Mine was low key. I drank cider and made this massiveSpotted Dick.
2020 is finally over, and 2021 is here. I hope the blog has been a bit of escapism from all turmoil the last 12 months have brought us; I’ve tried not to mention it too much.
But the best thing about 2020 is you, my lovely readers: thanks for following and reading, AND using the recipes. I’ve had a lot of new followers and great comments. Not only did I have my one-millionth view, but I also had the best year ever – and by quite a stretch. I wouldn’t have made those milestones if you all didn’t visit it and use it. The blog went very quiet in the years the restaurant was open, and I was worried the blog had died a bit of a death, but I couldn’t have been so wrong.
I have lots of plans for the year ahead: I hope to bring back the podcast, and season 2 will be coming later in the year (though I’ll be re-releasing season 1 in February). I’ll let you know all about season 2 when I know more. I’m not sure if I’ll be doing any television though; since the Channel 5 show Amazing Cakes & Bakes*, the phone has never started ringing.
It is hard to think any way beyond my book, which is due at the end of this month so I feel the blog will be going a little quiet until I hand in the completed manuscript. Again, I shall keep you all abreast of developments with that too (and hopefully send out a few copies in competitions). It’s called A Dark History of Sugar, and it has taken over my life since March, and I shall be glad to let it go!
So, I thank you again: you might not be hearing from me much in January, but I’ll be posting again as soon as I can.
*and Christmas special. Link here in case you missed it
Merry Christmas readers! It’s time for my annual Yuletide boozy drink recipe.
This year Christmas is a very different one, of course, scaled back so much many of us are spending it on our own of the first time, and there’s no chance of getting to a pub any time soon. But we’re a resolute lot, and I am sure we all plan to make the best of it.
If you need a bit of extra comfort this year (and I suspect you do), you could do a lot worse than making scáiltín, a delicious Irish milk punch. It’s very simple to make and you probably already have the ingredients at home.
I came across this delightful drink a few years ago inside The Complete Irish Pub Cookbook and served it up at my little restaurant in the wintertime where it was very popular. Scáiltín is a hot punch made with milk and Irish whiskey; we can agree on this. However, the flavourings vary quite a lot. I’ve scoured my books and the internet and, as so often is the case, found that there is a lot of disagreement. Some insist it should be sweetened with honey, others brown sugar; some say it’s not scáiltín unless it is flavoured with caraway, yet many claim that ginger and cinnamon must be used. Butter is added to enrich it, but only sometimes.
Of course, all of these variations are correct: by nature, regional foods vary within and between towns, and many of the differences probably came down to class. Spices were costly, so many had to miss them out altogether; though some of middling wealth would have reached for the caraway because it was one of the few spices that could be grown in Europe and was relatively cheap.
It seems to be a very old drink, probably mediaeval. However, there is very little information about this delicious drink out there, so if you know anything about this drink’s pedigree or have a recipe for it of your own, please leave a comment.
I have settled on the recipe below, essentially cherry-picking my favourite ingredients, but feel free to change them. I do insist you add the small knob of butter though. I think it makes all the difference. If you are not a fan of whiskey, you can substitute dark rum, but I must urge you to try it with the whiskey; I hate the bloody stuff usually, but somehow, combined with the ingredients below it is perfect. How many of us have received a bottle of it as a gift in the past only for it to collect dust on a shelf? Put it to good use, I say.
I hope you have a great Christmas despite everything that is going on, and if you are feeling a little too much like Scrooge this year, knock back a couple of these, I guarantee they will warm your cockles, and get you in the Christmas spirit.
See you on the other side! Neil xxx
240 ml full-fat milk
1 to 2 shots (25 to 50 ml) Irish whiskey, dark rum or (heaven forbid!) Scotch whisky
1 tbs honey
Good pinch of mixed spice
1 tsp salted butter
A few rasps of freshly ground nutmeg
Place everything in a small saucepan except the nutmeg and heat gently whisking with a small whisk to get a good froth. Even better, if you have a proper coffee machine, heat it with the milk froth attachment for an extra silky scáiltín.
Pour the scáiltín into cups or mugs spooning the froth on top and quickly grate a little nutmeg over the top. Serve immediately.
It’s getting close to Christmas and I am sure that many of you are starting to plan what food you will making for the big day. I try and give you a Christmas recipe every year and I narrowed things down to four, and then asked Twitter which I should post and Twitter answered: the traditional Christmas pottage, the forerunner to the more familiar Christmas pudding.
Then, in a strange coincidence, Channel 5 asked me to take part in their Christmas special for their Cakes & Bakes show, asking if I would do a bit on the history Christmas pottage/pudding/cake. It won’t be broadcast until Christmas 2021, but it can be viewed on their streaming service to watch right now, just follow this link. As usual it was great fun to film, though – as always – rather nerve-racking.
Pottages were thick soups – stews really – made from meat and vegetables, made thick with grains or breadcrumbs. The meat was omitted if it was a fast day of course. Everyone ate them; if you were poor it wasn’t much more than a thin gruel. If you were rich it was packed with meat, boose, dried fruits and spices, and at Christmas they really went overboard.
As far as I know this pottage was made from at least the Late (or, if you prefer, ‘High’) Middle Ages and it was eaten either on Christmas Day, or even better on Christmas Eve: a big steaming bowlful of it would be the perfect way to mark the end the 24-day fast that was Advent and start of the 12-day piss-up that was Christmastide.
And as all the people in the neighbourhood dine with [my uncle] at Christmas, he takes care to place those who are married at the upper end of the table with himself, and to provide them each with a silver spoon to eat his plumb-porridge, which is generally very good, while the batchelors and maidens, at the lower end of the table, are furnished only with wooden spoons, and have their plumb-porridge serv’d up in a wooden bowl.
From ‘Excursion of an Oxonian into the Country’ in The Student, Or, The Oxford and Cambridge Monthly Miscellany (1750)
Here’s the eighteenth century recipe I based mine on:
Plum-Pottage, or Christmas-Pottage. Take a Leg of Beef, and boil it till it is tender in a sufficient quantity of Water, add two Quarts of red Wine, and two Quarts of old strong Beer; put to these some Cloves, Mace, and Nutmegs, enough to season it, and boil some Apples, pared and freed from the Cores into it, and boil them tender, and break them; and to every Quart of Liquor, put half a Pound of Currans pick’d clean, and rubb’d with a coarse Cloth, without washing. Then add a Pound of Raisins of the Sun, to a Gallon of Liquor, and half a Pound of Prunes. Take out the Beef, and the Broth or Pottage will be fit for use.
Prof. R Bradley, The Country Housewife and Lady’s Director‘ (1728)
It really was quite the dish.
Often pottages were cooked in a hot water pastry instead of expensive earthenware or iron pots; these were given the name ‘coffins’ and overtime pastry and baking became more refined and produced for us the mince pie. Sometimes the pottage (or porridge) was cooked in a bag and boiled (see Cauldron Cooking). It had to be less soupy and bound with eggs but cooking it this way provided us with the Dickensian cannonball-shaped Christmas pudding.
I took a look in the excellent University of Leeds Special Collections and found that they cite this fifteenth century recipe as the first example of the dish. It is more savoury, packed with onions and herbs and died red with saunders (a dye made from cedarwood).
My recipe will feed the whole family, including the “batchelors and maidens” that’s for sure. If you don’t want whole spices you can use ground ones and if you don’t want to use beef (or don’t have the time) just swap the water for beef stock:
500 g shin beef, sliced
1 litre cold water
1 tsp salt
400 ml red wine
400 ml stout
2 nutmegs, cracked, or 1 tsp ground nutmeg
6 blades of mace, or 1 tsp ground mace
1 heaped teaspoon whole cloves, or ½ tsp ground cloves
2 medium-sized Bramley apples, peeled, cored and diced
200 g currants
100 g raisins
100 g prunes
2 or 3 handfuls of fresh breadcrumbs(optional, see recipe)
Place the beef shin in a large saucepan with the salt and pour in the water. Heat over a medium flame – take your time – until the wate begins to just simmer. Skim away and scum, cover and leave to simmer very gently 2 ½ to 3 hours or until tender.
Add the remaining ingredients except the breadcrumbs, bring back to a simmer and cook until the apples are tender, and the fruit has plumped up nicely, around 30 minutes.
Break up the beef (if it hasn’t already fallen apart on its own) with the back of your spoon and then add enough breadcrumbs to achieve the desired consistency: you can leave it soupy if you like and add none, though I think it was better thickened slightly. Start by adding 2 handfuls and allow to simmer for 10 minutes, and then add more if you think it needs it.
Taste, adding more salt if you think it needs it and serve.
The Country Housewife and Lady’s Director‘ (1728) by Prof. R Bradley
‘The Festival of Christmas’ by Joan P Alcock in Oxford Symposium on Food & Cookery, 1990: Feasting and Fasting: Proceedings (1991)
‘Stewet of Beef to Potage’ in A collection of ordinances and regulations for the government of the royal household, made in divers reigns. From King Edward III. to King William and Queen Mary. Also receipts in ancient cookery (1790) by the Society of Antiquaries of London; University of Leeds Special Collections: https://library.leeds.ac.uk/special-collections/view/811
Here we go…the third part in my trilogy of posts about muffins and crumpets.
Of the two, muffins do seem to be the most labile of the tea cakes: sometimes they are a crumpet in all but name, and other times they are somewhere in between, and because I am a total geek, I have decided to illustrate this observation in a table.
In the columns are six characteristics of muffins and crumpets and then compared old recipes and given them a score out of six for each match. Full marks means it is what we would call a classic muffin today, zero marks means it’s a crumpet and I have put these in the first two rows as controls. As you can see, muffins are all over the shop, achieving the full gamut of scores:
The oldest recipe I found appears to actually be a crumpet, but for the next one we seem to have a proper muffin – it doesn’t quite achieve full marks because plain flour is used, but 200 years ago strong flours were much less common than today, so I’m prepared to forgive that one. As we move up the table there’s a bit of a wobble, settling down again in the 1970s to become proper muffins once more.
One thing that has changed is the amount of liquid used for the dough, in the nineteenth century, it was so soft that it required a seasoned professional: “Practice and judgement are required to make one proficient in muffin-making” said Robert Wells in the Bread and Biscuits Assistant 1929.
The dough was almost batter, and it had to be deftly formed into blobs that were then set to prove inside dimples made in thickly spread flour. They were then gingerly lifted onto an iron griddle, bakestone or oven bottom.
In the Victorian era, the muffin was the essential teacake for teatime and they often bought from the muffin man who would ring his bell a little before tea, summoning the occupants of the houses who would rush out to purchase some of his muffins (or where they crumpets!?) “well swathed in flannel” to keep them warm. Then, in the 1840s a Parliamentary Act was passed prohibiting ‘costermongering’ by the beating of a drum or ringing of a bell. I’m pleased to say that no one took a blind bit of notice and a clandestine trade in warm muffins continued unabashed. By the 1910s the muffin was seen as old-fashioned by many:
“Muffins are essentially an old-fashioned fare…They are not now regarded as essentials on the tea tables of the present generation…The ordinary baker sells so few that it is not worth his while to keep a hot-plate for their manufacture”
John Kirkland, The Modern Baker, Confectioner and Caterer, 1907
Doughs became easier to handle in the twentieth century, requiring less skill and labour, and in the days of mass-manufacture they became more bread-like.
To Toast a Muffin:
Of course you can eat your muffin as soon as it comes of the griddle, but should you wish to toast them later it is important you get it right: “I should like to draw attention to the old method of toasting the muffin in the North of England” says a Mr Dupois Brown in 1931, who suggests “slightly opening its joint all around before toasting it both front and back; then tearing open and buttering the inside halves liberally…but in all the teashops where I have ordered muffins it was toasted on the inside, thus causing it to be tough, leathery and indigestible.” You have been warned.
My recipe uses more liquid that other muffin recipes out there, but the dough can still be rolled and cut out with relative ease – you’ll need a mixer for kneading the dough though as it is very soft and sticky. One batch makes between 8 and 12 muffins depending upon the size of cutter you prefer. As Jane Grigson notes, it is very satisfying to watch them “rise and swell rather like a puffball fungus.”
500 g strong white flour
2 tsp instant yeast
1 ½ tsp salt
30 g softened butter
330 ml milk, warmed
A little sunflower oil
Semolina or polenta for dusting
Mix the flour, salt and yeast in a bowl, make a well and add the butter, egg and milk. Then mix to combine. It is best to use a dough hook attachment on a food mixer for this; start on a slow speed, and then once fully incorporated, turn up the speed to knead until smooth and elastic, around 6 minutes.
Smear a little oil on the inside of a bowl then oil your hands and gather up the soft dough and pop it in. Cover with cling film or a damp tea towel and leave to rise in a warm place; because of the added butter and egg it will take a little longer than for a regular bread dough, about 90 minutes.
Lay out a piece of greaseproof paper or a tray and scatter with the semolina or polenta.
Knock back the dough and roll out on a floured surface to a centimetre’s thickness, then cut out. I wanted quite large ones, so I went with a 9 cm one, but feel free to use whatever size you like. Because the dough is soft, it’s a good idea to dip the cutter in flour between cuts to prevent sticking.
Lay the muffins on the polenta/semolina and turn them over so that both sides get a coating. Knead the trimmings together and cut out more muffins. Cover them and leave to prove for 30 minutes.
Heat your pan or griddle over a medium-low heat and cook the muffins in batches. Cook on one side for around 10 minutes until golden brown, and then turn over and cook for a further 6 to 8 minutes.
Eat straight away or cool on a rack and store in a tin or tub.
English Bread and Yeast Cookery (1977) by Elizabeth David
English Food, Third Edition (1992) by Jane Grigson
Last week I published a post all about how muffins and crumpets lie on a rather fluid continuum when you look at the from an historical perspective: names, methods and ingredients have all changed and been swapped which is very confusing for something that is rather straight forward today.
Last post I said that a crumpet today is:
Made from a pourable batter like a thick pancake
Slowly cooked on a bakestone
Slightly rubbery in texture, especially prior to toasting
Has characteristic bubble holes on one side
I’ve looked through many recipes and I have found that there are three things that do still vary: the liquid used is milk or water, or a mix – milk makes a soft crumpet and water makes a crisper one; plain or strong flour is used (or a mix) – the former makes a rubbery crumpet and latter makes one that’s a bit more pudding-like. The balance needs to be ‘just right’, but everybody’s Goldilocks zone is different, so feel free to alter the proportions in my recipe below, the resulting griddlecake will still be a crumpet so it comes down to personal taste. The third difference is to do with raising agents; should you add yeast alone or add some bicarbonate of soda too? Personally, I think the bicarb is a necessity because it gives you many pronounced bubbles – and therefore increased butter absorbency – which is what we have all come to expect from a modern-day crumpet.
Throughout the centuries crumpets seem to have been fairly constant: some ‘crumpets’ turn out to be pikelets from time to time, but if it’s called a crumpet you can be fairly sure it is a crumpet. This minor confusion is easy to bear but just you wait for the muffin post next week – they’re all over the shop!
Elizabeth David called supermarket crumpets a “travesty”, but I must confess to love them dearly; home-made ones are a very different beast, more golden in colour, and more crisp on the outside and softer on the inside. They do tend to become rather stodgy in the centre, which could be because of too high a ratio of milk-to-water and plain-to-strong flour, but in my experience it comes from overfilling the rings: a one centimetre depth is all you need. Another reason they might be stodgy is that you turn them over too quickly: crumpets are griddle cakes that cannot be rushed, they need a gentle bake on the griddle and to be turned at the right time. I used to turn them too soon, but then I received some good advice from Gary Rhodes in his classic book Great British Classics; he tells us they are ready to turn when “small holes appear and the top has started to dry.” Much more helpful than timings.
To make crumpets you need crumpet rings, but if you don’t have any you can use shallow mousse/chefs’ rings, and if there really is nothing at all suitable in your kitchen cupboards, you can go free-form and make pikelets.
How to eat a crumpet
Almost every writer seems to think that to experience crumpet perfection, one needs to eat them fresh off the griddle. I disagree and firmly believe they are best cooled on a rack, then stored in a tin or tub and toasted the next day. Each to their own, I suppose. They must be toasted until crisp on the outside yet soft on the inside which occurs very rapidly compared to supermarket ones, so watch out!
To butter a crumpet, take a knob of butter (salted, preferably) and paint the pitted surface all over with it. Home-made crumpets are always less holey than shop-bought and as a consequence the butter takes a little longer to absorb, so the best strategy is to butter the remaining crumpets – because no one ever has just one – and then return to the first for a second dousing.
The best topping for a crumpet is butter and just the tiniest trickle of honey.
Makes 18-20 crumpets
250 g plain flour
250 g strong white bread flour
2 tsp instant yeast
1 ½ tsp salt
250 ml milk
500 ml warm water
½ tsp bicarbonate of soda
A little butter
A little sunflower oil or lard
Mix the flours, yeast and salt in a bowl and make a large well in the centre of the flour. Mix the milk and water, reserving around 50 ml. Whisk the mixture well and when smooth, cover with a damp tea towel or some cling film and leave for around 90 minutes until very bubbly.
Dissolve the bicarbonate in the reserved water and whisk into the batter. Cover again and allow to bubble for another 30 minutes.
Place a thick based griddle or pan over a medium-low heat.
Grease your rings well with butter (or lard) then use just a tiny amount of lard or oil to lightly grease the griddle. Place the rings on the griddle and pour a small ladleful of batter in each ring: just a centimetre’s depth as they rise in the rings. After a while, large bubbles will appear on the top and as they pop, you will see the batter magically transformed into crumpet. Very satisfying.
Allow to gently cook for around 20 minutes or until the tops have dried out, then remove from the rings (use a palette knife to help), turn over and cook on the other side for a further 5 minutes.
Remove and cool on a rack, regrease the rings and continue in this way until all of the batter is used up.
If you don’t have rings, you can instead make pikelets, which take half the time to cook due to their thinness.
English Bread and Yeast Cookery (1977) by Elizabeth David
How I wish I had a roaring fire; if I did it would be a great big one equipped with all of the paraphernalia; poker, skuttle and, of course, toasting fork. Pierced upon the fork would be the king of all the toasty-bready things, the crumpet. No, the muffin! It’s an almost impossible choice, and if you go back in time just a little, the decision is made even more difficult because there wasn’t a fixed idea of what either were, and they changed in name and form all across the country. Today, in a world of mass-production, standardisation and consistency I think we would all agree wherever we live in the country which is which. But just in case we’re not agreed on which is which I’ll describe the two:
Definitely fluffy and bread-like in the centre, their name originating from the Old French word moufflet, meaning soft.
Cut out into circles or rolled into cakes
Slowly cooked on a bakestone
Dusted in semolina
There may be a few from the North-West of England saying, “Hang on, what about oven bottom muffins?” Don’t worry, I’ll get to those late. Aside from that, pretty straight-forward I hope.
Made from a pourable batter like a pancake. Indeed, the word (probably) comes from the Welsh word for pancake, crempog
Poured into rings
Slowly cooked on a bakestone
Slightly rubbery in texture, especially prior to toasting
Has characteristic bubble holes on one side
It’s very obvious by etymology and their look that the two things are very different to each other. Now I’m going to muddy the waters slightly with a variant upon the crumpet, the pikelet – it’s important for later. Pikelets are simply crumpets cooked without a ring, producing a large, flat holey pancake.
Are we all on board with this? It does seem pretty cut-and-dry to me. Trouble is we are very used to factory-made products and are perhaps unaware of what either was like. This is what Elizabeth David wrote of the two in the 1970s in her classic book English Bread and Yeast Cookery: “crumpets, or at least travesties of them, can still be bought in England” and, “Sainsbury’s sell packets of a thing they call a muffin.” It seems that we are not being fed delicious traditional bakes, but pale – possibly cynical – imitations of them. But then she poses the following questions:
What is the difference between them? Which have holes, which are baked in rings? Which are made from a pouring batter, which from a soft dough…? Is a pikelet the equivalent of a muffin or of a crumpet? Should muffins and/or crumpets made from identical ingredients? If so, what are they? Flour, yeast, water and salt? Or flour and yeast plus milk, fat and eggs? Or flour, fat and eggs with a chemical raising agent?
She then goes on to say “anyone who knows the answers to more than two or three of these queries is wiser than I.” Today the answers to her questions are fairly straight-forward, but then you look at the old recipes. Take this one from 1914 for both muffins and crumpets.
To make crumpets: “Heat a girdle, and grease it with butter; drop on to it of the above [pancake] mixture, and brown first on one side and then on the other.”
That, I’m sure you’ll agree, IS NOT A CRUMPET, IT IS A PIKELET!
To make muffins:
“Grease some rings, and place them on a hot greased girdle; half fill them [with the same pancake] mixture, cook and brown them on the other side.”
THAT IS A CRUMPET, NOT A FLIPPING MUFFIN!
Oh lordy, I’ve opened up a can of worms here. Going through my old books, as well as the one provided by Ms David, it seems that muffins do not match the modern form at all. Some of them are at least made from dough, but one so soft it is verging on batter producing dough balls so delicate they had to be proved on layer of flour. They are so fiendishly tricky to make that they could only be made by hand, and a well-trained one at that, but in an age of machine production they have gone by the wayside, their mixture thickened into a dough that can be rolled and stamped out on a production line. Here are some instructions from Law’s Grocer’s Manuel, 1895:
“get ready a tray, spread it with flour about 2 ½ [inches] in depth, make impressions in the flour with a small breakfast cup, take portions of the light dough out with a large spoon and put them into the flour impressions to rise; make the muffin stone hot, let them cook on it a few minutes, pass the palette knife under, turn them over…and bake likewise, keeping them of a light colour.”
They exist today in the form of ‘Oven-Bottom Muffins’ still popular in Lancashire and Greater Manchester, but these too are pale imitations, essentially regular bread cakes** baked very pale. So really a muffin was almost a crumpet but not quite a bread, a spoonable dough hovering between two states producing a muffin filled with a honeycomb of holes, invisible until cut into. I now see why Ms David was rather terse about the supermarket variety.
In my copy of Delia Smith’s Complete Cookery Course from 1982, published just five years after Elizabeth’s book, we have a recipe for a modern muffin. Does anyone know of an earlier one?
For the next post or two, I shall continue the theme with some recipes for muffins and crumpets plus a look at some of the bakes that simply don’t know which side their bread is buttered on, as it were.
English Bread and Yeast Cookery (1977) by Elizabeth David
Delia Smith’s Complete Cookery Course (1983) by Delia Smith
*These are known as English muffins in the United States. Annoyingly, we don’t call American muffins American muffins, just muffins. These are cakes, and not to be confused.
**aka bread rolls, bread buns, stotties or barmcakes, but let’s not get started on that one.
Just a very quick post for a bit of shameless self-promotion. I’m not very good at bigging myself up, but I’m taking a deep breath and am doing it now because I’ve taken part in a new series on Channel 5 (the best of all the channels) called Fantastic Cakes and Bakes which looks at our love of baking and eating baked goods. I ended up being the resident food historian on it, but I also cooked up a few traditional bakes. The biggest thing was for episode 1 where you can watch me having a total nervous breakdown trying to make the world’s biggest Jaffa Cake.
So if you can, have a gander at 8pm tonight (1st Nov 2020) on Channel 5. I’ll be most grateful. I shall be watching (through fingers and with gritted teeth) and tweeting.
The team were great and the directors had bucketloads of patience with me and they should be applauded.
Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ in the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble!
William Shakespeare Macbeth, Act 4, Scene 1
As it’s Hallowe’en I thought that I’d write a little post all about cauldrons, because of course along with a broomstick, pointy hat, black cat and warts it is a must-have for any witch worth their salt at this time of year.
Let’s start off with what a cauldron is, just on case you are unfamiliar with them. They are large, rounded cooking pots that are suspended over a fire by a chain or on support legs in the centre of the fire, and they have been used all across Europe since the first millennium BCE. One of the oldest ever found was excavated in Battersea and is therefore known as the Battersea Cauldron. It made up of bronze sheets melded together and is huge. It has been described as “one of the largest and most sophisticated metal objects of the day” and is estimated to be 3000 years old, and it obviously got some use judging by the number of reparation patches it has covering its surface. Whatever size your cauldron was, it was an expensive bit of kit and built to last, so it is more unusual to find out without patches. Precious items such as this were passed down through the generations and the “man who owned an iron cauldron” says Dorothy Hartley, “had a definite standing above those who cooked only in small pots and pans.”
You may be thinking that a selection of pots and pans might be preferable to a massive cooking pot because they give you more options and you don’t have to make giant vats of food all the time, but a cauldron is surprisingly versatile and was rarely used for just cooking great big broths with bones bobbing about the surface. No, the cauldron was in fact the complete cooking and hot water system; take a look at this wonderful illustration from Ms Hartley’s excellent books Food in England:
You can see here how the cauldron was actually compartmentalised and filled with a whole variety of foods. At the base is a large joint of meat that required long cooking, usually wrapped in a flour paste and the tied up with cloth, then sat on that were wooden slats upon which all sorts of things were sat. There would have been some suet puddings wrapped in cloth simmering away, as well as bag puddings made up of peas, beans or cereal grains such as the classic pease pudding. If you did want to make some hearty stew, you placed your ingredients in earthenware jars, filled them with stock or water, covered them tightly and poached it in the cauldron water. This gentle way of poaching meat produced deliciously juicy cuts of meat; in fact, one cauldron found in Warwick Castle bore the legend: “I give meat good savour.” Often the meat was jointed and sat in a large jug, to produce old British classics such as jugged hare (or rabbit, I’ve also seen recipes for jugged kippers and jugged peas). Dorothy illustrates some beef tea being made where the meat is sat in its jar on top of some birch twigs, preventing the meat from sticking to the bottom. I love little details like those. You had to be very careful cooking like this though because those sealed pots acted like pressure cookers and were prone to exploding!
Aside from all of this, the cauldron also provided the washing water and bathwater. “I hope” says Hartley, “you now understand that because there was only one cauldron on the fire there was not one thing for dinner.”
Cauldrons were such important and precious items that they were even found in burial sites such as the Baldock Burial, a Bronze Age burial site in Hertfordshire, where a whole plethora of things were found including a cauldron complete with joints of meat, ready to sustain the dead as they journeyed to the Afterlife. Pagans revered them and they became symbolic of death and resurrection, often being buried in near or bogs and rivers, locations they considered to be domains of both the living and the dead.
Because they were imbibed with magic, they appear in several myths and legends; for example, the Irish god Dagda owned a cauldron that did not just magically produce food but also cured disease, healed wounds and brought the dead back to life. There was also a Cauldron of Knowledge that told you everything you wanted (and did not want) to know. There are plenty of Welsh and English stories that involve cauldrons too (though I haven’t come across any Scottish ones for some reason).
Cauldrons of course sat upon flames and were extensively found in medieval and Tudor Christian art to depict what might happen to you if you went to Hell. One example depicts Dives – a rich man Jesus tells us of in the New Testament, who was very rich but would not share his food with a poor beggar. He is shown “tormented with thirst stewing forever in one of Hell’s capacious cauldrons.” Another manuscript knows as the Hours of Henry VIII clearly shows St. John the Evangelist sat in cauldron of boiling oil looking pretty chilled out and happily preaching whilst being tormentind by his captors. He would be later be miraculously preserved in the oil rather like, one supposes, like some nice comfit duck legs.
So there we go, I hope you have enjoyed my brief history of cauldrons and appreciate that they are not just for witches…or Hallowe’en!
Well didn’t Autumn descend rather quickly this year? It was quite the shock to the system. Sat inside watching the persistent Manchester drizzle, my mind turned to steamed puddings, and the pud came to me was the classic suet pudding known as Apple Hat. For the uninitiated, it’s a pudding cooked in a basin lined with suet pastry and filled with apples, sugar and spices.
In the cold autumn and winter months, apples were one of the few fruits that could be stored fresh, therefore there are lots of recipes for apple-based puddings and desserts in British cookery; in fact, someone could probably write a blog on that subject alone! Apples were essentially the spuds of the fruit world: cheap, hearty, easy to grow and a big crowd-pleaser.
So why is it a hat? Well that’s because when the pudding is turned out onto a plate, it looks like a hat, the plate being the brim. Simple as that.*
The dessert doesn’t have to be made with apples of course – rhubarb, pears and gooseberries all work excellently. The tart fruit can be flavoured with any sugar you like, though some believe golden syrup should be used. If you’re being a real stickler for tradition, the apples would be flavoured with a few cloves, but they can be omitted or substituted with mixed spice, cinnamon or even a star anise. I like to substitute some of the apples with a few raisins or with some quinces, blackberries or blackcurrants. If you are feeling opulent, you could add a knob of butter or the grated zest of half a lemon or orange.
Apple Hat appears to be of a Victorian vintage – the earliest example I can find is in Eliza Action’s classic 1845 work Modern Cookery for Private Families, it’s simply called an ‘Apple Pudding’ but it is made up of apples encased in suet pastry and steamed, though in her book it is made in a pudding cloth rather than a basin and therefore boiled, as what typical of puddings at the time.
Steamed puddings were a cornerstone of British cooking, but they are a dying breed now. I don’t think it’s because they are hard to make, folk certainly still like them, and it can’t be that they are too expensive (they are quite the opposite). No, I think it’s because they take so long to cook – often several hours – which seems like a great waste of energy today. Long gone are the days that the family coal range would be on all day every day where it made perfect sense to utilise the energy given off. Nowadays it makes more sense to bake something instead. That said, you can successfully steam a pudding in a slow cooker, and many modern ovens have built in steamers that require much less energy, so there is hope of a comeback yet.
I use a regular steamer, but if you don’t have one you can easily make one by placing a folded tea towel on the bottom of a large saucepan with an upturned saucer on top of that. The pudding can sit on top of the saucer and filled halfway with boiling water. (The tea towel stops the saucer rattling).
Here’s my recipe for Apple Hat but remember you can use whatever spices and fruits you like. I fancied a few sultanas and I went for the knob of butter, natch.
You can make it vegan by making the pastry with your favourite plant milk or water.
450 g apples of any kind, but Bramley apples are best, peeled and cored weight
Spices (optional): e.g. 5 cloves or 1 star anise, or ½ tsp mixed spice, cinnamon, etc.
40 g caster sugar, light brown sugar or golden syrup
A knob of butter (about 15 g; optional)
Make the suet pastry either by hand or with a mixer – see this post for instructions.
Grease a 1-litre/2-pint pudding basin liberally with butter, then shake in the Demerara or brown sugar, if using, rotating the bowl to completely coat the butter.
Roll out three-quarters of the dough into a round large enough to line the basin, using the bowl to check it is large enough. Keeping everything well-floured, fold the dough into quarters and place inside the bowl so that the corner is in the very centre of the base and unfold it, pressing the pastry down well and popping any air bubbles.
Chop the apple into chunks between 1 ½ and 2 cm in size and put in the bowl, tucking in any whole spices, if using. If using ground spices, mix them with the sugar and shake over the apples, tapping the bowl a few times to disperse it evenly.
Now roll out the remaining pastry to make a lid, gluing it down with a little more milk or water. Press down the edges to seal and trim away excess. Make a steam hole and pop the lid on and cover with a lid, or tie on a pleated piece of greaseproof paper and foil.
Steam for two hours over a medium-high heat for the first 20 minutes, then turn down to a medium-low heat for the remaining time. Don’t forget to check the water level now and again.
When ready, remove the lid, loosen the edges with a small knife and turn out onto a serving plate. Serve with plenty of proper custard (obvs.).
*Before you write in, I do know that there is another dessert with the same name consisting of steamed sponge topped with a stewed fruit ‘hat’, but that sort of hat is a more recent invention and therefore loses out.
English Cooking: Discover the true value of pie (2015) Sophie Waugh, The Spectator 28 November 2015
Good Old-Fashioned Puddings (1983) Sara Paston-Williams
Modern Cookery for Private Families (1845) Eliza Acton
When we think of the meat that was eaten at mediaeval feasts, we conjure up images of huge pieces of roast ox, venison or wild boar’s head. There was, in fact, a wide variety of meats, especially wild birds. One of these was the grey heron and its meat was regarded very highly, only fit to serve at the top tables of a banquet; the only other waterfowl with a higher status was the regal swan. According to the late, great Clarissa Dickson-Wright, heron tastes like swan too: “it was very fishy”, she tells us, “rather stringy and reminiscent of moorhen…” It’s quite odd to think they were eaten at all; they’re such a lanky things – all neck, legs and wings. There can’t be that much meat on one.
So how does one prepare and cook a heron fit for a top table? If we look in Forme of Cury – the earliest cookbook in the English language, dating from around 1400 – and it tells us: “Cranes and herouns shul be armed with lardes of swyne, and eaten with ginger.” The “lardes of swyne” are strips of backfat or fatty bacon that are threaded through the meat so that as the lean meat cooks, the fat melts and bastes it. That’s all we get though.
We can glean more information from another book, The Boke of Keruynge or, The Book of Carving, which was written in 1513 by the splendidly named Wynkyn de Worde. He provides a long list of different animals, along with instructions on how to carve them for the table. Curiously, there are many words for carving – a specific word for each type of animal, so for a heron, you don’t just carve it, no, you “dysmembre” it:
“Dysmembre that heron.
Take an heron, and rayse his legges and his wynges as a crane, and sauce hym with vynegre, mustarde, poudre of ginger, and salte.”
(And to “Displaye” a crane, simply “unfolde his legges, and cut of his winges by the Joints.”)
So, we get am extra modicum of information: a piquant mustard sauce or glaze, but we still don’t know how it was cooked.
To get any detailed information, we need to go to 1660 and look at the classic tome The Accomplisht Cook by Robert May, and he had obviously read Mr de Worde’s book, because he uses the same words for carving:
“Dismember that Hern.
Take off both the legs, and lace it down to the breast with your knife on both sides, raise up the flesh, and take it clean off with the pinion; then stick the head in the breast, set the pinion on the contrary side of the carcase, and the leg on the other side, so that the bones ends may meet cross over the carcase, and the other wings cross over upon the top of the carcase.”
He also tells us that herons are not simply hunted and brought to the dinner table, but stolen from nests before they have fledged and kept in special barns
“…where there is many high cross beams for them to pearch on; then to have on the flour divers square boards with rings in them, and between every board which should be two yards square, to place round shallow tubs full of water… and be sure to keep the house sweet, and shift the water often, only the house must be made so, that it may rain in now and then, in which the hern will take much delight.”
In these sheds, the herons were not fed fish, as one might expect, but “livers, and the entrails of beasts, and such like cut in great gobbits [bite-sized pieces].” They were not just kept for the table either, many were kept for “Noblemens sports”, specifically for training their hawks. When raised for sport, they were instead fed on “great gobbits of dogs flesh, cut from the bones”
Why dogs’ flesh? Well, this was a time when Bubonic Plague was common, and at the time it was thought that dogs carried the disease, and so any strays would be routinely caught and killed. But why catch and kill an animal that you thought had plague and then feed it your own hawks? I would have thought they’d be taken to the edge of town and burned them or something, but that’s seventeenth century logic for you. CDW makes a further point:
“It’s ironic when you consider that the dogs might very well have killed the rats whose fleas did carry the plague and therefore might have prevented it.”
May also provides us with some recipes. In general, they are boned and filled with a minced meat and suet stuffing, seasoned with spices and oysters, then poached. Sometimes they are baked in ovens.
Herons do seem to drop out of the cookbooks after that, but they were still being eaten. The most recent reference I could find is from the 1914 book Pot Luck; or The British home cookery book by May Byron and is for Heron Pudding. It uses chunks of meat taken off the bone, and the reason why is very interesting:
“Before cooking it must be ascertained that no bones of the heron are broken. These bones are filled with a fishy fluid, which, if allowed to come in contact with the flesh, make the whole bird taste of fish.”
This may explain CDW’s issue with roast waterfowl like swan and moorhen. I wonder if they boned before cooking and if that would make them taste better?
Byron goes on:
“This fluid however, should be always extracted from the bones, and kept in a medicine cupboard, for it is excellent applied to all sorts of cuts and cracks.”
You heard it here first folks.
Heron is no longer legal game and therefore no longer eaten – as far as I know. However, if you have any stories to prove me wrong, please leave a comment, I’d love to hear about it.
The Accomplisht Cook (1660) by Robert May
The Boke of Keruynge (1513) by Wyknyn de Worde in Early English Meals and Manners (1868) edited by Frederick James Furnivall
Forme of Cury (c.1400) in Curye on Inglysch: English culinary manuscripts of the fourteenth century (1985) edited by Constance B Hieatt and Sharon Butler