together, & put some sugar in & so bake it.

I would love to have a go at this recipe at some point.

Twelfth Night cake has declined in popularity since the invention of the Christmas cake (which, incidentally, is a hybrid of a Twelfth Night Cake and Simnel Cake). Here’s the recipe that I use, which is slightly different to my Christmas cake. Notice that there are no raising agents used – I like the close-texture it gives, if you disagree, add a teaspoon of bicarbonate of soda to the flour to give it a little lift.

I don’t decorate my cakes elaborately, preferring as thin a layer of icing as possible, so I use half a batch of royal icing, but if it is your thing, you might want to make a little more!

 

175 g softened salted butter

175 g caster or brown sugar

1 tbs black treacle

3 eggs

175 g plain flour

¼ tsp each ground cinnamon, nutmeg and mace

400 g mixed dried fruit (currants, raisins, sultanas, quartered prunes)

75 g candied peel

50 g slivered almonds

60 ml brandy, rum, strong ale (or milk)

1 dried butter bean (optional)

A half-batch of royal icing

 

Line and grease an 8-inch cake tin and preheat your oven to 160°C.

Cream the butter, treacle and sugar until pale and fluffy and beat in the eggs one by one before gently stirring in the flour and spices. Once incorporated, mix in the fruits, peel and nuts and stir in the booze (or milk).

Pour into the cake tin, pop in the king/queen bean, level off the top and bake for an hour. Cool in the tin.

Decorate the cake with the royal icing, being as elaborate as you like.

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