Tag Archives: recipe

To Roast a Chicken

For centuries, the British were famous for their roast meat, attached to a spit before being hand-turned by some poor soul in front of a devilishly hot fire. We no longer do this, today we cook them in the oven, so technically they are baked meats not roasted ones. Searching for historical recipes for roast chicken is rather tricky: they were rarely roasted – they were a dependable source of eggs after all – so only chickens that stopped laying were eaten, those so-called ‘old boilers’. Instead, capons provided tender meat; these castrated cockerels were put to good, being otherwise surplus to requirement. Unfortunately, in today’s mass production of eggs, male chicks are killed as soon as they can be sexed.

When you do find a recipe, there is little focus on the roasting itself. Check out this recipe for ‘Chicken Endored’ from around 1450:

Take a chicken, draw it and roast it; let the feet be on and take away the head. Then make a batter of egg yolks and flour, and add to it ground ginger and pepper, saffron and salt, and spread it over until it is roasted enough.

Mediaeval manuscript c.1300-1350 showing poultry spit-roasting (image via http://www.larsdatter.com/)

By the eighteenth century, there is little more instruction, but we do at least get a cooking time:

To roast young chickens, pluck them very carefully, draw them, only cut off the claws, truss them, and put them down to a good fire. Singe, dust and baste them with butter, they will take a quarter of an hour roasting. Then…lay them on your dish.

We can only assume that the roasting part of the process was already in the readers’ skill set.

My recipe is below, but there are a few things I should mention first: First, never wash your chicken! It’s unhygienic and it will stop the skin crisping up. Second, do not overcook and don’t fear the salmonella; follow the times and temperatures precisely and you will be grand. Thirdly, use plenty of butter and bacon to season the bird and keep moist. I make a flavoured butter for the roasting, but using just butter will still produce great results.

1 free-range chicken

100 g butter, softened

Salt and pepper

Any flavourings you like: e.g. 1 to 4 finely chopped cloves of garlic, 1 tsp chopped thyme or lemon thyme, truffle trimmings, chopped rosemary, grated zest half a lemon, chopped olives, anchovies or capers, ½ tsp smoked paprika. The list really is endless.

8 rashers of dry cured bacon, smoked or unsmoked

100 ml white wine

300 ml chicken stock

1 tbs cornflour

Remove the chicken from the fridge and hour before you want to roast it. Untruss it and preheat the oven to 190°C.

Mash the butter with the salt and pepper using a fork and stir in the flavouring ingredients, if using. Set aside.

Sit the chicken on a board, untruss it and turn it so that the cavity is facing you and carefully lift the skin away from the breasts. The technique is to insert the tips of your middle three fingers gingerly underneath the skin lifting it away from one breast, using your other hand to keep the skin taught, lest it tears. Repeat for the other breast

Next, place the flavoured butter under the skin, massaging it so to evenly distribute it over the breasts.

Make sure there is plenty under there, but reserve around a quarter of it to spread it over the legs. Next, lay the rashers of bacon over the bird so they overlap only slightly.

Weigh the chicken then pop it on a roasting tin. Don’t be tempted to truss it. Calculate the cooking time: 45 minutes per kilo plus 15 minutes and place in the oven.

Leave undisturbed for 30 minutes, and then baste with any butter that has melted and leaked from the bird. Tip to one side, so that buttery juices come out of the chicken. Baste with the juices every 20 minutes or so, and when the bacon is sufficiently crisp, remove it and let the bird roast without its porky jacket for the remaining time.

Remove and check its cooked all of the way through by easing the leg away from the body, it should be filled with delicious, clear juices. If unsure, use a sharp knife to test the juices are clear in thickest part of the leg. If they are tinged with pink, roast ten more minutes.

Remove the tender chicken – be careful it may start to collapse a bit, so be swift and use a fish slice and a pair of tongs to help you guide it to a board safely and all in one piece. Cover with foil to rest while you make the gravy.

Tip the juices into a jug and allow to settle for a few minutes. Place the roasting tin over a medium-high heat and brown any delicious detritus that remains in the roasting tin. Deglaze with the wine, scraping off any brown bits with a wooden spoon, then tip the whole lot into a saucepan and bring to a simmer. Meanwhile skim away most of the fat from the chicken juices and pour them into the pan along with the stock. Bring to a boil and let it bubble away for ten minutes so it reduces a little.

Now slake the cornflour with a few tablespoons of cold water and whisk it briskly into the gravy. Give it a couple of minutes to thicken, and if it seems on the thin side, slake a little more; it’s all down to preference, I prefer a thin gravy.

Check for seasoning and leave on a low heat whilst you get everything ready.

To carve the chicken I find it easiest to remove the legs first, cutting them at the knee to give two thighs and two drumsticks, and then cutting each breast away in one piece, cutting them into four or five thick pieces.

Arrange them on a warmed serving plate and don’t forget to serve the bacon.

References

The Culinary Recipes of Medieval England (2013) compiled and translated by Constance B Hieatt

The Experienced English Housekeeper (1769) Elizabeth Raffald

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Filed under Britain, cooking, food, General, history, Meat, Recipes

A Cottage Loaf

It is as hard to achieve the right shape and texture, crust and crumb, of an authentic cottage loaf as it is to reproduce true French baguette bread.

Elizabeth David, English Bread and Yeast Cookery, 1977

The cottage loaf is a vintage classic, and as far as I can see, a bread unique to England. I would say that most people have heard of one but have never clapped eyes on one in real life. I don’t think I have, my only interaction being with the salt dough loaf one that was part of the play shop my infant school teacher Mrs Bareham put together in the early 1980s. If you are not familiar with one, a cottage loaf is made up of two cobs – i.e. ball-shaped loaves – stacked one on top of the other, the upper loaf around half the size of the bottom one. The shape is curious, making even slicing difficult, which I suppose wouldn’t matter if you are just tearing off rustic chunks to dunk in your stew.

I’ve been meaning to have a go making one for years, but Elizabeth David writing in her classic tome English Bread and Yeast Cookery talked of how fiendishly difficult it is to make and impossible to reproduce at home. That is, unless you are Virginia Woolf, who made an excellent one. These days we have rather more time at home than usual, so I thought it wouldn’t be too much of a waste of time if it turned out to be a disaster. Then, I saw a tweet alluding to its trickiness from Foods of England, so I considered the gauntlet to have officially been thrown down.

The interior of a brick oven (photo: TripAdvisor.com)

I had a look into the history of it with a little trepidation, half expecting it to be a food with no vintage at all like the Ploughman’s Lunch. I needn’t have worried – it turns out to be an invention of the early nineteenth century at least, and a picture of one a little later in Mrs Beeton’s Book of Household Management (1861). They were originally baked directly on the bottom of low, flat brick bread ovens like many cobs, muffins and breadcakes are still baked today. There were no shelves in these ovens, unlike modern combi-ovens, meaning one was rather restricted in the area one could bake crusty cobs. That’s where the upper loaf comes in for it made a larger loaf – two really – without taking up extra precious space on the oven bottom. It all makes perfect sense now.

The trick to making a cottage loaf is to keep that top piece from falling off during proving and baking, though it does need to lean slightly to one side, says Ms David, like a jaunty hat. But, you can’t just sit one on top of the other, you have to fix it in place by taking floured fingers and plunging them through the top and bottom cobs two or three times. That’s what Paul Hollywood says anyway, Elizabeth David does the same, but proves the two loaves separately then attaches them in a similar way but includes extra cuts, crosses and a lot of manhandling. No wonder she found it difficult. Seeing as her baking recipes are hit-and-miss at the best of times, went for the Hollywood method.

I used my basic cobb recipe, but used 500 g of flour instead of 400 g.

For one loaf:

500 g strong white bread flour

10 g salt

10 g easy bake “instant” yeast

25 g oil or softened butter

320 ml warm water.

Place the flour in a bowl, add the salt and the yeast, then make a well in the centre of the flour. Pour the warm water into the well along with the butter or oil.

Mix together with a wooden spoon and then bring the dough together with your hands. Alternatively, you can use the dough hook on a mixer to bring it together. Knead well until the dough becomes tight and springy, around 5 minutes in a mixer, or 10 or so minutes if kneading by hand. It will be sticky, but persevere; sprinkle a little flour or a smear a little olive oil on your work surface if you like. Bundle the dough into a tight ball and place in an oiled bowl and cover to allow it to double in volume in a warm place.

When ready, press out the air and cut away a third of the dough. On a lightly-floured work surface, make the cob shape by forming a ball with the dough by tucking your hands under it, tightening the dough. If you twist the ball of dough slightly as you do this, it will be extra tight. Repeat with the other piece of dough.

Dust a baking sheet with flour and set aside.

Sit the small loaf directly on top of the large one, flour the first three fingers of one hand and plunge them right down through the dough right to worktop surface. Repeat one more time and your two pieces should be well-fused together.

At this point you can make some cuts with a sharp serrated knife, but to do so you have to pick it up, so avoid this step if you think it might be too risky. Sit in on the floured baking tray and cover with a large bag and leave to prove again, until twice the size and springy to the touch.

To achieve a really good crust, set your oven to 220°C as you wait for the loaf to prove and sit a roasting tin on the bottom of the oven. When the loaf is ready to go in, boil the kettle and place the loaf on the middle shelf, pull out the roasting tin a little and pour in the water – careful of the steam! – and quickly shut the door.

Bake for 30 to 35 minutes, and cool on a wire rack.

As it turns out it’s not that tricky in the end, and it even leaned to one side without falling off just like Beeton’s!

References:

English Bread and Yeast Cookery (1977), Elizabeth David

‘Cottage Loaf’, Foods of England website http://www.foodsofengland.co.uk/cottageloaf.htm

How to Bake (2012), Paul Hollywood

Mrs Beeton’s Book of Household Management (1861), Isabella Beeton

The Taste of Britain (2006), Laura Mason & Catherine Brown

The cracked crisp crust

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Filed under baking, bread, Britain, cooking, food, General, history, Recipes, Teatime, The Victorians

Elderflowers

There is no hedgerow glory finer than the elderflower

John Wright

One benefit of lockdown life is my daily hour-long meander around the green areas of Levenshulme. And at this time of year there is a real treat for those who like to forage; all I needed to do was to wait for a few dry, sunny and hot days in a row – something not that common in Manchester – and I could get my paws on probably the best foraged food, the elderflower. Patience was a virtue and last week the planets aligned, and I filled my boots. Well, my tote bag.

A freshly picked ‘hand’ of elderflowers

I love the taste of them so much and I am always disappointed if I don’t get hold of some at least once per year. The smell is heady with that earthy Muscat fragrance, and is a potent addition to many foods, classically partnered with the gooseberry. Elderflower syrups and cordials stretch back to at least Tudor times, and classic elderflower champagne seems to have become popular in the late Victorian era, peaking in popularity in the 1920s. If you have never cooked with them then you are missing a treat, but don’t worry, there is a good few weeks left of the season if you want to get hold of some – all we need are some more sunny days.

The elder has been used for medicinal purposes for centuries and has a very interesting folklore; I plan to write a post on the Elder tree later in the year, so for now I’ll just talk about the flowers. Because the foliage and green stalks are mildly poisonous, elderflowers and leaves together have been used as a purgative since the days of Hippocrates. In Britain, it is traditionally used to sooth sore throats and reduce the intensity of flu symptoms. I don’t know if there is truth in any of that, but what I do know is that it has a positive effect on my mental health, so delicious is the uplifting aroma when introduced to all sorts of foods; and in these strange times we all need a mental health boost I’m sure you’ll agree.

A spindly elder tree

The elder is one of Europe’s most common trees and is an almost ubiquitous member of hedgerows and scrubland throughout Britain, only thinning out sparsely in the north of Scotland. It flowers between the months of late May and early July, the precise dates changing with latitude: the north being a good two weeks behind the south. At this time there are few trees you could confuse it with: the bark is pale, gnarly and often spindly and looks old beyond its years. At this time of year though, you smell it before you see it.

The flat arrangement of tiny cream coloured flowerheads are called ‘plates’ that also go under the name of curds, hands or (my favourite) slices of bread depending on where you are in the country. Pick them in the late afternoon after two or three days of dry sunny weather and give the flowers a good sniff to check they are full of fragrance. Snip the heads off with some scissors – aim to get between twelve and eighteen hands. Once collected, head on home and use them before their fragrance begins to dissipate.

Illustration of a flat plate of flowers, from Food in England, Dorothy Hartley

What you do with your elderflowers once home depends upon what you want to make. If they are not going to be heated up or cooked in any way, it’s important to snip away as much green stalk as possible because as mentioned the foliage is slightly poisonous. Whatever you do, don’t wash them; you’ll wash away the scent. Just check over them and pick off any insects that may be residing in amongst the blooms.

Picking elderflowers (pic: Stuart Kinlough)

Elderflowers are normally used to flavour foods, rather than as a food themselves, the only example I can think of where they are actually eaten is the elderflower fritter. When introducing them to hot liquids, snip away the stalks and tie the flowers up loosely in muslin and use it to flavour scalding hot cream or milk to make a delicious elderflower custard to pour over gooseberry pudding – or freeze it to make ice cream. I have made elderflower syllabub, blancmange and even Irish carrageen pudding, which once made it onto a seaside-themed pop-up restaurant back in the day. You can add it to cooking gooseberries if making a crumble, or pop some in toward the end of the cooking time when making gooseberry jam.

Making elderflower gin

Elderflower Gin

The best thing you can make by a country mile is elderflower gin and it is the simplest and quickest of the cold infusions. Because it doesn’t require any cooking, the true taste of the springtime hedgerow is perfectly preserved.

Snip between 12 and 18 elderflower heads into a large jar with a two tablespoons of caster sugar and a litre of gin. Seal the jar and give it a good swirl twice a day to dissolve the sugar. After three days, strain through a muslin-lined sieve into bottles and you are done. You can then enjoy the best gin and tonic of your life.

Elderflower Tom Collins:

We have now reached the pinnacle of deliciousness. This was not my idea, but my ex-business husband Mr Brian Mulhearn’s and it is very delicious. For one drink, you will need:

Ice

2 shots of elderflower gin

1 shot fresh lemon juice

½ – 1 shot gomme (stock sugar syrup)

Soda water

Place some ice in a cocktail shaker with the gin, juice and gomme to taste. Shake well and strain into a glass generously filled with ice. Top up with soda water. Bliss.

Variations:

For a liqueur far superior to St Germaine, make as for the gin, but use vodka and add between 120 and 150 g of sugar, depending upon the sweetness of your tooth.

For elderflower vinegar, make as for gin, using 500 ml of cider vinegar. Leave in a sunny spot for a week, swirling regularly. For a great salad, dress some rocket leaves and a few halved or quartered strawberries with the vinegar plus salt and plenty of black pepper. It makes an excellent accompaniment for poached salmon.

Elderflower Tom Collins

References:

Collins Tree Guide (2004), Owen Johnson & David More

Elinor Fettiplace’s Receipt Book: Elizabeth Country Cooking at Home (1986), Hilary Spurling

Food in England (1954), Dorothy Hartley

River Cottage Handbook No.7: Hedgerow (2010), John Wright

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Filed under Britain, food, foraging, General, natural history, Preserving, Recipes

Irish Treacle Bread

As I write this, we are still in the midst of the Covid-19 lockdown. Everyone is baking bread and I must say it is lovely to see people making time to bake during these strange times. Many home bakers have resorted to making sourdough because one of the most difficult items to get hold of at the moment is bakers’ yeast. This is infuriating to regular bakers, as is the lack of string bread flour, but there is more than one way to skin a cat. Delicious Irish soda bread requires neither bread flour nor yeast, instead regular plain flour and a chemical raising agent. it’s perfect if the thought faffing about with sourdough starters is too much to bear. There are no proving stages and it is made in a trice, baking in just a little over half an hour.

Irish soda breads originated in eighteenth century America when settlers discovered that potash made an excellent instant chemical leavening agent. Forever ingenious, the early Americans worked out a way to refine the process easily and instead used bicarbonate of soda (baking soda). It caught on big time, especially because it meant travelling folk could made bread quickly and easily without the need to for long fermentations. It wasn’t before long that news of this magic raising agent got to Britain and Ireland.

Up until that point, the Irish and Scottish were used to dealing with very low gluten flours such as oat and barley, because they grow well in northern latitudes. Even flour made from wheat grown in Southern England had a low gluten content (our modern plain flour) and although great for pastry, it was never going to make the pillowy fluffy loaves that we think of as standard today; for that, high gluten flours imported from Canada were required. This lack of stretch from their doughs and batters prevented the slow-release bubbles produced by yeast from growing and remaining stable; it made much more sense to make unleavened breads and griddle cakes. These new baking soda leavened breads however, suited their low-gluten flours very well, and they were infinitely adaptable.

Soda breads are different to regular breads, they very crumbly, so a sandwich would be disaster, but they are great with soup, especially when still a little warm.

A cousin to soda bread is treacle bread which I think this is much superior so I thought I would share with you my recipe for it because I think it’s the best of all soda breads, and I have been making it a lot over the last couple of months.

With this treacle bread, you get a mild bitter sweetness and a lovely brown colour from the treacle, and a good nutty chew from the oats. It’s like a giant delicious cakey digestive biscuit and it goes excellently with a good farmhouse Cheddar or Stilton cheese.

It is easy to make, and it is easy to make substitutions too: buttermilk is tricky to get hold of in the United Kingdom at the best of times, so go for a mixture of milk and yogurt, or just milk. If you can’t find plain flour, use self-raising and add just one teaspoon of bicarbonate of soda to the mix. Medium-ground oatmeal can also be substituted for porridge oats.

Makes one large round

250 g plain flour

250 g medium oatmeal

1 tsp salt

2 tsp bicarbonate of soda

2 tbs black treacle

250 ml buttermilk, or 200 ml milk and 50 ml yoghurt

Preheat your oven to 200°C and line a baking tray with a sheet of greaseproof paper

This could not be simpler: mix the flour, oats, salt and bicarbonate of soda in a mixing bowl, make a well and add the treacle then the liquid(s). Mix with a wooden spoon and when you have brought it together, tip onto a floured surface and knead just once or twice.

Make into a round, place on the baking tray and cut a deep cross in the dough going from edge to edge. Quickly slide into the oven on the centre shelf and bake until golden brown, around 30 to 40 minutes. Give it a little rap on the base with your knuckle – if it sounds hollow, it is done.

Cool on a rack.

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Lent podcast episode 5: Lent & Diet

In the fifth episode of the series we look at Mid-Lent Sunday, traditionally a day where lots of different celebrations occurred, but we focus on Mothering Sunday and the lesser known Clipping the Church.

Neil with David Walker, Bishop of Manchester

Neil bakes a simnel cake and chats again to the Right Reverend David Walker, Bishop of Manchester, about the history of Mothering Sunday, which is not necessarily the same as Mothering Sunday.

Neil then looks at the evidence that suggests that fasting has many potential health benefits and puts theory to the test by going on a two weeklong fast of his own. There are mixed results and mood swings aplenty.

The only thing Neil could be bothered to do. *Hangs head in shame*

There’s also the answer to Professor Matthew Cobb’s minnow mystery from last week.

Produced by Beena Khetani. Made in Manchester by Sonder Radio.

Links and extra stuff:

David Walker’s page on the Church of England website: https://www.manchester.anglican.org/bishop-manchester/

My recipe for Simnel Cake: https://britishfoodhistory.com/2018/03/19/simnel-cake/

Diabetes and fasting study in more detail: https://www.healthline.com/health-news/intermittent-fasting-and-type-2-diabetes

Lab mice and fasting study in more detail: https://www.nih.gov/news-events/nih-research-matters/fasting-increases-health-lifespan-male-mice

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Filed under baking, Britain, cooking, Easter, Festivals, food, General, history, Recipes, Uncategorized

Lent podcast episode 2: Fish & Humours

In this episode we look at the history of Lent: When was it enforced? What were the rules? That sort of thing. Neil looks at how the belief in the four humours shaped what we ate in Lent, and how they caused illness and changed our moods throughout the year.

This week – the first full week of fasting – is an Ember Week. There are four Ember Weeks throughout the year – one for each season – and this is the spring one.

Neil then goes to the beautiful John Ryland’s Library in Manchester to see an early manuscript of the Forme of Cury, the earliest cookbook written in the English language, to find and cook from it ‘a tart for Ember Day’ which he cooks for his friends Kate and Pete with mixed results (recipe below).

A huge thanks to the staff of the John Ryland’s Library, who were very helpful indeed, and to Kate and Pete for letting me assault their taste buds.

Most of all, thanks to you for listening – if you have anything to add about anything you hear, feel free to post a comment, tweet me (@neilbuttery) or email me at neil@britishfoodhistory.com.

Please listen, like and subscribe.

Scroll down to see a list of photos and links all about the things discussed in this episode. See you next week!

British Food a History: Lent was produced by Beena Khetani and is a Sonder Radio production

Extra bits:

More on the four humours: https://www.nlm.nih.gov/exhibition/shakespeare/fourhumors.html

The story of how King Alfred burnt the cakes: https://britishfoodhistory.com/2018/10/25/king-alfred-burns-the-cakes/

A blog post all about Forme of Cury: https://britishfoodhistory.com/2018/08/10/favourite-cook-books-no-3-the-forme-of-cury-part-i/

…and another with some recipes: https://britishfoodhistory.com/2018/08/14/favourite-cook-books-no-3-the-forme-of-cury-part-2-recipes/

Forme of Cury online: https://archive.org/stream/theformeofcury08102gut/7cury10.txt

The John Ryland’s Library website: https://www.library.manchester.ac.uk/rylands/

Not a tart! A biog of Eleanor of Aquitaine: https://www.britannica.com/biography/Eleanor-of-Aquitaine

The mediaeval cinnamon bird: http://bestiary.ca/beasts/beast242.htm

A recipe for ‘a tart for Ember Day’:

Shortcrust pastry made with 400 g flour

1 medium onion

2 tbs parsley, chopped

1 tbs mint, chopped

1 tsp sage, chopped

A handful of raisins

150 g blue cheese, grated

Pinch of saffron

2 tbs hot milk

10 eggs

75 g melted butter

1/2 tsp salt

1 tsp sugar

  1. Roll out the pastry and use it to line a 10-inch flan ring. Prick the base and place in the fridge to firm up
  2. Preheat the oven to 220°C and bake the case lined with greaseproof paper and filled with baking beans for 30 minutes.
  3. Meanwhile, peel the onion and simmer in salted water for 20 minutes, then drain.
  4. Remove the beans and paper and return the pastry case to the oven  for 7 or 8 minutes to crisp the base.
  5. Turn down the oven to 160°C
  6. Sprinkle over the base the herbs, raisins and cheese, chop up the onions and scatter those too.
  7. Steep the saffron in the hot milk for five minutes, then beat with the eggs, butter, salt and sugar
  8. Pour the eggs over and bake until set, around 45 minutes.

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Favourite Cook Books no.4: ‘Great British Classics’ by Gary Rhodes

I have been meaning to write a post on this excellent cookbook for quite a while, and it is such a shame that my prompt to pull my finger out was the sad and untimely death of Gary Rhodes at the end of last year.

When I was asked to submit my list of favourite cookbooks to the 1000 Cookbooks project, I put New British Classics as my number one choice, my comment at the time being: “simply the best book on British food around. Everything from lowly haslet to lobster.”

Favourite recipes include salad cream, lardy cake, prawn cocktail, rhubarb and rack-on-black – lamb roasted with black pudding.

My favourite books on food tend to be by food writers rather than professional chefs because they write about their love of food and its importance in our culture and history. Chefs tend to be, well, cheffy; there’s no evocative description of the hustle and bustle of a French market, and they assume that you want to be cooking restaurant-level food at home. This is where Rhodes was different – sure there are cheffy dishes like the very complex rich pigeon faggot – but there are basics such as fried bread, porridge and jam roly-poly. Everything is represented and everything has equal billing, meaning that whatever your ability level there is a way in. You can start off with basics like scrambled eggs or go straight in at the deep end with pigs’ trotters Bourguignonne.

The full gamut of British food is here: fish and chips, steak and kidney pie, pork faggots, white pudding, Welsh rarebit, and the massive range of techniques contained within makes it the most comprehensive book of British recipes there is. What’s more, every single recipe works perfectly; he goes through every stage, assuming you know nothing but never patronises. If you don’t own a copy and you’re interested in cooking British food, it really is essential.

The secret to his success was his attention to detail. Every move made, and technique used was meticulous and done with deftness, even the way he picked up an ingredient to show to camera had an air of precision about it. Take a look at this clip from the accompanying BBC programme, where he shows us how to make cabbage and bacon soup, and you’ll see what I mean:

He was a classically trained chef who applied French techniques to classic British dishes, taking them to new heights while keeping them authentic. His approach definitely rubbed off on me when I was teaching myself to cook; use the best ingredients and don’t cut corners, every stage is there for a reason, so you need to understand why it is there. Only when that penny drops will you develop a cook’s intuition. This approach to cooking won him his first Michelin star at the age of 26, eventually receiving an OBE for services to the hospitality industry in 2006.

On television, he was very enthusiastic, polite and well-spoken; he seemed a little odd and socially awkward (as all the best people are), making him all the more endearing. He got me interested in cooking and wanting to spend my precious leisure time in the kitchen, learning new techniques and tackling novel ingredients.

He was rarely off the telly during the late 1900s and early 2000s, his trademark spiky hair and over-enthusiasm caused many to pooh-pooh him as gimmicky. Eventually the fickle eye of entertainment focused upon other, younger chefs and so he stopped appearing so regularly. But his books and their accompanying TV shows are great; his Rhodes Around Britain and Cookery Year series are worth checking out too (his apple pie recipe from the latter is the best in world in my opinion).

He died on the 26 November 2019 at the age of 59 from head injuries after a fall – no way or age to go, I’m sure you’ll agree. Of course, when someone dies, there work is revaluated and I hope people recognise what he did for British cuisine, because he put it on a pedestal when everyone else was looking elsewhere.

Braised Oxtails

He was ‘discovered’ on the Keith Floyd programme Floyd on Britain & Ireland. On the segment he makes his signature dish: braised oxtails. Ironically, by the time New British Classics was published his most famous dish was illegal to eat – cooking beef on the bone was banned because of health fears surrounding the BSE crisis. Eventually the ban was lifted, and I could make it for myself. Back in my pop-up restaurant days it was the main course at my first ever Odd Bits offal evening.

This is my version of Gary’s signature dish; it’s slightly simplified but just as gutsy. It really is one of the most delicious things you will ever cook. Nothing else needs to be said – except ‘cook it’!

Enough for 6

2 oxtails, trimmed of excess fat

Salt and pepper

Beef dripping

Around 100 g each carrot, onion, celery and leek

1 tin of chopped tomatoes

2 tbs tomato purée

Small bunch thyme and rosemary

2 bay leaves

1 clove garlic, crushed

300ml red wine

1 litre beef stock

Season the oxtails and fry in dripping until well browned, transfer to an ovenproof pot, then fry the vegetables until nicely brown too. Tip those into the pot along with the tomatoes, garlic and herbs and bring to a simmer. Pour the wine into the original pan and reduce until almost dry. Add to the pot with the stock.

Simmer very gently on the hob or braise in an oven set to 160⁰C. Whichever you choose, it needs to tick away for 3 hours.

Remove the cooked meat and keep warm and pass the cooking liquor through a conical strainer, really pressing the vegetables hard to get all the flavour out.

Throw in a big handful of ice cubes, and stir so they freeze the fat; you should be able to lift out ice and fat in one nice big satisfying lump.

Reduce the liquor to a sauce and season with more salt and pepper, then add back the oxtails to heat through.

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The Snowball

Merry Christmas everyone!

As you may know, I like to write a boozy post at this time of year and this year’s is small but perfectly formed: the Christmassy and rather kitsch classic, the Snowball, a blend of the Dutch egg yolk-based liqueur Advocaat and lemonade.

A lot of people think Snowballs are a bit naff, but I love them. The problem is that they can be too sweet and cloying, but that’s because folk don’t realise that there are two other very important ingredients – brandy and fresh lime juice. They both cut through the custardy sweet Advocaat and subtly transform it. I recommend you go out and buy the ingredients right now!

The Snowball cocktail was invented in the 1940s but didn’t become popular until the 1970s, where it was stripped of all sophistication by those who used only Advocaat and lemonade, missing out the ingredients they supposed to be superfluous producing the sickly cocktail we all know today.

Advocaat is a Dutch liqueur. Its name is a bit of a mystery; most reckon it comes from the Dutch word for advocate or lawyer. The 1882 edition of the Dictionary of the Dutch Language says it is ‘…a good lubricant for the throat and thus considered especially useful for a lawyer, who must speak in public.’

There is another theory that it was originally made by 17th-Century Dutch settlers in the Americas using creamy avocados, sugar and rum. I am assuming that because this is the most exciting story of the two that it is the apocryphal one. Occam’s Razor and all that…

Anyway, I hope you have a great Christmas – and a good few PROPER Snowballs.

xxx

~

Per person:

25 ml (1 shot) Advocaat

12.5 ml (a ½ shot) brandy

Juice ¼ of a lime

Ice

Around 75 ml lemonade

To garnish: a thin slice of lime

Pour the Advocaat, brandy and lime juice in a cocktail shaker and add plenty of ice.

Shake well and strain into glasses. Add a single ice cube per glass and top up with a little lemon (it will fizz up!).

Stir and garnish with the slice of lime.

~

References:

The History of Christmas Cocktails (2015), Make Me a Cocktail https://makemeacocktail.com/blog/the-history-of-christmas-cocktails/

The Origins of Advocaat, By the Dutch http://www.bythedutch.com/about/origins-of-advocaat/

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Cornish Splits (& More on Cream Teas)

Cornish splits are soft and pillowy enriched bread rolls and were the original cakey element of the Cornish cream tea. Bread rolls such as these were – and indeed are– eaten all around the country. There were Devonshire chudleighs, Yorkshire cakes and Guernsey biscuits, for example. But it was the people of Devon and Cornwall who combined them with clotted cream and jam.

These light, fluffy rolls are enriched with butter and are made extra soft by being made with milk rather than water and are covered with a tea towel as soon as they come out of the oven – the captured steam softening the exterior crust. Once cooled – or better, just warm – the rolls are not cut open, but split open with the fingers, hence their name.

Of course, the cream tea as we know today it is made up a scone, clotted cream and jam. Some places sell them made with whipped cream, but that will not do. The phrase ‘cream tea’ meaning a scone/split with jam and cream (as opposed to tea with cream in) seems to be relatively modern – the earliest printed reference of one coming from a 1932 article in The Cornishman newspaper (see foodsofengland.com). The earliest mention of a combination of jam, cream and bread eaten together pops up in the Devon town Tavistock’s accounts dating from the tenth century!

Cutting from The Cornishman, Thursday 3rd September 1931 (foodsofengland.com)

Some establishments in Cornwall still serve a split instead of a scone in their cream teas, but they are few and far between. Many folk reckon that the split is superior to the scone in a cream tea, the scone winning out by virtue of it being much quicker and easier to make. The Devonians apparently turned to scones before the Cornish, presumably because Cornwall is more cut-off. So, we have a situation where the rivalry between the two lands can be stoked. The Cornish can claim they invented the cream tea because they invented the split, but the Devonians can claim they invented it because they came up with the cream tea we think of today.

The bakery where I grew up in Pudsey, West Yorkshire sold Cornish splits filled with whipped cream, thin seedless raspberry jam and lots of icing sugar. I used to love them, so I was keen to make them myself and have a proper Cornish cream tea.

This enriched dough is a little trickier to work with than regular white bread dough, but you can make it by hand without things becoming too much of a horrible sticky mess. I prefer to use the dough hook these days I must admit. I use strong bread flour to gain a nice rise, but older recipes use regular plain flour; feel free to use it too, but whilst your splits will be more historically authentic, they will be less light for it: your choice!

Makes 12 splits:

500 g white strong bread flour

8 g instant yeast

10 g salt

60g caster sugar

75 g softened butter

280 g warm milk

I’ve written before about making and forming bun dough in more detail before, so if there’s too much brevity here, click this link.

Mix the flour, yeast, salt, sugar in a bowl. Make a well and add the butter and then the milk. If you have a food mixer with a dough hook, mix slowly to combine, then turn up to speed 4 and knead for around 6 minutes or until the dough has become tight and smooth and no longer sticky.

You can of course do all of this by hand, using a little flour for kneading at first until the dough loses its stickiness.

Using your hand, form the dough into a tight ball, pop in a lightly oiled bowl and cover with cling film or a damp tea towel. Leave somewhere warm until it doubles in size, which could take 90 minutes depending upon the ambient temperature.

When ready, divide into 12 equal sized pieces, form them into balls and arrange on a baking sheet. Cover with a large plastic bag or tub and wait for them to prove. Once doubled in size again – it should take much less time than the first rising – place in a cold oven and turn it to 200°C. Bake for 25 minutes, but if at any point, the splits look like they getting too brown, turn the temperature down to 175°C.

When ready, remove from the oven to cooling tray and quickly place clean tea towels over the buns to prevent them crisping up.

When cold, you can sprinkle with sugar if you like, then slice or split and fill with jam and cream.

References:

The Cornish split, original cream tea accompaniment, Cornwall Live website, www.cornwalllive.com/whats-on/food-drink/cornish-split-original-cream-tea-1336003

Good Things in England, Florence White, 1932

English Bread & Yeast Cookery, Elizabeth David, 1977

Classic Meals: Cream Tea, Foods of England website, http://www.foodsofengland.co.uk/creamtea.htm

The Taste of Britain, Catherine Brown & Laura Mason, 1999

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Clotted Cream

There’s nothing more Cornish than a good blob of clotted cream on a lovely cream tea. Unless you are from Devon of course, then there’s nothing more Devonian than a good blob of clotted cream on a lovely cream tea.

For those not in the know, clotted cream is a very thick cream with a much higher butterfat content than double (heavy) cream; weighing in at 64% and 48% respectively (for comparison, single cream is 18% fat, and full-fat milk is around 4%).

Clotted cream has a long history in Devon and Cornwall, and it is reckoned that it was first introduced to England by Phoenician settlers around 2000 years ago. Phoenicia was on the eastern Mediterranean coast in, what is now Syria, Lebanon and northern Isreal. The clotting of cream was a way of preserving buffalo milk. By removing the watery liquid, leaving mainly butterfat, the growth of spoilage organisms is retarded. The folk of Devonshire knew of its efficacy in this area; it was said that not even a witch’s breath could turn it sour.

If you have ever tried it, you will know that clotted cream – aka clouted cream or scalded cream in older books – is absolutely delicious and is well worth buying. It is possible to make your own and there is a recipe at the end of the post of you would to try your hand at it.

The best thing about it is the buttery, nutty crust that forms on the top as part of the manufacturing process. It is made by gently heating rich milk or cream in large shallow pans to a temperature of 80 to 90°C, the heat traditionally coming from cinders or charcoal. Once the buttery crust had formed, it was carefully but quickly moved to a cool place and sat upon some slate so make the cooling process as rapid as possible; the cold shocking the thin skimmed milk into sinking quickly and making a layer underneath the thick cream. These days, it’s all done with centrifuges, which is rather less romantic.

Once completely cooled, the clotted cream was lifted away with cold, wet hands and mixed in cold, wet wooden bowls to remove the last of the watery milk. It was then layered up in pots. I found a 1755 home recipe from an Elizabeth Cleland who recommended sprinkling rose water and sugar between the layers – the result must have been delicious!

The left-over skimmed milk, by the way, was taken away and either drank or used to make scones or Devonshire splits.

From the point of view of butterfat extraction, clotted cream is a much more efficient method than basic skimming techniques. The reason it is not the standard technique, I assume, is that double skimming requires no heating or centrifuges, tipping the balance of economy in double cream’s favour. Couple this with the fact that modern refrigeration and pasteurisation is doing the lion’s share of the preserving today means that the process of clotting cream is no longer required for that purpose. We eat it for the sheer love of it (ditto smoked fish and meat).

Mrs Beeton’s Book of Household Management says that there are two types of clotted cream: Devonshire and Dutch. She goes on to explain the difference – Dutch clotted cream is thick enough to stand a spoon up in. Now, in my (humble) opinion, it ain’t clotted cream unless you can stand a spoon up in it, so I can only conclude that English clotted cream – at least from a Victorian Londoner’s point of view – was relatively runny compared to that of today’s

Clotted cream is used to make ice cream, some biscuits and as a topping to the old-fashioned pudding Devonshire junket, a sweetened milk dessert set with rennet, producing curds and whey. It can be used to enrich sauces and soups too but use with caution – things can end up too rich.

Rodda’s is the largest producer of clotted cream and is based in Cornwall. There is much debate between the folk of Devon and Cornwall as to whether the cream should be added before or after the jam. Nick Rodda reckons his grandfather knew why:

We always put our cream on top because we are proud of it, Devonians are slightly ashamed of theirs, so they cover it up with their jam.

I must confess to siding with the Devonians on this one. It’s all down to what you think the buttery cream’s role is. The argument goes something like this:

The Cornish: it is the cream, and you wouldn’t put cream under your fruit salad/trifle/fruit tart etc, now would you?

The Devonians: it is the butter, and you wouldn’t spread butter over the jam on your toast/crumpet/muffin etc, now would you?

Your choice.

Home-Made Clotted Cream

All you need to make your own is some double cream, an oven and patience.

Before…

Preheat your oven to 80°C. Pour around 1 litre of double cream into a wide, shallow ovenproof dish, place it in the oven and leave in there for 12 hours. If you are really patient, leave for 18 hours to achieve a darker, more delicious caramel-flavoured crust.

…after

Carefully remove from the oven, cover with kitchen foil and pop straight into the fridge to cool quickly and undisturbed.

Once fully chilled, lift the clotted cream from the dish and layer up in pots. I filled three good-sized ramekins with mine. The amount of skimmed milk at the bottom will vary depending upon how long you left the cream in the oven for.

The cream keeps for 7 days in the fridge.

References:

Clotted Cream, RS Chavan, A Kumar & S Bhatt, 2016, In Encyclopedia of Food and Health

The Complete Housewife, Elizabeth Cleland, 1755

How do you take your cream tea?, BBC Cornwall website, 2010 http://news.bbc.co.uk/local/cornwall/low/people_and_places/newsid_8694000/8694384.stm

Mrs Beeton’s Book of Household Management, Isabella Beeton, 1861

My Devonshire Book, Henry Harris, 1907

William’s Practical Butter Book, Xerxes Addison Willard, 1875

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Filed under baking, Britain, cooking, Desserts, food, General, history, Preserving, Puddings, Recipes, Teatime