Tag Archives: dessert

Blue Cheese Ice Cream with Poached Pears

As I promised in my last post, I have a second cheese recipe for you that uses a traditionally-made British cheese. Harvey & Brockless sent me a whole loads of excellent cheeses and other goodies, and tucked in there was probably my favourite British blue cheese, Isle of Wight Blue:

‘Established in 2006 by mother and son Julie and Richard Hodgson, Isle of Wight Cheese Co. flagship blue is soft and creamy with a bluey green natural rind and blue veins.’

Beautiful Isle of Wight Blue (pic: Harvey & Brockless)

It’s strong, yet mellow and very creamy. Nothing like a Stilton at all (I love a good Stilton too, of course).

This is exactly the sort of cheese Professor Peter J. Atkins and I were talking about in my podcast episode about the British cheese industry, and how there is a resurgence in traditional styles and methods: softer cheeses made in small batches in small farms – before the behemoth that is Cheddar came along!

This cheese, because of its blue cheese flavour, low acidity and smooth consistency, is perfect to make into an ice cream. Cheese ice creams used to be popular, hitting a peak in the Regency period: indeed, the Prince Regent himself tucked into Parmesan cheese ice cream. My ice cream, like Prince George’s, is sweetened, but it is not over-sweet. It’s very simple to make – a case of mixing soft cheese into some cream and sugar. A curdy, hard or crumbly cheese would not work here.

I’ve combined it with a dessert classic: pears poached in red wine. There’s a recipe in Forme of Cury for it, so it really does have quite the vintage. The poaching wine is sweet and spiced and is reduced to a delicious, tart and slightly fiery spooning sauce. On the side: a nice digestive biscuit.

This is a well tried-and-tested recipe: it’s popped up on restaurant and pop-up restaurant menus in the past, but I originally made it as part of The Telegraph Fabulous Foodie competition all the way back in 2015. It was judged by none less than Xanthe Clay, John Gregory Smith and Jeremy Dixon and it took me to the grand final. So if you are still unsure as to whether you’ll like it, take it from them, not me, that it is good!

Give it a go, you won’t be sorry. Also, see below for an excellent way of using up left over ice cream and sauce.

Serves 4 to 6

For the ice cream:

1 x 225 g round of Isle of Wight Blue at room temperature

450 g double cream

1 ½ tbs icing sugar

In a bowl, break up the cheese as best you can and beat into it one third of the cream. You won’t be able to blend it in perfectly, but a little texture is no bad thing.

Sift the icing sugar with the reminder of the cream in a second bowl and whip until just slightly floppy, then fold into the cheese.

Freeze it in an ice cream churn if you have one. Alternatively, place in a tub, pop in the freezer and beat it with a small whisk every 20 to 30 minutes or so until it becomes too difficult; at that point you are done, and it can be left in the freezer until required. If you don’t want to freeze it, you can whip the cream a little more and use it like clotted cream.

For the pears:

4 to 6 unripe conference pears

500 ml red wine

100 g caster sugar

1 cinnamon stick

2 long peppers (or ¼ tsp black peppercorns)

¼ tsp ground ginger

Peel the pears, leaving the stalks intact. Slice the bottom so that the pear is able to stand up sturdily. If you have one, use a melon baller to remove the core from beneath.

Bruise the cinnamon stick and long pepper (or crack the peppercorns) and place in a pan with the wine and sugar. Put over a medium-low heat and stir to dissolve the sugar. Once dissolved, add the pears.

Bring to a simmer and cover the pan, turn down the heat and poach until tender. This will take around 20 minutes. The pears won’t be completely submerged, so to ensure an even colouring from the wine, turn them half way through cooking.

Remove the pears and set aside. They can be stored in the fridge for up to four days.

Now make the syrup: turn up the heat and bring the wine to the boil and let it reduce by around three-quarters or more, until viscous. Pour into a jug or jar and allow to cool.

To serve:

Remove the ice cream from the fridge around half an hour before you want to serve. Place a pear in the centre of a plate – it may need another trim at the bottom if it’s been in the fridge a day or two – and carefully spoon a couple of teaspoons of the syrup over the tip of the pear.

Place a biscuit next to the pear – I used a homemade digestive (post coming soon), but a hob-nob would also work very well – and place a scoop or quenelle of ice cream on top the biscuit.

Leftovers: there will probably be leftover ice cream and syrup, the latter of which keeps for weeks. Treat yourself to a very grown-up ice cream cookie sandwich using digestives instead of cookies, cheese ice cream instead of vanilla, and red wine syrup in place of raspberry sauce.

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Rum Butter & Brandy Butter

This post complements the episode ‘Christmas Special 2021: Christmas Pudding’ on The British Food History Podcast.

I used to believe that brandy butter – that infamous accompaniment to Christmas pudding and mince pies – was far too rich and sweet, and always preferred custard. I made a traditional Christmas pudding from a 19th century recipe and because it wasn’t as rich as modern day puds, I found the buttery sauce complemented the dessert perfectly – though I still prefer the rum butter.

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To Make a Christmas Pudding Part 2: the Big Day

This post complements the episode ‘Christmas Special 2021: Christmas Pudding’ on The British Food History Podcast.

On Stir Up Sunday I made my Christmas Pudding, using Sam Bilton’s Great Aunt Eliza’s plum pudding recipe, and now it is time to cook it and get it ready to serve for the big day. If you missed the first post click here to catchup.

I fed the pudding a couple of tablespoons of rum (but brandy is also good) twice, and I found the best way to do this was the untie the pudding, open the top and sprinkle in the rum, before retying with fresh string.

On Christmas Day, get your big pot of boiling water just like you did for the first boiling. Simmer the pudding for 2 hours, making sure the pudding doesn’t touch the base of the pot and scorch.

When ready, remove from the pan and gingerly cut away the string and carefully unwrap the pudding; don’t worry too much about it breaking because it develops a skin made from the flour that had been dredged on the cloth before its first boiling, keeping it all together. Pop it on a serving dish with a sprig of holly.

When you want to serve it, flame with rum or brandy, turn the lights down and carry it into the dining room. There will be applause.

I served the pudding with rum butter, but you can also serve it with brandy butter (which I must admit, I don’t like as much as the rum butter), or good old custard. I’ll be publishing a post tomorrow with my recipe for brandy or rum butter.


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The pudding was delicious, I must say, and it will forever be my standard, so thanks again to Sam Bilton for her letting me use the recipe.

Listen to the podcast episode for more information, including the history and folklore surrounding Christmas pudding, plus a cooking spot, and a handy guide to flaming your pudding safely and effectively!

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To Make a Christmas Pudding Part 1: Stir Up Sunday

This post complements the episode ‘Christmas Special 2021: Christmas Pudding’ on The British Food History Podcast.

Today is Stir Up Sunday, traditionally the day Christmas pudding is made. The day was also a cue to local grocers to begin to make their orders and get ready for the 12-day long Christmastide feast.1 As they mixed, the children would sing:

Stir up, we beseech thee

The Pudding in the pot,

And when we get home,

We’ll it it all hot!

Stir Up Sunday is always the Sunday before Advent; which isn’t 1 December despite what manufacturers of Advent calendars would have you believe. Advent actually begins on the sixth day before Christmas, so this year (2021) Advent begins on 28 November. The day has a deeper meaning beyond reminding us to prep our puds; the children’sl song was sung on the day comes from a hymn: Stir up, we beseech thee O Lord the wills of my faithful people… and is call for everyone to stir up their pious and spiritual feelings in preparation for Advent – a period of fasting and reflection before the festivities begin.

When you make your Christmas pudding (whichever day you make it on) there are various superstitions which should be held. First, each member of the family should add at least one ingredient to the mix, give it a good stir and make a wish. The stirring must either go from east to west (like the Sun).2 The pudding should be made up of 13 ingredients to represent Jesus and his 12 disciples.

There are trinkets too of course: a sixpence to represent financial success or good luck in the New Year, a ring to represent romance or marriage, or a thimble – bad luck! No romance for you, spinster!


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Great Aunt Eliza’s Christmas Pudding

I love Christmas pudding, but whenever I’ve made my own (I have used Delia Smith’s and Jane Grigson’s recipes in the past) I’ve always been rather disappointed. I reached out to Twitter for inspiration and food historian (and podcast alumnus) Sam Bilton very kindly let me use her Great Aunt Eliza’s recipe taken from her handwritten recipe book. Sam has cooked it for a demonstration at Petworth House, West Sussex.3 Click here to find out more about Sam’s Great Aunt, and how she adapted and recreated the recipe. Here’s the original:

Note there are indeed 13 ingredients!

I decided to adapt the recipe myself, only later looking at Sam’s interpretation and we took a similar approach, which is pleasing.

I took the recipe and converted it into metric and then divided everything by 3, making a huge pudding with a 15 hour boiling would have been craziness. I could have made one good-sized pudding from my one-third mix, but decided to make 2 smaller ones. I used vegan suet because I already had that in. Fresh beef suet would have been best, but there’s no point buying more if there’s some already in the cupboard.

I hedged my bets on the plums and used half prunes and half raisins, and swapped out almond extract for the bitter almonds. Feel free to toss in some slivered almonds for texture though.

Makes 2 x 800 g puddings:

150 g plain flour

150 g breadcrumbs from a stale loaf

120 g suet

300 g currants

225 g raisins

225 g prunes, roughly chopped

40 g candied peel

2 tsp mixed spice

75 g soft dark brown sugar

½ tsp almond extract

60 ml milk

40 ml brandy

40 ml rum

2 eggs

Making a Christmas pudding batter couldn’t be easier: mix all of the dry ingredients in a large bowl, i.e. everything on the list from plain flour down to the soft dark brown sugar, then add all of the remaining wet ingredients to a jug and give them a good whisk.

Make a well in the centre and pour in the eggy mixture then stir until combined. If after a few minutes’ mixing things still seem a little bit dry, add an extra slug of milk, brandy or rum. Mine needed a bit more rum.

Cover the mixture and leave it somewhere cool overnight to let the flavours develop – if you’re in a rush, leave for an hour.

Next day (or next hour) make you puddings. First get a large pot of water on the boil; deep enough for two puddings to cook without touching the base of the pot. Next, cut two pieces of muslin (cheesecloth) into rectangles of around 30 x 60 cm, place in a bowl and pour boiling water over them. When cool enough to handle, remove one and squeeze out excess water. Fold it in half to make a square shape, then lay it in a bowl.

Dust the muslin very well with plain flour, leaving no bare patches, then spoon in half the mixture, then gather up the corners and twist to tighten. Use some good quality string to tie the pudding tight. If there are folds in the cloth, they can be easily smoothed out. Repeat with the other piece of cloth.

Tie a longer piece of string to your puddings, drop them in the boiling water, and tie them so that they are nicely bobbing about in the water and not touching the bottom. Cover, bring the water back to a boil, and let things cook on a simmer for 2½ hours.

Remove and cool on a cooling rack and keep in a tub or tin. You can feed the puddings a few times if you like with more brandy or rum by untying the top and pouring some in, or by rolling them in a few tablespoons – they quickly absorb it!

Then it’s just a case of giving it a second boil on the big day…I’ll post that a few days before Christmas Day, along with a recipe for brandy or – even better – rum butter to go with.

References

1.           Simpson, J. & Roud, S. A Dictionary of English folklore. (Oxford University Press, 2000).

2.           Kerensa, P. Hark: The Biography of Christmas. (Lion Hudson Ltd., 2017).

3.           Bilton, S. A Proper Plum Pudding. Comfortably Hungry http://www.sambilton.com/plum-pudding/ (2019).

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Summer Pudding

Summer pudding is one of the best and one of the most surprisingly versatile puddings there is. It’s also great fun to make and seeing as the first soft fruits crops are coming in, I thought I’d share my recipe with you. Before I do though, I should get the uninitiated up to speed on this quintessentially British dessert.

Summer pudding is typically a mix of red summer soft fruits lightly poached and set in a pudding basin that has been lined with berry juice-soaked white bread. For many, the thought of cold soggy bread makes them feel a little queasy, but they shouldn’t because the texture is not as one would expect; it is soft and giving and nothing like the texture of soggy bread in hot broth, for example. One way it is versatile, however, is that you can use other things in place of the bread, such as slightly stale slices of madeira or pound cake. Indeed, this is the way I prefer to make it because this way, you quickly dip the cake in the juices (otherwise it just breaks apart) unsoggy and much more pleasing in texture, rather like the base of a trifle, though a less vibrant colour. It’s swings and roundabouts isn’t it.

The other way in which it is versatile is in the fruit you can use. There are many who are purists who insist you use 100% raspberries, for others there must be at least 50% redcurrants, and some think there is no place for the strawberry. These people are all pudding fascists. I’m not picky and I go for what’s in season at the time: gooseberries, red, white or blackcurrants, blueberries, blackberries, strawberries, whatever.

The summer pudding goes back to the nineteenth century as far as I can see, the earliest mention of something resembling it popping up in an American publication from 1875. It describes a hot pudding consisting of currants and sugar steamed in a basin lined with bread. I’ve also found a British ‘midsummer pudding’ that is also hot but uses a suet crust and is – oddly – more recent. A cold pudding made in the manner we know and love today appears around the turn of the twentieth century under the curious name of ‘hydropathic pudding’, so called because it was introduced to ladies at health spas as a low-calory alternative to regular stodgy suet puddings.

I have also found other recipes for autumn pudding and winter pudding, that have swapped the summer fruits for stewed apples, pears and dried fruit or blackberries, sometimes switching white bread for brown.

This is my recipe and it makes just one small pudding, unlike most other recipes that make a giant one using a re-mortgage worth of redcurrants, so this is the recipe for those who do not grow their own. In fact, all you should need are two or three punnets of soft fruit.

Serves 4:

300 g ripe soft summer fruits (raspberries, blackcurrants, red or white currants, blueberries, strawberries, gooseberries etc)

80 – 100 g caster sugar

A shot of an appropriate liqueur such as Chambourd, optional

2 or 3 slices slightly stale bread, crusts removed, or one stale madeira or pound cake, cut into 7 to 10 mm slices

To serve: clotted cream or lightly whipped double cream

Rinse the fruit, cutting any large fruits such as strawberries and gooseberries into halves or quarters as appropriate. Scatter in the sugar, but don’t make things too sweet, especially if using cake rather than bread. However, if you are using green gooseberries you many want to shake in the full quota. Pour in the liqueur if using, stir, cover and leave to macerate overnight.

Next day, put the contents of the bowl in a saucepan over a medium heat. Stir gently to dissolve the sugar, trying not to squish the fruit too much. When dissolved, bring to a boil and simmer gently for two minutes, then turn off the heat. Set aside to cool down.

Cut your slices of cake into enough pieces to line a 450 ml / 1 pint pudding basin. I cut rectangles that taper slightly at one end so that they fit nicely.

Dip each piece of cake or bread in the juicy warm fruit and press into the inside of the basin. Repeat with more slices until you have covered the sides, then cut a circle to fit in the bottom. Be careful if using cake at this point as they are prone to break when soggy.

Now spoon the fruit mixture into the pudding, packing everything in well with the back of a spoon.

Cut more cake or bread to make a lid, press down hard with fingers, then place a saucer on top with a suitable weight and place in the refrigerator overnight.

When ready to serve, loosen the pudding a little with a knife before inverting it on a plate. Be patient as the pudding leaves the mould – do not be tempted to hurrying things, lest disaster strikes. If using a plastic basin, massage it a little to help it along.

Serve with any remaining juice or fruit and the cream.


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References:

Cookery from Experience (1875) Sara T Paul

English Food (third edition; 1992) Jane Grigson

Pride and Pudding (2015) Regula Ysewijn

‘Summer Pudding’, Foods of England website http://www.foodsofengland.co.uk/summerpudding.htm

‘Winter Pudding’, Foods of England website http://www.foodsofengland.co.uk/winterpudding.htm

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Baked Gooseberry Pudding

The last in a quartet of gooseberry posts – I promise I will change the subject next post.

In my honest, humble opinion this is the best gooseberry dessert recipe. It’s old-fashioned and simple to make – gooseberries are baked with a little brown sugar and a knob or two of butter, all covered in cake sponge. The berries are still very sharp and are perfectly balanced with the warm, sweet sponge. This is much more superior to the better-known Eve’s pudding – stewed cooking apples covered in sponge cake. I suspect this would work excellently with blackcurrants.

This recipe crops up in my traditional English or British cookery books, but I first heard of it from Jane Grigson (as I have many dishes) in her book English Food.

For the pudding, you can make any amount of topping, it’s dependent upon whether you like a thin or thick layer of sponge and the dimensions of your baking dish. I used a soufflé dish of diameter around 7 inches/18 centimetres. I think this is a good amount for this size, and for most family-sized dishes.

The sponge is made using the all-in-one method, so make sure your butter is extremely soft to ensure a light topping.

2 tbs Demerara or soft light brown sugar

a couple of knobs of salted butter

gooseberries, topped and tailed

100 g very soft, salted butter

100g self-raising flour

100g caster sugar

2 eggs

Set your oven to 180°C.

Scatter the sugar and dot the butter on the bottom of your baking dish and cover with the gooseberries; you are aiming for a generous single layer of them.

Place the butter, flour, caster sugar and eggs in a bowl and beat together with an electric mixer until the mixture is smooth and well-combined. Using a large spoon or spatula, add the cake batter in big spoonfuls over the gooseberries and level it, you don’t have to be very neat here, the baking batter will flatted itself out.

Place in the oven and bake for around an hour until the top is a deep golden-brown colour.

Serve immediately with custard or lightly-whipped cream sweetened with a little icing sugar.


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Blancmange

Last post I wrote all about the mediaeval dish Blanc Mange, an almond and rice stew served with chicken or fish. Obviously, I couldn’t let the opportunity pass to give you a recipe for the dessert blancmange we know and love (or hate).

Blancmange went from a savoury to a sweet dish somewhere around 1600 – 1604 is the earliest recipe for it I can find that sounds like the pudding we eat today.

When one thinks of blancmange, a shuddering over-sweet pale pink mass doused with cloying raspberry flavouring is imagined. This is not a proper blancmange. When I make one, I go back to basics.

photo: unknown

Blancmange should be a simple affair: cream, milk, sugar and almond extract set with gelatine. In the recipes from earlier than the 20th Century, the gelatine would have been prepared in house from calves’ feet or pigs’ trotters. There was an alternative setting agent called isinglass which is made from the dried swim bladders of fish.

By the way, the pronounced almond flavour of almond extract is not supposed to emulate that of regular almonds, but of bitter almonds which were high in cyanide and therefore used in small, highly aromatic doses. Other things were sometimes added to this basic mixture: lemon zest, cinnamon, brandy and rose water all crop up in recipes through the centuries.


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The blancmange went rather downhill once you could buy it in packet form. The almond extract or bitter almonds replaced with almond flavouring and instead of gelatine, cornflour was used. This is the dessert that many people hate. I must confess to quite liking the preparatory blancmange, but then, I’ll eat anything. It shouldn’t be called blancmange though, as it is quite a different beast; fake flavour and thick cornflour base making the final pud less jiggly and delicate. I suppose that after the realisation you could set custard with cornflour instead of egg yolks, the ‘magic’ formula was applied to blancmange.

I like to serve blancmange with a compote of cherries flavoured with a dash of kirsch and some delicate shortbread biscuits, but it is pretty good served all on its own. Who needs panna cotta!? If you want to turn the blancmange out of its mould, it is worth brushing the inside with a thin layer of sunflower oil so that it is easier to turn it out.

Makes 600 ml:

250 ml whole milk

gelatine leaves (see method)

100 g caster sugar

300ml double cream

1 tsp almond extract

Heat up the milk in a saucepan and as you wait, soak the gelatine leaves in cold water – check the instructions in the packet and use the correct number to set 600 ml except use one leaf fewer than instructed – you want a good wobble.

A good wobble…

When the milk is very hot, squeeze out the excess water from the gelatine and whisk it into the milk along with the sugar. Once dissolved, add the double cream and almond extract. Pour into your mould or moulds, cover with cling film or a plate and refrigerate overnight. If you like, you can whip the cream until floppy and stir it through the milk when it is just warm. This way you get a mousse-like consistency – good if you want to serve it at a dinner party.

To turn out the blancmange, dip the moulds in hot water for around 10 seconds. To make it release you may have to carefully coax the blancmange from the inside edge of the mould with your finger; if you can move it away easily, it should come out. Place a serving plate on top and quickly flip it over – the blancmange should release, if not, simply dip it in the water for a further 10 seconds.

Once turned out, you may find that some of the blancmange has melted, so tidy up the plate with a piece of kitchen paper before serving.

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Medieval Rose Pudding (Rosee)

Last post I wrote about my little experiment making almond milk. With my batch I decided to make a mediaeval recipe from the first cook book in English, Forme of Cury. It was written around 1390 by the cooks of King Richard II; I’ve written about it and cooked up a few recipes from it before.

The one I chose is called Rosee, and it is like a pudding – in the American sense of the word – i.e. a thick custardy dessert. This one is thickened with rice flour instead of eggs like a regular custard and is flavoured with rose petals (“with flours of white rosis”) as well as some ginger and cinnamon. It’s not the right time of year for roses, so in lieu of the blooms, I used some rose water instead. It’s also flavoured with pine nuts and dates, which also adds a little texture. Sugar is the sweetener – which wasn’t refined to pure white in the 1400s, so I used soft light brown sugar to replicate this.

You don’t have to use mediaeval almond milk, you can buy it, or just use regular cows’ milk.

Here’s how it is written in Forme of Cury. It’s hard to decipher, but once you know the now defunct letter thorn (þ) is makes a th sound (so seþe is pronounced seethe), it makes it a lot easier.


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Rose Pudding 1390:

Take thyk mylke; seþe it. Cast þerto sugur, a gode porcioun; pynes [pine nuts], dates ymynced, canel [cinnamon], & powdour ginger; and seeþ I, and alye [mix] it with flours of white rosis, and flour of rys. Cole it; salt it and mess it forth. If þou wilt in stede of almaunde mylke, take swete crem of kyne [cows].

Hopefully you get the gist – it takes a while to tune in!

I didn’t follow the method exactly – I used my own cook’s logic to the dish – but I made quite a delicious pudding, and it didn’t feel as though it was a vegan dessert. A knob of butter or a glug of cream, goes a long way with making food satisfying, but I genuinely didn’t miss them. It really goes to show that the King and his court did not go without during Lent!

Rose Pudding 2019:

Makes 4 to 6 puddings

25g rice flour or cornflour

¼ tsp each ground ginger and cinnamon

250 ml mediaeval almond milk, bought almond milk or full fat milk (or a mixture)

60 g soft light brown sugar

Pinch salt

50 g chopped dates, plus extra for decoration

25 g pine nuts or chopped mixed nuts, plus extra for decoration

2 to 3 tbs rose water

Put the flour and spices in a small saucepan and whisk in the milk, starting by adding just a third of it at first to prevent lumps. When all of the milk has been added, put the pan on the heat and bring to a simmer, stirring well with a wooden spoon or small whisk as it begins to thicken. Add the sugar, salt, dates and nuts. Keep it simmering very gently for around 10 minutes to cook out the flour. If it looks like it will be too thick, add more liquid (it sets quite firm, so when it is hot, you’re looking for the consistency of thick double cream).

Remove from the heat and add the rose water – I like quite a lot, but it can be rather overpowering, so add enough that seems just right and then add a shake more. By doing this you are compensating for the fact it will be served cold, the flowery aroma less pungent.

Pour into serving cups – I went for small coffee cups – scatter with a few more dates and nuts and cover with cling film to prevent a skin forming. Pop them in the fridge until set.

Half an hour before you want to serve them, take them out of the fridge to take off the chill.

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Medlar Tart

It’s medlar (aka openarse) season at the moment, and I thought I would try the recipe I mentioned in the medlar post from last year.

There’s quite little to go on with medlar preparation in books and the internet as people don’t really eat or cook with them these days, beyond medlar jelly, so every year, I learn a little more about eating and cooking them.

This year I have been more patient and waited for them to get fully-bletted. Medlars are a strange fruit in that they cannot be eaten until they have gone very dark, ripe and soft, a process called bletting. Any other fruit would be thrown away in this state, but medlars are unique because they go from sour and astringent to a tart, soft date-like fruit. They can be sliced in two and the soft flesh can be squeezed or spooned out. Within there are 5 large seeds, so you have watch out for them.

This medlar tart recipe comes from the 1597 book The Good Housewife’s Jewel by Thomas Dawson. It is a very simple paste made from medlar pulp, cinnamon, ginger and sugar baked in a pastry case. Here’s the recipe as it appears in the book:

Take medlars that be rotten and stamp them. Then set them on a chafing dish with coals, and beat in two yolks of eggs, boiling till it be somewhat thick. Then season them with sugar, cinnamon and ginger and lay it in the paste.

Back in Tudor times (Elizabeth I was on the throne when the book was published), sugar was not always as refined as today, so to replicate this I used soft light brown sugar. I decided to use rough-puff pastry as my ‘paste’, as it was often used for the more delicate desserts and posh pies. I changed the method slightly and instead of thickening the medlar mixture in a pan, as you would for pouring custard, I put the uncooked mixture into the case and baked it in the oven.

I did have a look for other recipes and found that things like butter, nutmeg, candied fruit or citron, sweet cider and musk powder (that final one might be a little tricky to source) were all added merrily.

This tart is very good indeed, evocative of the American pumpkin pie. I would certainly give it a go should you happen upon a medlar tree.

For the tart:

Blind-baked shallow 8-inch pastry case

750 g well-bletted medlars

75 g caster or soft light brown sugar

3 egg yolks

1 tsp each ground cinnamon and ginger

Cut the medlars and twist in half widthways, as you might do with an avocado (except there are 5 pips rather than one large one). Scoop or squeeze the soft flesh into a bowl, removing pips as you go. I tried to pass the squeezed flesh through a sieve, which was a little tricky and boring but realised quite quickly that I wasn’t patient enough and decided instead that the flesh was smooth enough straight from the fruit.

Beat in the remaining ingredients and spread the mixture over the pastry case and bake for 20 minutes at 175°C.

Eat warm with thick cream.


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Sixth Course: Pompion Pye (1658)

The Compleat Cook

So here we are at the final course of the Dinner Party Through Time. It was suggested that, seeing as the meal was but a day after Hallowe’en, it should be an English pumpkin pie. I didn’t expect to find one, but after a brief search I found a recipe for ‘Pompion Pye’ in The Compleat Cook, published in 1658 by the mysterious W.M during the time of the Protectorate when England was under the control of misery guts Oliver Cromwell. It is the first ever recorded recipe of a pumpkin pie that we know of. It reads:

To make a Pumpion  Pye. Take about halfe a pound of Pumpion and slice it, a handfull of Tyme, a little Rosemary, Parsley and sweet Marjoram slipped off the stalks, and chop them smal, then take Cinamon, Nutmeg, Pepper, and six Cloves, and beat them; take ten Eggs and beat them; then mix them, and beat them altogether, and put in as much Sugar as you think fit, then fry them like a froiz; after it is fryed, let it stand till it be cold, then fill your Pye, take sliced Apples thinne round wayes, and lay a row of the Froiz, and a layer of Apples with Currans betwixt the layer while your Pye is fitted, and put in a good deal of sweet butter before you close it; when the Pye is baked, take six yolks of Eggs, some white-wine or Verjuyce, & make a Caudle of this, but not too thick; cut up the Lid and put it in, stir them well together whilst the Eggs and Pumpions be not perceived, and so serve it up.

A froiz is something that has been fried, usually with beaten eggs like a Spanish omelette. A caudle is a sweetened custard made of egg yolks, cream and sugar or with wine instead of cream; it is poured through the central hole of a pie when it is cooked. Sometimes, the pie is returned to the oven so that the caudle can set before the pie is sliced. Verjuyce or verjuice is the sour juice of either crab apples or unripe grapes was used extensively in Britain; it serves the same purpose as lemon juice. Here’s a previous post all about it.

I must admit, it was very worried about making this pie for the diners. I was especially worried about the froiz with all those spices and herbs mixed into the sweetened egg and pumpkin , fried until cooked through then baked. Overcooked eggs release a lot of water and turn somewhat rubbery (as anyone who has overcooked scrambled eggs can tell you). I was not expecting good things.

The only thing I changed in the recipe was the caudle – I swapped the wine for cream and made a proper custard to pour into the pie when it came out of the oven. I thought that after six other courses, a wine caudle just might tip folk over the edge.

As it turned out, this pie was delicious! The soft apples seemed to prevent the eggs from overcooking (maybe it was the acidic conditions, they provided?) and really set off the tender sweetened pumpkin mixture. The creamy custard helped the whole thing go down very well. Although there might be a few more stages to making this pie, compared to a regular dessert fruit pie, it is well worth the effort, so give it a go.

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Here’s how I interpreted the recipe:

Ingredients

8 eggs

500g pumpkin flesh, cut into 1 ½ cm cubes, then thinly sliced

1 tsp each of finely chopped thyme, rosemary, parsley and marjoram

½ tsp each of ground cinnamon, black pepper and nutmeg

¼ tsp ground cloves

75g butter

200g caster sugar

sweet shortcrust pastry

800g Bramley apples, peeled, cored and sliced

1 handful of currants

egg wash and demerara sugar

250ml double cream, or half cream, half milk

4 egg yolks

30g sugar

My pie is made in an 8 inch cake tin, so begin by frying the froiz in a non-stick frying pan of a larger diameter.  Beat the eggs together with the herbs, spices and caster sugar and stir in the pumpkin slices. Melt 50g of the butter in the frying pan and, when foaming, pour in the egg mixture. Continue to fry over a medium heat, and when the froiz is half-cooked, place under a hot grill until cooked through. Slide the froiz onto a plate and let it cool.

Line an 8 inch cake tin with 2/3 of your pastry, then scatter in half of the apples and currants. If you like, sprinkle on some more sugar if the apples are particularly tart.

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Trim around the edges of the cooled froiz so that it fits snugly inside the pie before adding a second and final layer of apple and currants. Dot the remainder of the butter on top, before rolling out a lid with the reserved pastry, gluing it in place with egg wash.

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Make a hole in the centre and decorate if liked  (traditionally, sweet pies are not decorated). Glaze with egg wash and sprinkle on the sugar.

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Bake at 200⁰C for around 20-25minutes until the pastry has browned, then turn the heat down to 160⁰C and bake for a further 30 minutes or so.

Just before the time is up, make the caudle just as you would for a custard tart by heating up the cream and milk, if using, and whisking it into the egg yolks and sugar.

Remove the pie from the oven, crack open the top of the pie and pour in the caudle. Return to the oven for about 8 minutes so that it can set. Alternatively, you can heat the caudle mixture in the pan until it thickens slightly and simply pour into the cooked pie.

pumpkin pie

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Filed under baking, Britain, cooking, Desserts, food, General, history, Puddings, Recipes