Tag Archives: fruit

How to Make Medlar (or Quince or Crab Apple) Jelly

Last post I told you all about the overlooked fruit the medlar (or openarse). It’s a tricky one as it can’t just be picked and eaten like most dessert fruits. The way to get the most of any medlars you do get your hands on is to make a jelly, a beautiful deep vermillion preserve which makes an excellent accompaniment to game, roast or cured meats and cheese.

I thought it would also be a good opportunity to go through the process of making a jelly preserve; something I have been threatening to do for a while. This recipe works well with the close relations of the medlar: the quince and the crab apple.

Choosing the fruit:

There is a bit of disagreement as to how ripe your medlars should be; some say only unripe medlars should be used, others that ¼ to ½ of them should be bletted (soft and brown). I have only ever used unripe ones – these produce a clear, bright jelly with an astringency comparable to strong tea. Next time, I’ll be patient and wait for a good proportion of them to blet.

Medlars are high in pectin, a chemical glue that sticks plant cells together. As fruit ripens, the pectin is broken down by enzymes making the fruit soft. When making a jelly, one needs to release the pectin by boiling the fruit until pulpy so that it can set the jelly. If using a lot of ripe fruit, I would suggest adding some crab apples or tart eating apples such as Cox’s orange pippins or russets. Alternatively, a proportion of the sugar can be replaced with jam sugar, ensuring a decent set.

Quince and crab apples do not have this problem and you should be okay.

It’s worth mentioning that if you only have a few medlars, quinces or crab apples, you can supplement with some regular apples and the resulting jelly will be still be great. I’ve made quince jelly with 50% apples before and it was delicious!

Ingredients and equipment:

Aside from the fruit, all you need is water, granulated sugar and some optional cider vinegar. I think a little vinegar cuts through the sweetness very well, but you can leave it out if you prefer.

I don’t add herbs and spices to medlar or quince jelly, but crab apple jelly can benefit from some subtle flavouring: things like rosemary and thyme work well as do cinnamon, cloves and black pepper.

Specialist equipment is easy to get hold of and inexpensive: you’ll need a good-sized sheet of muslin or a jelly bag (though a tea towel or pillowcase will also do the job), a sugar thermometer or temperature probe, and some jars with lids.

Method:

Day One

Scrub the fruit(s), chop roughly – there’s no need to peel or core the fruit – and place in a large pot along with any herbs and spices if using. Just cover the fruit with water and bring to a good simmer and add some cider vinegar, around 50 ml per litre of water.

Turn on the heat, cover and simmer until very soft. Very hard fruit can take an hour, though I do give things a helping hand by squishing the fruit against the side of the pan with a wooden spoon.

When the fruit is ready, scald your muslin or jelly bag iwith hot water. If using a jelly bag, place it on its stand with a bowl beneath it, if using muslin, use it to line a bowl. Carefully, ladle the fruit and cooking liquor into the bag/lined bowl – be careful.

The jelly bag can be left to do its thing, but if just using muslin, a little extra work is required: collect up the edges and tie them well with string. You now need to hang this hot haversack of pulp over the bowl to drip overnight. I hook it over a cupboard handle and then in the fridge to keep the fruit flies off. However you do it, make sure things are securely tied – those bags can be pretty weighty.

Day Two

By now, the liquor should have stopped dripping, but give it a squeeze just to see if you can get any more out. Don’t worry of the juice has gone cloudy, this is common with medlars.

Measure the volume of juice and pour into a heavy based stockpot. To this, add your granulated sugar in the ratio of 500g sugar for every 600ml of juice. Turn the heat on and stir until the sugar has fully dissolved. At this point, clip on your sugar thermometer, if using. Turn up the heat so that the syrupy mixture can boil hard. As you wait for this to happen, pop a saucer into your freezer. Skim away any scum that is thrown up.

Let the syrup boil for at least twenty minutes and check the temperature – pectin sets at 105°C. Sometimes jellies don’t always set, so it’s best to double-check with the wrinkle test. Remember that sauce in the fridge? Take it out and drop some of the jelly onto it. Let it cool for a couple of minutes. If it wrinkles when you push it with your finger, all is well and the jelly is ready to be potted into sterilised jars.

(Sterilising jars is easy: place on a baking tray and pop into an oven preheated to 125°C for at least 25 minutes. I usually put mine in as the jelly is coming to a boil. Any rubber seals can be scalded in boiling water closer to the time.)

Use a jug to pour the jelly into jars, don’t overfill here, a gap of one centimetre below the rim is good. Some jars have a helpful maximum fill line on them. Seal with the lids as soon as you can. Be very careful here!

The next day, the jelly should be set, but sometimes it takes a few days, especially if vinegar was used.

The jelly will keep for 6 months unopened, once open keep in the fridge.

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Forgotten Foods #7: Openarses

I’m continuing my mediaeval-themed posts with a somewhat infamous forgotten fruit: the openarse.

This unusual fruit is a member of the Rosaceae family which contains within its members familiar apples and pears as well as the less familiar, such as quinces, rosehips and sorbs; and like many of the cultivated varieties within this group, they made their way over here from Asia Minor. They quickly nestled themselves into the English mediaeval orchard, becoming an essential fruit crop.

The openarse looks superficially like a russet apple’s withered twin; all squat, rough and green-brown. Turn it over and you’ll see how it gained its name. The calyces, usually small and tightly puckered on the underside of an apple or pear, are very large and lobular, protruding somewhat, giving it a definite rusty sheriff badge appearance. They also sometimes called grannies’ arses. Nice.

According to Jane Grigson in her Fruit Book, the ‘English name openarse, gradually and politely, …was superceded by the French-derived medlar.’ That said, the French also call them dogs’ arses. Trust them to be more vulgar us!

During the mediaeval period, medlars were widely cultivated in England, reaching peak production in the 1600s. They were a useful fruit because they store well, ripening up quite a while after picking. At first, however, they are rock hard, sour and terribly astringent. Picked in late autumn (some say to wait after the first frost) and stored in a cool, dark place, they begin to soften and sweeten. This controlled decay – called bletting – converts starch to the fruit sugar fructose and reduces the acid and tannin levels dramatically. It’s quite nice to see the fruits bletting at different rates and times; some blet on the tree, some take weeks post picking. You can see how this steady supply of ripening fruit would have been extremely important to mediaeval people during winter (see this post on mediaeval feast and famine for more information).


A bletted medlar

The traditional way to eat the fruit is to squeeze your openarse between your fingers so that the pulp can be either picked or sucked out. The medlar was considered very good for digestion and so would be taken after a meal with port (science is revisiting these ideas and has provided some experimental evidence that it is indeed the case). The taste is pleasant, lying somewhere between tart apple and sweet prune. Because the medlar was generally eaten in this way, recipes don’t tend to appear in old cook books; the only common recipe is for medlar jelly (which will be the subject of the next post). However, I did find one for a medlar tart in Thomas Dawson’s 1596 book The Good Housewife’s Jewel:

To Make a Tart of Medlars

Take medlars that be rotten and stamp them. Then set them on a chafing dish with coals, and beat in two yolks of eggs, boiling it till it be somewhat thick. Then season them sugar, cinnamon and ginger and lay it in the paste.

Thomas Dawson was a contemporary of William Shakespeare, and an openarse can be found in a Shakespeare passage. From Romeo and Juliet:

Now will he sit under a medlar tree,

And wish his mistress were that kind of fruit

As maids call medlars, when they laugh alone.

O Romeo, that she were, O that she were

An open-arse and thou a pop’rin pear!

A pop’rin pear, by the way, looks rather like a cock and balls. O! the camp bawdiness of it! I’m going to have to lie down.

Amusingly, the prudish Victorians replaced ‘openarse’ with ‘et cetera’, which – if you didn’t know of the replacement – makes no sense at all and, more importantly, spoils the joke.

FYI: Chaucer mentions openarses in the Canterbury Tales, and the earliest known use of the word goes right back to the 10th Century!

Colour plate from unknown source

Sourcing Medlars

After reading this, I expect you are simply dying to get your hands on some openarse yourself. This will be tricky; they are no longer grown commercially, so you’ll either have to plant one yourself or find a feral tree. If you live in the south of England this may not be an impossible task as many villages grew them in public spaces.

They are lovely trees – they grow untamed, sprawling in any direction they choose. They grow slowly, but still produce quite a large crop, so even a small tree would provide you with a decent glut of openarse. This is definitely the fruit tree for the lazy gardener.

As for me, I know the whereabouts of an ignored medlar tree in Manchester, but I’m keeping quiet about it; I don’t want all and sundry picking at my openarses now do I!?

I’ll stop now.

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Sixth Course: Pompion Pye (1658)

The Compleat Cook

So here we are at the final course of the Dinner Party Through Time. It was suggested that, seeing as the meal was but a day after Hallowe’en, it should be an English pumpkin pie. I didn’t expect to find one, but after a brief search I found a recipe for ‘Pompion Pye’ in The Compleat Cook, published in 1658 by the mysterious W.M during the time of the Protectorate when England was under the control of misery guts Oliver Cromwell. It is the first ever recorded recipe of a pumpkin pie that we know of. It reads:

To make a Pumpion  Pye. Take about halfe a pound of Pumpion and slice it, a handfull of Tyme, a little Rosemary, Parsley and sweet Marjoram slipped off the stalks, and chop them smal, then take Cinamon, Nutmeg, Pepper, and six Cloves, and beat them; take ten Eggs and beat them; then mix them, and beat them altogether, and put in as much Sugar as you think fit, then fry them like a froiz; after it is fryed, let it stand till it be cold, then fill your Pye, take sliced Apples thinne round wayes, and lay a row of the Froiz, and a layer of Apples with Currans betwixt the layer while your Pye is fitted, and put in a good deal of sweet butter before you close it; when the Pye is baked, take six yolks of Eggs, some white-wine or Verjuyce, & make a Caudle of this, but not too thick; cut up the Lid and put it in, stir them well together whilst the Eggs and Pumpions be not perceived, and so serve it up.

A froiz is something that has been fried, usually with beaten eggs like a Spanish omelette. A caudle is a sweetened custard made of egg yolks, cream and sugar or with wine instead of cream; it is poured through the central hole of a pie when it is cooked. Sometimes, the pie is returned to the oven so that the caudle can set before the pie is sliced. Verjuyce or verjuice is the sour juice of either crab apples or unripe grapes was used extensively in Britain; it serves the same purpose as lemon juice. Here’s a previous post all about it.

I must admit, it was very worried about making this pie for the diners. I was especially worried about the froiz with all those spices and herbs mixed into the sweetened egg and pumpkin , fried until cooked through then baked. Overcooked eggs release a lot of water and turn somewhat rubbery (as anyone who has overcooked scrambled eggs can tell you). I was not expecting good things.

The only thing I changed in the recipe was the caudle – I swapped the wine for cream and made a proper custard to pour into the pie when it came out of the oven. I thought that after six other courses, a wine caudle just might tip folk over the edge.

As it turned out, this pie was delicious! The soft apples seemed to prevent the eggs from overcooking (maybe it was the acidic conditions, they provided?) and really set off the tender sweetened pumpkin mixture. The creamy custard helped the whole thing go down very well. Although there might be a few more stages to making this pie, compared to a regular dessert fruit pie, it is well worth the effort, so give it a go.

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Here’s how I interpreted the recipe:

Ingredients

8 eggs

500g pumpkin flesh, cut into 1 ½ cm cubes, then thinly sliced

1 tsp each of finely chopped thyme, rosemary, parsley and marjoram

½ tsp each of ground cinnamon, black pepper and nutmeg

¼ tsp ground cloves

75g butter

200g caster sugar

sweet shortcrust pastry

800g Bramley apples, peeled, cored and sliced

1 handful of currants

egg wash and demerara sugar

250ml double cream, or half cream, half milk

4 egg yolks

30g sugar

 

My pie is made in an 8 inch cake tin, so begin by frying the froiz in a non-stick frying pan of a larger diameter.  Beat the eggs together with the herbs, spices and caster sugar and stir in the pumpkin slices. Melt 50g of the butter in the frying pan and, when foaming, pour in the egg mixture. Continue to fry over a medium heat, and when the froiz is half-cooked, place under a hot grill until cooked through. Slide the froiz onto a plate and let it cool.

Line an 8 inch cake tin with 2/3 of your pastry, then scatter in half of the apples and currants. If you like, sprinkle on some more sugar if the apples are particularly tart.

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Trim around the edges of the cooled froiz so that it fits snugly inside the pie before adding a second and final layer of apple and currants. Dot the remainder of the butter on top, before rolling out a lid with the reserved pastry, gluing it in place with egg wash.

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Make a hole in the centre and decorate if liked  (traditionally, sweet pies are not decorated). Glaze with egg wash and sprinkle on the sugar.

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Bake at 200⁰C for around 20-25minutes until the pastry has browned, then turn the heat down to 160⁰C and bake for a further 30 minutes or so.

Just before the time is up, make the caudle just as you would for a custard tart by heating up the cream and milk, if using, and whisking it into the egg yolks and sugar.

Remove the pie from the oven, crack open the top of the pie and pour in the caudle. Return to the oven for about 8 minutes so that it can set. Alternatively, you can heat the caudle mixture in the pan until it thickens slightly and simply pour into the cooked pie.

pumpkin pie

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Fruit Curds Revisited

 

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By recent request, I have written another post on fruit curds. I have come up with several more recipes since I wrote the original post and they all originate from a common source; a single recipe that pops up in River Cottage Handbook No.2: Preserves by Pam ‘the Jam’ Corbin. This is a truly excellent book (as are all the RC Handbooks), that deserves a post of its own as part of my rather irregular Favourite Cookbooks series.

Anyway, this recipe is the best I’ve come across, it is for lemon and Bramley apple curd – and it is ripe for modification. Apple purée is used, giving a great texture, making a light nicely-set curd that needs less sugar than your typical lemon curd. Below is the original recipe that I have only very slightly tweaked, and then there is a few more: blood orange, spiced orange and pink grapefruit.

Lemon and Bramley Apple Curd

This recipe makes around 1200ml of curd.

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500g Bramley apple curd, peeled, cored and chopped

150ml water

Zest and juice of 2 lemons

125g butter, cubed

350-400g granulated sugar

5 medium eggs

Put the apples and water in a small saucepan, cover and simmer until the apples break down into a purée. When cooked, put them into a large glass mixing bowl with all of the remaining ingredients except the eggs. Mix together – the heat of apples will dissolve the sugar and begin to melt the butter – and place the bowl atop a pan of briskly simmering water, making sure the water doesn’t touch the base of the bowl.

Whisk the eggs well and pass them through a sieve straight into the mixture, stirring them in well. Keep an eye on things and stir the curd frequently until it thickens; it doesn’t require constant stirring, but don’t be going off and dusting the sills. If you want to be scientific about it, eggs thicken at around 80⁰C, but temperatures of 75⁰C and above will thicken the curd sufficiently. Taste and add more sugar if liked – remembering that cold curd will taste much less sweet than hot curd.

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Pot in sterilised jars (25 minutes in a 125⁰C oven does the trick), cool and refrigerate. The curd will keep for 5 weeks.

Some variations

You can pretty much use any fruit juice you like, but you always need a little bit of lemon to add bite as well as to take advantage of its flavour enhancing properties.

Blood orange curd: as above but use the juice and zest of one lemon and two blood oranges.

Spiced orange curd: use the juice and zest of two lemons and two oranges, along with half a teaspoon of mixed spice. When the curd has thickened, add two teaspoons of orange flower water.

Pink grapefruit curd: use the juice and zest one lemon and two pink grapefruits.

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Pompion (Pumpkin) Bread

I was recently bequeathed a lovely home-grown organic pumpkin from my good friends Simon and Rachel Wallace – they are slowly but surely building up a small-holding on a farm in the Derbyshire country. They are living the dream, and I am more than a little jealous. Anyway, I wanted to do the lovely pumpkin justice and make some nice meals. I remembered a recipe for pumpkin bread that appears in English Bread and Yeast Cookery by Elizabeth David. She takes it straight from the original manuscript, an 18th century periodical called The Family Magazine. Back then pumpkins were more commonly called pompions, and it is more like some advice rather than a recipe:

Slice a pompion, and boil it in fair water, till the water grows clammy, or somewhat thick; then strain it through a fine cloth, or sieve, and with this make your Bread, well kneading the dough; and it will not only increase the quantity of it, but make it keep moist and sweet a month longer than Bread made with fair water only.

The Family Magazine, 1741

It funny that the British have always had a thing for bread that stays ‘fresh’ for as long as possible; the French, for example, expect the opposite and buy there’s once or twice daily . It goes back to the days when the old brick bread ovens were lit but once a week so the bread – and other goodies – had to last. This love for bread with a long shelf-life is also often blamed for our love of the moist mass-produced packaged breads that go mouldy before they go stale, but I digress.

I thought I would give this pompion bread a go, but I felt that boiling the poor thing to death was a bit wasteful, and I wanted the bread to have some pumpkin flavour so I roasted it, mashed it up and added it to a basic bread dough along with a little sugar and some mixed spice. It turned out to be delicious so I thought I’d give you the recipe to try. I don’t think it resembles the original recipe, but it certainly inspired me to make it. By the way, it doesn’t stay fresh for a month, but it is very much moist and edible five days later. It goes great with soup and stews or with jam or just butter spread on it.

This recipe makes 2 good-sized loaves.

What you need:

600g piece of pumpkin or other squash, deseeded weight

500g (1 lb 2 oz) strong white flour

50g (2 oz) fine oatmeal

1 ½ tsp mixed spice

25g (1 oz) fresh yeast, or 1 tsp dried instant yeast

2 tsp salt

50g (2 oz) sugar

25g (1 oz) softened butter or olive oil

225g (8 oz) warm water

olive oil

extra flour

extra oatmeal

 

What you do:

Begin by roasting the pumpkin in a little olive oil until soft – around 30 minutes at 180⁰C (350⁰F). When cooked, remove from the oven, cool, remove skin and mash to a pulp.

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Mix the flour, oatmeal, mixed spice and sugar in a bowl, then crumble the fresh yeast on one side of the bowl, and spoon the salt one the opposite side. Make a well in the centre and pour in the water along with the olive oil. Notice that I have given the weights of liquids here – I’ve taken to doing this with all my baking recently; you can be much more accurate that way. (For most water-based liquids one millilitre weighs one gram. You can thank Elizabeth David for that one.) Lastly, add the cool pumpkin.

Using you hand, mix everything to a sticky dough – it will be very sticky but don’t worry.

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Rub a teaspoon or two of olive oil on your work surface and turn out your dough onto it; the oil makes it easier to knead without it all becoming a hideous sticky mess. Keep kneading and adding more oil if need be. If all this seems like too much effort and mess, use the dough hook on a food mixer instead.

When the dough is smooth, do a final kneading on a little flour, then pop into a clean bowl that has been lightly coated with oil to prevent sticking. Cover with Clingfilm (other plastic wraps are available) and allow to ferment away until it has at least doubled in size.

Knock back the dough and shape into two loaves – you can do round cobs on a greased baking sheet or in greased tins, whichever you prefer. i used two cake tins so that my cobs would keep some shape.

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Cover and allow to prove. Make appropriate cuts and dustings of flour or oatmeal. When doubled in size put into a cold oven. Set the temperature to 220⁰C (425⁰F) and leave for 15 minutes. Turn the heat down to 180⁰C (350⁰F) and bake for a further 15 minutes. Allow to cool on a rack completely before breaking into it.

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The Original (Quince) Marmalade

As I mentioned in my previous post about Seville oranges that the original marmalade was in fact made from quinces and not oranges, I thought I would give you a recipe that I have recently used for the stall. It’s a recipe that appears in Eliza Acton’s 1845 book Modern Cookery. It’s an easy recipe that would be a good one to start with if you have never made a sweet preserve as you don’t need to mess about with sugar thermometers and setting points. One of the great things about making preserves with quinces is the glorious colour they go. A relatively brief boil transforms them from a pale apple-yellow to a vibrant orange-coral.

The tricky thing is getting your hands on some quinces they are available from October, but I have recently seen some organic ones in the Manchester organic grocers Unicorn. If your local greengrocer doesn’t have them on their shelves, it is worth asking if they can get them. My grocer was very happy to get me a full tray for just a tenner, so I was very pleased with that.

I have recently found another slightly more complicated version of this recipe but I have not tried it – we’ll have to wait for next autumn for that one!

Eliza Acton’s Quince Marmalade

2kg (4 1/2 lbs) quinces

water

granulated sugar

Wash and scrub any fluff of the quinces, then peel and core them. Place them in a large pan and pour over enough water to almost cover. Turn up the heat and when it begins to boil, turn heat down to a simmer and stew 35-45 minutes until the fruit is soft. Strain and pass fruit through a mouli-legumes.

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Put the pulp back in the pan with the strained juice and add 280g sugar for every 500ml juice or, 1 ½ lbs sugar for every pint of juice). Stir and dissolve under low heat then, simmer until it resembles ‘thick porridge’ and begins to leave the side of the pan when you stir it.

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Pour the marmalade into sterilised pots. It is very good as a jam on toast, with cheese or as an accompaniment to hot or cold meats.

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Seville Oranges and Seville Orange Marmalade

The weather outside may be miserable and the evenings still long, but luckily there is a little fleeting  sunny surprise popping up in grocers around the country that can perk us up no end; at least if you know where to find them. It is Seville orange season and a small window of just a few weeks is all we have to cook with this delicious fruit.

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The Seville orange is very bitter and is only really grown in Spain for us British to make our Oxford marmalade. What a treat home-made marmalade is; oranges, water and sugar that is all that are needed to produce such a delightful, very British preserve. If you have never made your own, have a go before they are all disappear again.

Like all citrus fruits, the Seville orange comes originally from China. It was imported on trade routes via Italy, to the Mediterranean countries of Europe. All of these original orange trees were bitter in flavour like the Seville. In the first half of the 17th century, sweet orange trees were delivered to the Portuguese coast by ship. These sweet oranges quickly superseded the bitter ones, that is for that small area of Spain that still grows them.

The flowers of Seville oranges are also used to make orange flower water, another of my favourite ingredients.

Seville and game painting

Rabbit with Red Legged Partridge and Seville Orange by Jean-Baptiste Chardin 1728-29

Below is a recipe for  Seville orange marmalade, but it is useful to know that the zest and juice of these oranges go very well with game and some shellfish such as scallops as the above painting shows.

 

Seville Orange Marmalade

Oddly enough, marmalade was not made from Seville or any other orange at first, but quince (a knobbly cousin of apples and pears). It did come from Spain though, in fact the Spanish word for quince is marmalada. Every day’s a school day.

This recipe is Jane Grigson’s and it is a good strong bittersweet ‘Oxford’ style marmalade.

Ingredients

3 ¼ litres water

1 ½ (3 lb) Seville Oranges

3 kg (6 lb) granulated sugar

Give your oranges a good scrub and place them in a preserving pan or large stockpot with the water. Bring to a boil and simmer for about 1 ½ hours until the oranges are tender.

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Take them out with a slotted spoon. They will probably collapse in on themselves, but don’t worry about that. Let them cool a little, then halve them and scoop out their innards. Tie up the scooped-out pulp in a piece of muslin. If you want a soft set, just put the bag of pulp straight into the pan, if you want it well set, give it a good squeeze to get as much pectin out of the pith and into the liquor as possible (I’m a soft set man).

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Next, shred the peel, you can be as careful as you want, and you can cut them as thick as you want. You can do this by hand or in the food processor by blitzing them using the pulse setting – be careful though, you don’t want a load of slurry. I’m usually dead against using food processors for this sort of thing, but I quite like the irregular pieces you get with this method. Tip them into the pan along with the sugar. Over a medium heat, stir until the sugar dissolves.

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Now you need to be brave and bring it to a full rolling boil for at least 15 minutes , you need it very hot so that the marmalade can set. You have several options to test for a set, but I use a combination of a sugar thermometer and the wrinkle test. Pectin – a chemical that essentially glues plant cell walls together – will set to a gel at 105⁰C (221⁰F), so a thermometer is crucial if you want to know if you are getting close. It can take a while because water needs to evaporate to get five degrees above boiling point. Keep a close eye on it and when it gets close do the wrinkle test. For this test put a side plate in your freezer a little while before you want to make your marmalade, and when you’ve achieved 105⁰C (221⁰F), turn off the heat and spoon out a little of it onto your cold plate. Return it to the freezer for a couple of minutes. Push the jelly; if it wrinkles up, your pectin is set. If not, boil up again and retest after 10 minutes.

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When ready, turn off the heat and allow it to cool for 15 minutes – this important step will stop your peel from floating to the top in a single layer – then pot into sterilized jars (bake them and their lids for 25 minutes at 125⁰C or 250⁰F).

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