Tag Archives: nineteenth century

A Cottage Loaf

It is as hard to achieve the right shape and texture, crust and crumb, of an authentic cottage loaf as it is to reproduce true French baguette bread.

Elizabeth David, English Bread and Yeast Cookery, 1977

The cottage loaf is a vintage classic, and as far as I can see, a bread unique to England. I would say that most people have heard of one but have never clapped eyes on one in real life. I don’t think I have, my only interaction being with the salt dough loaf one that was part of the play shop my infant school teacher Mrs Bareham put together in the early 1980s. If you are not familiar with one, a cottage loaf is made up of two cobs – i.e. ball-shaped loaves – stacked one on top of the other, the upper loaf around half the size of the bottom one. The shape is curious, making even slicing difficult, which I suppose wouldn’t matter if you are just tearing off rustic chunks to dunk in your stew.

I’ve been meaning to have a go making one for years, but Elizabeth David writing in her classic tome English Bread and Yeast Cookery talked of how fiendishly difficult it is to make and impossible to reproduce at home. That is, unless you are Virginia Woolf, who made an excellent one. These days we have rather more time at home than usual, so I thought it wouldn’t be too much of a waste of time if it turned out to be a disaster. Then, I saw a tweet alluding to its trickiness from Foods of England, so I considered the gauntlet to have officially been thrown down.

The interior of a brick oven (photo: TripAdvisor.com)

I had a look into the history of it with a little trepidation, half expecting it to be a food with no vintage at all like the Ploughman’s Lunch. I needn’t have worried – it turns out to be an invention of the early nineteenth century at least, and a picture of one a little later in Mrs Beeton’s Book of Household Management (1861). They were originally baked directly on the bottom of low, flat brick bread ovens like many cobs, muffins and breadcakes are still baked today. There were no shelves in these ovens, unlike modern combi-ovens, meaning one was rather restricted in the area one could bake crusty cobs. That’s where the upper loaf comes in for it made a larger loaf – two really – without taking up extra precious space on the oven bottom. It all makes perfect sense now.

The trick to making a cottage loaf is to keep that top piece from falling off during proving and baking, though it does need to lean slightly to one side, says Ms David, like a jaunty hat. But, you can’t just sit one on top of the other, you have to fix it in place by taking floured fingers and plunging them through the top and bottom cobs two or three times. That’s what Paul Hollywood says anyway, Elizabeth David does the same, but proves the two loaves separately then attaches them in a similar way but includes extra cuts, crosses and a lot of manhandling. No wonder she found it difficult. Seeing as her baking recipes are hit-and-miss at the best of times, went for the Hollywood method.

I used my basic cobb recipe, but used 500 g of flour instead of 400 g.

For one loaf:

500 g strong white bread flour

10 g salt

10 g easy bake “instant” yeast

25 g oil or softened butter

320 ml warm water.

Place the flour in a bowl, add the salt and the yeast, then make a well in the centre of the flour. Pour the warm water into the well along with the butter or oil.

Mix together with a wooden spoon and then bring the dough together with your hands. Alternatively, you can use the dough hook on a mixer to bring it together. Knead well until the dough becomes tight and springy, around 5 minutes in a mixer, or 10 or so minutes if kneading by hand. It will be sticky, but persevere; sprinkle a little flour or a smear a little olive oil on your work surface if you like. Bundle the dough into a tight ball and place in an oiled bowl and cover to allow it to double in volume in a warm place.

When ready, press out the air and cut away a third of the dough. On a lightly-floured work surface, make the cob shape by forming a ball with the dough by tucking your hands under it, tightening the dough. If you twist the ball of dough slightly as you do this, it will be extra tight. Repeat with the other piece of dough.

Dust a baking sheet with flour and set aside.

Sit the small loaf directly on top of the large one, flour the first three fingers of one hand and plunge them right down through the dough right to worktop surface. Repeat one more time and your two pieces should be well-fused together.

At this point you can make some cuts with a sharp serrated knife, but to do so you have to pick it up, so avoid this step if you think it might be too risky. Sit in on the floured baking tray and cover with a large bag and leave to prove again, until twice the size and springy to the touch.

To achieve a really good crust, set your oven to 220°C as you wait for the loaf to prove and sit a roasting tin on the bottom of the oven. When the loaf is ready to go in, boil the kettle and place the loaf on the middle shelf, pull out the roasting tin a little and pour in the water – careful of the steam! – and quickly shut the door.

Bake for 30 to 35 minutes, and cool on a wire rack.

As it turns out it’s not that tricky in the end, and it even leaned to one side without falling off just like Beeton’s!

References:

English Bread and Yeast Cookery (1977), Elizabeth David

‘Cottage Loaf’, Foods of England website http://www.foodsofengland.co.uk/cottageloaf.htm

How to Bake (2012), Paul Hollywood

Mrs Beeton’s Book of Household Management (1861), Isabella Beeton

The Taste of Britain (2006), Laura Mason & Catherine Brown

The cracked crisp crust

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Filed under baking, bread, Britain, cooking, food, General, history, Recipes, Teatime, The Victorians

Savouries

About five years ago, a reader asked if I could write about savouries, that now forgotten course served up towards the end of a Victorian or Edwardian meal. Well I’ve finally pulled my finger out and written one, so here we go:

The savoury course used to be extremely popular; a delicious morsel, which was salty, creamy and spicy, serving as a digestive after a rich meal, either as a final course, or before a sweet. What often happened was that the gentlemen ate their savouries and went off to drink whiskey and play bar billiards, and the ladies had their sweets and swished off to the withdrawing room for cards, chats and sherry; there were no non-binary genders allowed here, let me tell you.

I’m a big fan of the savoury course and I often include one in my supper clubs and pop-ups. They had gone out of fashion by the mid-twentieth century, the only real survivor being the cheeseboard.

Potted chicken livers

Savouries have of course lived on as first courses, canapés, teatime snacks and light lunches, and you will have eaten some of them, and many have already appeared on the blog. Delicious morsels like devilled kidneys, Welsh rarebit, potted chicken livers, potted cheese, Patum peperium, rillettes, angels & devils on horseback and sardines on toast have all been served up by Yours Truly at some point. Two of my favourites are Scotch woodcock – a spiced anchovy butter served on toast covered with a creamy, savoury custard – and Locket’s savoury, a slice of toast topped with ripe sliced pears, wilted watercress, and a thick blue cheese sauce which is then grilled, rather like Welsh rarebit. Delicious! It was nice to see Nigella Lawson championing the devilled egg recently; a woman after my own heart.

Angels & devils on horseback

Savouries are often served on toast, fried bread or some kind of biscuit or cracker. In Eliza Action’s 1845 book Modern Cookery for Private Families, there is just one recipe for savouries which appears to be a proto-croque monsieur, with a small footnote. She doesn’t seem to approve. In the twentieth century, however, you get entire books of the subject, the best being Good Savouries by Ambrose Heath (1934).

What makes a good savoury?

  1. Size matters: it must be one or two mouthfuls, so the best vehicles are toast, fried bread or crackers. However, boiled eggs work well as do oysters in the shell. As long as you can eat it without cutlery, you’re doing good.
  2. Salt: savouries are almost always highly seasoned with salt. This is apparently the digestive part, but it also functioned to give people a good thirst ready for a boozy evening ahead. Salt itself was rarely used, it’s much better to use more interesting ingredients such as anchovies, cured meat and fish, cheese and relishes such as mushroom ketchup, Worcestershire sauce, etc.
  3. Heat & spice: quite a lot of the ingredients served more that one purpose, so most of those listed above fit into this category too, but there was also good old black pepper, English mustard, Cayenne pepper, curry powder and Tabasco sauce.
  4. Strong flavours: other strong flavoured things were used, such as blue Stilton, kidney, liver, game and smoked meats and fish like ham, bloaters and even red herrings.
  5. Creaminess: all that salt, spice, richness and heat was often tempered with something bland and creamy and a variety of things were used for this purpose, such as cream (obviously), egg yolks, savoury custards, béchamel sauces, soft cheeses, brains, sweetbreads, lambs’ fries, fish roes, oysters and left-over poultry meat.

Devilled Chicken Livers

Probably the most infamous savoury is the devilled kidney, but you can devil lots of things. I pride myself on my devil sauce, and at The Buttery devilled chicken livers on toast became a rather unlikely signature dish. This recipe can be easily adapted if livers aren’t your thing: fish roes, kidney, brain, lambs’ fries, left over roasted poultry, mushrooms and even tofu can all be devilled with great success. My favourite is chicken liver because it has all of the qualities listed above in abundance. It’s a good idea to make extra devil sauce as it keeps in the fridge for a good ten days or so, and I can guarantee, you’ll be wanting to devil everything you eat from now on! Here’s how to make it.

Serves 2 as a light lunch or snack, or three as a first course, or six as a savoury course.

For the devil sauce:

2 tbs English mustard

2 tbs Worcestershire sauce or mushroom ketchup, or a mixture of the two

1 tbs vinegar

good pinch of Cayenne pepper

dash of Tabasco sauce

freshly ground black pepper

Simply beat all the ingredients together – taste and add more Tabasco and pepper if you like. There’s no need to add salt.

For the livers:

6 chicken livers

a decent knob of salted butter

the devil sauce

3 or 4 tbs double cream

1 slice of crisp toast per person

chopped parsley

First of all, check the livers for any bitter green gall sacks, which are often accidentally left on. If you sport one, snip it off with scissors.

Get a frying really good and hot and melt the butter. As soon is stops foaming, add your livers. Try not to disturb them. After 2 minutes, turn them over and cook for one more minute. Next, add most of the devil sauce and fry a further minute, making sure the livers get coated in it. Add the cream and let form a lovely rich sauce, turning the livers over in it. Have your toast ready on plates so you can top it with the livers and then the sauce. Scatter over some parsley and serve immediately.

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Filed under Britain, cooking, food, General, history, Meat, Recipes, The Edwardians, The Victorians, Twentieth Century, Uncategorized

Seftons

earl of sefton

The first Earl of Sefton

In my previous post, I gave you a recipe for a basic veal stock, so I thought I would give you another recipe that shows of these kinds of home-made stocks to their best.

The recipe comes from the distinguished French Cook Louis Eustache Ude, chef to the Earl of Sefton. He came from good cooking stock himself, his father was chef to King Louis XVI.

Ude was quite a character, there’s a great story of him being hauled in front of a magistrate after he had been found selling roast grouse on his menu before the 12th of August (the date from which the gamed season begins. See here for a post all about that). He was given a fine and sent on his way.

The next day, the Scottish Laird who had reported Ude to the police returned to Ude’s restaurant to make sure he was abiding by the rules. Pleased to see there wasn’t a morsel of the offending bird on the menu, he ordered Salami de fruit défendu, i.e. Salmi of Forbidden Fruit, which turned out – of course – to be grouse!

Louis-Eustache-Ude_2911477k

Louis Eustache Ude

There was none of this nonsense when he worked for ,and was handsomely paid by, the Earl of Sefton, except when he left his service because Ude spotted the Earl’s son adding salt to some soup he made. Offended by this, he turned on his heel and left.

This recipe is in essence a savoury custard, and may sound odd, but it is in fact subtle, delicious and light. It could only work with a home-made stock though. I imagine it would be excellent nourishing food for someone that is ill. The little custards can be served in their ramekins or turned out onto a plate.

The recipe below comes from Jane Grigson’s English Food, where she suggests serving it with thin dry toast. A very good idea, I can confirm.

It makes between six and ten portions depending on the size of your ramekins.

 

600ml of good, clear, home-made stock

6 beaten eggs

grated zest of a lemon

¼ teaspoon of ground mace

salt and Cayenne pepper

4 tablespoons of clarified butter

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Bring the stock to a boil and whisk into the eggs as you would with a regular custard. Add the lemon zest and mace and season with the salt and Cayenne pepper and whisk in the butter.

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Place your ramekins in a deep roasting tin and pour the custard into them and cover them with foil. Pour boiling water into the tin, technically turning it into a ban Marie. Carefully slide the tin into an oven already preheated to 180⁰C and bake for 12 to 20 minutes, or until the custards are just set and still have a good wobble on them. Serve straight away.

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Filed under Britain, cooking, food, French Cookery, General, history, Recipes

Virginia Woolf Bakes Bread

woolf

As I spend most of my time in the kitchen these days. I find I listen to a heck of a lot of radio (and have less time for blog posts!). This morning, a programme called ‘In Our Time’ presented by the broadcasting legend Melvyn Bragg, was on BBC Radio 4 which discussed the 1925 novel Mrs Dalloway by Virginia Woolf. Here’s a link to that very episode.

in our time

I happen to know that was as good a bread-maker as she was a novelist.

She used an oil cooker, called the Florence, and with it tutored her maid and cook to bake cottage loaves (a loaf I have never attempted as it appears to be of difficulty 10). Her cook, called Louise Mayer, recounts in the book Recollections of Virginia Woolf:

She liked trying to cook…but I always felt that she did not want to give time to cooking and referred to be in her room working.

But there was one thing in the kitchen that Mrs Woolf was very good at doing: she could make beautiful bread. The first thing she asked me when I went to Monks House was if I knew how to make it. I told her that I had made some for my family, but I was not expert at it. “I will come into the kitchen Louie” she said “and show you how to do it. We have always made our own bread.” I was surprised how complicated the process was and how accurately Mrs Woolf carried it out. She showed me how to make the dough with the right quantities of yeast and flour, and then how to knead it. She returned three or four times during the morning to knead it again. Finally, she made the dough into the shape of a cattage loaf and baked it at just the right temperature. I would say that Mrs Woolf was not a practical person – for instance, she could not sew or knit or drive a car – but this was a job needing practical skill which she was able to do well every time. It took me many weeks to be as good as Mrs Woof at making bread, but I went to great lengths practising and in the end, I think, I beat her at it.

Virginia gave Louise Mayer a top baking tip that I always use if it is possible; and that is to bake bread in a cold oven. The gradual heat increase gives you a really impressive rise before the outside crust develops, hampering it.

So there you go, a little window into the enigmatic lady’s life, which I thought might be of interest to you…

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Filed under baking, bread, Britain, history

The Original (Quince) Marmalade

As I mentioned in my previous post about Seville oranges that the original marmalade was in fact made from quinces and not oranges, I thought I would give you a recipe that I have recently used for the stall. It’s a recipe that appears in Eliza Acton’s 1845 book Modern Cookery. It’s an easy recipe that would be a good one to start with if you have never made a sweet preserve as you don’t need to mess about with sugar thermometers and setting points. One of the great things about making preserves with quinces is the glorious colour they go. A relatively brief boil transforms them from a pale apple-yellow to a vibrant orange-coral.

The tricky thing is getting your hands on some quinces they are available from October, but I have recently seen some organic ones in the Manchester organic grocers Unicorn. If your local greengrocer doesn’t have them on their shelves, it is worth asking if they can get them. My grocer was very happy to get me a full tray for just a tenner, so I was very pleased with that.

I have recently found another slightly more complicated version of this recipe but I have not tried it – we’ll have to wait for next autumn for that one!

Eliza Acton’s Quince Marmalade

2kg (4 1/2 lbs) quinces

water

granulated sugar

Wash and scrub any fluff of the quinces, then peel and core them. Place them in a large pan and pour over enough water to almost cover. Turn up the heat and when it begins to boil, turn heat down to a simmer and stew 35-45 minutes until the fruit is soft. Strain and pass fruit through a mouli-legumes.

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Put the pulp back in the pan with the strained juice and add 280g sugar for every 500ml juice or, 1 ½ lbs sugar for every pint of juice). Stir and dissolve under low heat then, simmer until it resembles ‘thick porridge’ and begins to leave the side of the pan when you stir it.

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Pour the marmalade into sterilised pots. It is very good as a jam on toast, with cheese or as an accompaniment to hot or cold meats.

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Filed under Britain, cooking, food, Fruit, General, history, Nineteenth Century, Preserving, Recipes, Uncategorized

The Duck Press

The duck press was invented in France during the 1800s by a chef called Mechenet to make what is one of the most extravagant and macabre dishes ever created: Caneton de Rouen à la Presse, also known as Duck in Blood Sauce. It was popularised by Chef Frèdèric who was head chef at the famous restaurant La Tour d’Argent where it became the signature dish. It is reckoned over a million were served there. What is particularly impressive is that the dish was made at the table in front of the guests.

At La Tour d’Argent you are given a card

telling you the ‘number of your duck’

The dish became very popular in Britain during that famously excessive (and thankfully brief) period of history, the Edwardian Era. London’s high society went to huge efforts to appear sophisticated; French cuisine has always been associated with sophistication and the dish Caneton de Rouen à la Presse was one of the best. The Savoy in the 1900s, which then had the formidable chef Escoffier at the helm, regularly served it.

Escoffier

To make the dish you first of all need a duck press which a large metal press usually made of bronze. It contains a spout low down on the press itself so that the blood and bone marrow can be collected easily and it stands on two our four heavy feet so that the whole thing remains stable; you don’t want to cover some count in blood goo unless you can really help it. Some of them have webbed duck feet. If you want to buy a duck press though it will set you back around £1000.

Once you have procured your press you need to prepare your duck. The best for this recipe would be a Rouen duckling, but a mallard would be a good substitute. First of all kill your duck by strangulation so that the blood remains inside the tissues than pluck it. Next day remove the innards, keeping aside the heart and liver, and roast it on the very highest setting on the oven for 15 to 20 minutes. Liquidise the bird’s liver and heart. This is the point where the press and the duck are wheeled to the dining table for the guests to watch.

Remove the legs and set them aside for later, then remove the breast meat cutting it thinly and keeping it warm and covered on a serving dish with a cloche. Push and shove the carcass in the press to extract the blood and bone marrow from the bird, collecting it in a jug placed beneath the spout.

Make a sauce by gently warming the blood with the liquidised liver, some duck or veal stock and some brandy or cognac. Lastly, whisk in a good knob of butter to thicken the sauce and make it glossy. Pour the sauce over the sliced duck breast. Serve with a green salad.

The legs are usually taken away and grilled to be served up during the next course.

So there you have it; a simple and affordable family meal. I have to say, I am a lover of rare meats and I don’t find this sort of food scary at all and it is being served in some restaurants today. If I make my millions, I’ll buy a press and get you all round for dinner.

I found this YouTube video of one being used, but if you’re squeamish, you’re best not looking, I’d say.

 

For more duck history and recipes, click upon this very link.

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Filed under Britain, food, French Cookery, General, history, Meat, Nineteenth Century, Recipes, The Edwardians