Category Archives: Recipes

26/05/2023 · 1:08 pm

Dock Pudding

The good thing about being a lover of British puddings is that there is an almost infinite number to cook and try. All of the pudding recipes I have posted on the blog thus far have all been of the sweet variety, and they have all been fairly well known, but this year I am going to try and write some posts and recipes for savoury or obscure ones. First up is dock pudding which happens to tick both of those boxes. This pudding is one I have been meaning to cook for years, but I’ve only gotten around to it until now.

Dock pudding used to be very popular in Yorkshire, especially in the Calder Valley, West Yorkshire. The dock in question isn’t the common dock (the one you rub on nettle stings) but a particular species that goes under several names including bistort, passion dock and sweet dock, its Latin name is Polygonum bistorta.[1] It can be distinguished from the common dock by its yellowish spear-shaped leaves. The leaves are collected when young, alongside tender nettle tops, there is a recipe for it in Alexis Soyer’s classic 19th century work A Shilling Cookery For the People, where it is made with a mix of two-thirds passion dock, and one-third nettles.[2] These were supplemented or replaced with whatever greens were around: sorrel, raspberry leaves, chives, spinach, etc, the choice changing with the season. These are washed, sliced and cooked with onion or leek and oatmeal to make a very dark green porridge, which is fried in dollops in bacon fat, lard or beef dripping.[3] It has been likened to Welsh laverbread in colour and flavour, in that you will either love it or hate it.[4] It sometimes goes by the name herb pudding, which makes sense seeing as docks are only eaten in the springtime when they are tender. It is mixed with more oatmeal and water, tied in a cloth and boiled, cooled and fried in slices.

Technically, then, I could have used any green leaves, but I really wanted to make it with Passion dock; so called because it is found growing during Passion Week, the last week of Lent.[5] It was an extremely important food, the first fresh green vegetable after a winter of eating only pickled vegetables and salted meats. Many people were showing signs of scurvy by early spring, so few fresh vegetables were eaten. Dock is also said to be an excellent blood cleanser and good for the skin too, being a preventative of spots and pimples.[6]

Dock pudding was especially popular in the Victorian era, but was considered a famine food in the 20th century.[7] Very few people eat it now, but there is an outlier because the West Yorkshire town of Mytholmroyd has held the World Dock Pudding Championships every May since 1971.[8] I’m going to try my best to go next year.

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I found a patch of Passion dock growing in the Cheshire town of Lymm last year, but they were far too old and tough to pick, but I remembered this year. Oddly, I couldn’t find any nettles, but I did spot some sorrel and some wild garlic. I was in a bit of a rush, and didn’t have enough to make the very green sort of pudding, but I didn’t want to boil one (to save on fuel), so tried a common trick of cooking it in a saucepan, pouring and setting it in a tub so I could slice and fry it. This method is sometimes used for other savoury puddings such as black pudding or mealy pudding.

Makes 8 to 10 slices of pudding:

100 g trimmed, young leaves of any amount of the following: passion dock, nettles, spinach, sorrel or any other edible greens you like

1 leek or onion, sliced thinly

80 g oatmeal (not rolled oats)

1 tsp salt

Freshly ground black pepper

400 ml water

A smidge of flavourless oil such as sunflower or groundnut

8 rashers of streaky bacon

30 g lard or dripping, or 2 tbs of your favourite frying fat or oil

Your pudding needs to be cooked, cooled and set the day before you want to eat it (or several days before if you like). To do this, shred the leaves and add them to a pan with the leek or onion, oatmeal, salt, pepper and water. Bring to a simmer, stirring so that it doesn’t form lumps.

Cook for around 20 minutes and all of the vegetables are soft, then take off the heat. Now take a tub of around 1 litre capacity and brush with the oil. Pour the pudding into the tub, cover, cool and then refrigerate.

When you want to cook your pudding, first fry the bacon in your chosen frying fat or oil over a medium heat until very crisp. As they cook, prepare the pudding: turn out onto a board and cut even slices between 1 and 1.5 cm thick. It’s best to use a serrated knife for this task.

Remove the bacon rashers and keep warm as you fry the pudding slices: turn up the heat to medium-high and pop in the slices. It’s a bit like making bubble and squeak in that you need to wait and allow them to build up a good, crisp fried layer before you disturb them: a good 5 minutes. Turn over with a spatula and fry the other side for a further 4 or 5 minutes.

When ready, serve up with the bacon and whatever other breakfast things you like. I went with fried eggs.

Notes:

[1] Brears, P. (2014) Traditional Food in Yorkshire. Prospect Books.

[2] Soyer, A. A Shilling Cookery for the People: Embracing an Entirely New System of Plain Cookery and Domestic Economy. (Geo. Routledge & Co., 1855).

[3] Davidson, A. (1999) The Oxford Companion to Food. Oxford University Press.

[4] Mason, L. and Brown, C. (1999) The Taste of Britain. Devon: Harper Press.

[5] If you want to know more about the food of Passion Week, listen to this episode of the podcast:

[6] Davidson (1999); Brears (2014)

[7] Brears (2014)

[8] Davidson (1999)

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Filed under Britain, cooking, food, foraging, General, history, nature, Puddings, Recipes, The Victorians, Uncategorized, Vegetables

Tagged as breakfast, dock, food, foraging, history, pudding, recipe, regional cookery, vegetables, Victorian Era, Yorkshire

12/04/2023 · 11:42 am

To Make Butter Sauce (aka Good Melted Butter)

If you leaf through English cookery books of the 18th and 19th centuries, you will see much mention of ‘melted butter’ or ‘good melted butter’, such as this one, a recipe for egg sauce from Elizabeth Raffald’s The Experienced English Housekeeper (1769)[1]:

You would be completely forgiven if you took those words literally, however, what Elizabeth is referring to is butter sauce, ‘or’, as one-time chef to Queen Victoria Charles Elmé Francatelli put it, ‘as it is absurdly called, melted butter’.[2] It achieved this misleading moniker simply because of its ubiquity. In fact, it was so ubiquitous that Mrs Raffald doesn’t even include a recipe for it. Luckily for us, Hannah Glasse does in Art of Cookery[3]:

Used freely across three centuries, it became known as the ‘one sauce’ of England. The recipe, at least in its constituents, doesn’t really change: it is essentially a thin roux made with flour and water (or stock), enriched with melting cubes of butter, essentially a beurre blanc stabilised with flour – very useful for a sauce that was potentially left standing on a dining table for an hour. Jane Grigson likened it to a hollandaise thickened with flour instead of egg yolks.[4] It can certainly be used in place of either. Butter sauce forms the basis of several other sauces, it can be sharpened with lemon juice, enriched with cream, or flavoured with herbs. Sometimes it is flavoured with shellfish, and even gooseberries if it is to be served with mackerel.

Like many of our common foods, they are mistreated, corners are cut and fillers are added. As Francatelli observed, ‘it is too generally left to assistants to prepare as an insignificant manner; the rest is therefore seldom satisfactory.’[5] Indeed, my first meeting with it was back in the 1980s in the form of a boil-in-the-bag frozen cod steak in butter sauce. I certainly enjoyed it at the time, but upon making a ‘proper’ one decades later for my Neil Cooks Grigson blog,[6] I immediately saw that the sauce I had consumed as a child was a shadow of its former self. Writing in English Food at a time when the hold nouvelle cuisine had on the restaurant scene was beginning to wane, Jane Grigson hoped we might return to this sauce and appreciate it again.[7] We didn’t, but perhaps now is the time?

My recipe, below, is adapted from Jane Grigson’s, which in turn, is adapted from Francatelli’s, so it has quite the pedigree. The only significant change I have made is to reduce the amount of flour. I’ve tinkered with amounts so that a full 250g pack of butter is used; no messing about with weights (and there is something quite satisfying about using a whole block of butter). Don’t let any memories of bad school meals put you off, and don’t let the amount of butter put you off either, it’s a surprisingly light and delicate sauce.

It’s simple to prepare, as long as you don’t let the diced butter become hot enough it melts fully. I love this sauce served with steamed vegetables such as asparagus, purple sprouting broccoli, leeks or new potatoes, as well as simple poached eggs, sole or salmon. If you have some poaching liquid or stock, it can replace the water used in the recipe.

I’ve provided some simple, classic variations below should you fancy trying them.

Serves 4 to 6:

250g very cold unsalted butter, diced

2 level tsp plain flour

120ml hot water

Salt

Ground black pepper

Pinch nutmeg and mace (optional)

Squeeze lemon juice

2 tbs cream (optional)

Put around one-third of the butter in a saucepan over a medium-low heat and allow it to melt, then stir in the flour with a wooden spoon, or better a small whisk, and allow to cook gently for a couple of minutes – on no account let it brown. If the flour fries and clumps a little, don’t worry. Now mix in the hot water by degrees, only adding more when the water in the pan has fully mixed into the flour and butter. Season with salt, pepper and nutmeg and mace, if using. Allow to gently simmer for 6 or 7 minutes over a low heat. Take the pan off the heat and let it cool for 2 minutes.

Now start beating into the sauce 3 or 4 cubes of butter so that they slowly melt and amalgamate into the sauce. Only when the cubes have disappeared, should you add more. Once you have done this a couple of times, the sauce will cool and the cubes won’t melt so easily, so put the pan over the lowest heat possible, and then continue to add more.

When the butter is used up, add a small squeeze of lemon, stir and check for seasoning. If you like, add cream.

Serve the sauce in a warm jug, or pour over vegetables or fish.

Variations:

Parsley sauce: add a tbs of finely chopped parsley. Eat with some delicately poached cod and stick two fingers up to Captain Birdseye.

Caper sauce: add a tbs of capers, whole or chopped. If you like, season with a little wine vinegar instead of lemon juice. A more piquant sauce to eat with richer foods: skate, brains and poached lamb or mutton.

Egg sauce: make the sauce as above, but when it is ready add the mashed yolks of 3 hard-boiled eggs and then the whites finely diced. Traditionally this is eaten with salt cod and parsnips in Lent.

Shrimp sauce (possibly the most delicious variation). Use a good handful of cooked brown shrimp in their shells (if you can get them) or small prawns. Remove the shells, and boil them in the water to make a rich stock. Use this instead of water. When the sauce is ready, stir in the shelled prawns or shrimps. This is delicious poured over poached turbot. You can also make this sauce with crab or lobster.

Notes

[1] Raffald, E. (1769) The Experienced English Housekeeper. First Edit. J. Harrop. Available at: https://archive.org/details/experiencedengl01raffgoog

[2] Francatelli, C. E. (1888) Francatelli’s Modern Cook. 26th edn. T. B. Peterson & Brothers. Available at: https://www.google.co.uk/books/edition/Francatelli_s_Modern_Cook/ww5Yg0hT5eQC?hl=en&gbpv=0

[3] Glasse, H. (1747) The Art of Cookery Made Plain and Easy. Prospect Books. The image is taken from the 1763 edition, but the recipe is unchanged from the original 1747 edition.

[4]Grigson, J. (1992) English Food. Third Edit. Penguin.

[5] Francatelli (1888)

[6] Buttery, N. (2011) #272 Melted Butter, Neil Cooks Grigson. Available at: http://neilcooksgrigson.com/2011/02/06/272-melted-butter/

[7] Grigson (1992). Though I have referenced the third edition, Jane made this point in the second edition, which was published in the 1980s

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Tagged as 18th century, butter, English food, food, history, recipe, sauce, The Georgians, Victorian Era

01/04/2023 · 11:53 am

Elizabeth Raffald’s Flummery Showpieces

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Wigs / Whigs / Wiggs / Whiggs

Wigs – whichever way you spell them – were a type of enriched, leavened teacake. They reached a peak in popularity in the eighteenth century but may have been cooked up as early as the fifteenth.[1] It seems that they were eaten up until 1900,[2] though as with many foods, they changed their form somewhat.

Elizabeth Raffald included a recipe ‘To make Light Wigs’ in her 1769 book The Experienced English Housekeeper,[3] so I thought I would devise an updated recipe for them using modern kitchen equipment, weights and measures.

This is her recipe taken from the first edition:

As is often the case, her recipes are a mixed bag of precision and vagueness, and this one is no different: we have proportions – the most important thing, I suppose – but little else concerning mixing, shaping and baking. And what are the seeds she mentions? Luckily, by cross-referencing other recipes and others’ research, we can build up a good idea of what they were like.

Let’s dissect the recipe sentence by sentence:

First of all, we have to make a simple dough of flour, milk and barm and prove it somewhere warm. Barm is the frothy yeast skimmed from fermenting vats of beer; it is from here we get our leaven. The bubbles of gas in low-gluten flour doughs with little elasticity (as would have been the case here) tend to pop quickly, so we have to assume that the dough was kneaded to develop what gluten was present.
Once proved, add the butter and sugar. It’s very common, even in modern recipes, to add the enriching ingredients after the first prove. Ingredients such as these get in the way of entangling gluten strands, and their heaviness slow proving even further. These days however with our robust fast-action yeasts, I find dough rises well with all of the ingredients mixed right from the start – though I hedge my bets a little by using a mix of plain and strong white flours.
Elizabeth tells us to ‘make it into Wigs’ which isn’t useful for those of us in the twenty-first century. It does inform us that they were common enough in 1769 for Elizabeth to assume we would all know the correct shape. Another recipe given in Florence white’s Good Things in England says to make wigs ‘into any shape you please’.[4] Elizabeth David helps us out here by spotting that the word wig comes from the Dutch weig, meaning wedge-shaped.[5] She thinks the round of dough would be split into sixteenths, but I think sixths or eighths would be better.
As for the seeds; all other recipes state caraway seeds for wigs. I like them so much I put them in and on the dough before baking.

There are richer versions of this basic recipe. Hannah Glasse’s ‘light Wigs’ are very similar to Elizabeth’s, but she also includes a richer version (‘very good Wigs’) containing egg, cream, spices and sack.[6] Some recipes ask you to egg wash the wigs and sprinkle coarsely crushed lumps of sugar over them.[7] I opt for a milk wash and granulated sugar.

Wigs can be eaten buttered, and when cold eat like very sweet scones, when warm they are softer and stodgier, though not in a bad way. Elizabeth suggests toasting them and pouring stewed cheese over them – a recipe for which can be found in my book Before Mrs Beeton.

My recipe makes 1 round that can be divided into 6 or 8 wigs:

5g/1 tsp yeast

5g/1 level tsp salt

180g strong white flour

180g plain white flour

120g caster sugar

1 tbs caraway seeds

120g softened salted butter

200ml warm milk, plus extra for brushing

A smear of sunflower oil

Granulated sugar for sprinkling

In a bowl, mix the yeast, salt, flours, caster sugar, and most of the caraway seeds (keep a few behind to sprinkle on the top). Make a well in the centre and add the butter and milk. Mix preferably with the dough hook of a food mixer, if not a wooden spoon – the mixture is very sticky indeed, a good 7 or 8 minutes, or until the dough is smooth.

Oil a clean bowl and place the dough inside. Cover and allow to prove in a warm place for between 60 and 90 minutes. The dough is so enriched that it doesn’t double in volume like regular bread or bun dough, but it does need to have increased in volume noticeably.

As you wait, line a 21 cm/8 inch cake tin with greaseproof paper. Elizabeth asks us to shape the wigs ‘with as little Flour as possible’, but I find that a good strewing of flour is best. The dough needs to be brought into a tight dough ball; again not as tight as is usually possible, due to all of that sugar and butter. I find a couple of dough scrapers helped a great deal at this point.

Once gathered, plop the dough into the lined tin, cover and allow to prove for 30 to 45 minutes. Using a well-floured dough scraper split the dough into 6 or 8 wedges.

It was tricky to make the cuts: flour your dough scraper very well

When the proving time is almost up, preheat your oven to 175°C and place an ovenproof dish at the bottom of the oven. When the wigs are ready to go in, put the kettle on. When boiled, finish preparing the wigs by brushing the top with milk and scattering the reserved caraway seeds and a little granulated sugar over the top, then place on a baking tray.

Open the oven door, slide the wigs onto the centre shelf, then gingerly pull out the hot ovenproof dish and pour in a good amount of hot water, then quickly but carefully slide it back in and close the oven door.

Bake for around 45 minutes until well-risen and golden brown on top. Cool on a wire rack in its tin. Serve cold or warm with butter and sliced or toasted cheese.

Notes

[1] David, E. English Bread and Yeast Cookery. (Grub Street, 1977).

[2] By this point, wigs had become a fruit cake or scone, leavened with baking powder and sweetened with candied angelica, citron peel and glacé cherries. Hartley, D. (1954) Food in England. Little, Brown & Company.

[3] Raffald, E. (1769) The Experienced English Housekeeper. First Edit. J. Harrop. Available at: https://archive.org/details/experiencedengl01raffgoog.

[4] White, F. (1932) Good Things in England. Persephone.

[5] David (1977).

[6] Glasse, H. (1747) The Art of Cookery Made Plain and Easy. Prospect Books.

[7] David (1977).

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Tagged as baking, bread, cake, caraway seeds, Elizabeth Raffauld, food, history, recipe, Teatime, The Georgians

13/01/2023 · 11:10 am

How to Make a Steamed Sponge Pudding: a Step-by-Step Guide

Last year I threatened to write some instructional posts that focus on technique rather than history. First up, a step-by-step guide to making a steamed sponge pudding, complete with instructions on how to cook one if you don’t have a steamer.

This recipe is for a basic sponge to fit a 2 pint / 1 litre mould or basin. It will serve 6 to 8 people; you can multiply up or down the amounts and cooking times very easily, though if you are making a really big one (1 ½ litres or more) you’ll need to add a teaspoon of baking powder. Any mould can be used, but a basin is best for sponges.

My old Pud Clubs always featured one steamed sponge pudding

There are an infinite number of variations, and I have included some examples for you after the basic recipe.

225g softened butter, plus extra for buttering the mould

175g caster sugar

4 eggs

225g self-raising flour, or gluten-free flour mix[1]

Pinch salt (if using unsalted butter)

30ml liquid: e.g. milk, lemon juice

Start by buttering your mould well; if you are using a basin with a lid, butter that too.

Now beat the butter and caster sugar with an electric mixer, or a wooden spoon, until light and fluffy. Beat in the eggs one at a time into the butter and sugar – use a high speed if using an electric mixer. When fully incorporated, add the next egg. If the mixture refuses to mix properly and curdles, add a tablespoon of flour and beat well.

When all four eggs have been added, tip in the flour (and salt if using) and mix on a low speed until just incorporated. Add the liquid and mix again. The mixture should now be of ‘dropping consistency’, i.e. if you take a large spoonful, the batter drops from it when you turn the spoon on its side. If it doesn’t, add a little more – just a couple of teaspoons may be all you need. If you’re not sure, err on the side of caution and don’t add more liquid.

A mixture with the correct ‘dropping’ consistency

Now it is time to fill the basin. If you like, place a circle of greaseproof paper in the bottom of the basin to prevent the pudding, or any topping, from sticking. This is more important if you are using a metal, porcelain or glass basin, plastic ones are typically see-through and can be massaged to help the pudding to release itself.

This is also the time to add any toppings, should there be any: see suggestions below. Once added, scrape the mixture into the basin and smooth the top.

Put the lid on the basin, if it has one, or place a pleated double layer of greaseproof paper and kitchen foil – the pleat allows for any expansion – then secure it in place with string.

How to make a pleat in a piece of paper or foil

You may want to make a simple handle with the string too if you suspect the pudding will be tricky to remove from its steamer.

Tying on a lid: Scrunch down the paper and foil, then tie securely with string with a simple double knot

Now prepare the steamer. If you have one that fits the pudding basin, simply add boiling water straight from the kettle to the base to a depth of a few inches/ 10 cm deep, then place the basin in the steamer, sit it on the base and put on the lid. Turn the heat high and allow it to come to a rolling boil

If you don’t have a steamer you can make one: Take a pan large enough to comfortably fit your basin. Before you add any water, place an upturned saucer on the base of the pan (add some scrunched material under the saucer to prevent clattering). Place the basin inside your pan and pour boiling water straight from the kettle into the basin to come around a third of the way up the basin. Cover and turn the heat to high to achieve a rolling boil.

The pudding inside my steamer (1); making your own steamer using a cloth and saucer (2-4)

Whichever way you have made your steamer, once a rolling boil has been reached keep the pudding boiling well for 20 minutes, then turn the heat to medium-low. The total cooking time for this size of pudding is 90 minutes.

Don’t be tempted to remove the lid as it drops the temperature. That said, it is also important that the pan or steamer doesn’t boil dry so do check after 45 mins or an hour if you think it may do. If so, top up with water straight from the kettle.

Turning the pudding out: one of the most satisfying kitchen tasks

When it is done, remove the basin from the steamer and leave for 10 minutes before turning it out onto a serving plate or dish, slide a knife around the inside edge to loosen it if you suspect it may be stubborn.

Serve the pudding with proper custard.

L: a simple steamed treacle sponge pudding. R: a sour cherry and almond sponge

Variations

You can add flavour by using different sugars or swapping 60g sugar for a syrup, by adding citrus zest, or by adding ½ tsp flavouring or extract.

Toppings can be used with aplomb: they need to be 1 or 2 cm in depth, about 100g, and added before the sponge mixture.

Treacle sponge: add 100g golden syrup (or a mixture of golden syrup and black treacle) to the base, use soft dark brown sugar for the sponge and add the zest of a lemon.

Jam or marmalade sponge: add 100g of your favourite jam or marmalade, add orange or lemon zest to the sponge mixture if liked.

Lemon: add a layer of lemon curd to the base, flavour the sponge with the zest of a lemon. Use lemon juice to thin the sponge mixture.

Bakewell: add 100g of morello cherry or raspberry jam to the base. For the sponge, add ½ tsp almond extract and swap 60g flour for ground almonds.

Rum and raisin: soak 100g raisins in 2 tbs spiced rum overnight, add to the mixture after the flour has been incorporated, thin the mixture with more rum.

Chocolate: substitute 60g of the flour for cocoa. Serve a chocolate sauce or chocolate custard separately.

Fruit: add 100g of any sweetened stewed fruit or fruit in syrup. Soft fruits like gooseberries, blackcurrants, etc., can be mixed with sugar and added raw.

Notes:

[1] I regularly make these puddings gluten free and the flour mixture I use is the following: 60g ground almonds, 175g gluten-free bread flour mix (I use Dove Farm), 1 level tablespoon gluten-free baking powder and 1 level teaspoon ground psyllium husk.

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Tagged as baking, dessert, food, pudding, recipe, sponge pudding, steamed pudding, traditional techniques

29/12/2022 · 11:10 am

Black bun (Scotch Bun) Part 2: Recipe

As promised, and carrying on from my last post, here is my recipe for the traditional yeast leavened black bun (Scotch bun). I must say I was really surprised with how well it turned out: it was enriched with so much stuff and was so huge, I thought the poor little yeast cells wouldn’t be able to do their job. I was wrong, but it did take two days to do two provings required before baking.

The white dough is essentially a sweet brioche made without eggs. When it was time to knock it back after its first rising, I was encouraged by the network of small yeasty bubbles that had formed inside the dough.

The tiny bubbles in my enriched basic dough

The bun was huge and made quite the centrepiece (though if you wanted to reduce the quantities and make a smaller one, go ahead). The cake inside was deliciously moist, and the brioche dough wonderfully buttery and thin and in such contrast with the treacle-black centre.

It may have been big, but it kept well and was perfectly delicious well over a week after baking.

For the basic dough:

450 g plain white flour

450 g strong white bread flour

160 g caster sugar

10 g dried fast-action yeast

20 g salt

160 g softened butter

400 ml hand-hot full-fat milk

A smidge of flavourless oil

For the centre:

750 g basic dough

100 ml black treacle

400 g currants

400 g raisins

100 g candied peel

100 g slivered almonds

1 tsp mixed spice

½ tsp each ground cinnamon and allspice

2 eggs, plus 1 more for glazing

Butter for greasing

Granulated sugar

Two days before you want to bake your black bun, in the evening, make the basic dough. This is best done with an electric mixer, however don’t let me stop you attempting this by hand. Mix the dry ingredients – flours, yeast, sugar and salt – in your mixing bowl, make a well and add the butter and milk. Mix slowly with a dough hook until everything is mixed together, then turn the speed up a little and knead until smooth. Because it’s a low-gluten mixture and there’s all of that butter and sugar, it won’t be very elastic, but when it’s really smooth, you are done. It should take 8 to 10 minutes.

Paint the inside of a bowl with oil, then bundle up the sticky dough as best you can and cover with cling film. Leave to prove until around double in size. This took 18 hours: I use a low amount of yeast on purpose that the yeast ferments slowly. It may take less time for you if you used more yeast, and if your home is warmer than mine.

Knock back the dough and place 750 g of the dough in your food mixer, then add the treacle, dried fruits, candied peel, almonds, spices and eggs. Mix with a flat beater for a couple of minutes until everything looks smooth and like a Christmas cake batter. Set aside.

Take the remaining dough, form into a ball, place on a floured work surface and roll out into a large circle 32-35 cm in diameter. Make sure your pin is floured too; this will prevent sticking. With slightly wet hands, scoop the dark sticky dough and pop it in the centre of your circle. Now gather the dough so that the centre is completely covered – rather like a giant Eccles cake.

Cut away bits of the dough that have bunched up too much and glue any edges with a thin coat of beaten egg. Don’t worry if it looks a bit messy. Turn the bun over and flatten it with your hands, smoothing away any bulging bits to make a nice round shape.

Now liberally grease a 25 cm flan ring with butter and place on a baking sheet lined with greaseproof paper and then dusted with flour, and place the bun in the centre. Press the bun or lightly roll it with your rolling pin so that is just a centimetre off from touching the edge. Paint the top with egg and scatter over a little granulated sugar, then stab holes in the top with a thin, pointed knife right down to its base – this keeps it flat as it rises. Cover with a large plastic bag[1] and allow to prove until it has grown large enough to fill the ring. For me, this took 12 hours.

Preheat your oven to 175°C and place a heatproof tin on the bottom of the oven. When it’s time to bake the bun boil the kettle, then open the oven and slide your bun onto the middle shelf, gingerly slide the tin out enough so that you can pour in the hot water, slide it back in and close the door.

Bake at this temperature for an hour, then turn the heat down to 140°C and bake for a further 2½ hours. If the top is getting too brown, cover it with some kitchen foil.

Remove from the oven, and slide onto a cooling rack. Remove the ring when the bun is just warm.

The black bun will keep for weeks in an airtight box or tub. It is delicious eaten with sharp cheese.

Notes:

[1] I find a supermarket ‘bag for life’ is best for this task. I have one that I use only for proving things like this. Turn it over and turn up the edges, as you would your trousers to make it a sturdy shape and hey presto!

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Tagged as baking, black bun, bread, cake, Christmas, festivals & celebrations, food, history, Hogmanay, new year, recipe, regional cookery, Scotland, Teatime

27/12/2022 · 6:16 pm

Black Bun (Scotch Bun) Part 1: History

Before we begin: a big thank you to Scots chef and food writer Sue Lawrence for helping me out with the research for this post.

It has become a Christmas tradition of mine to ask my Twitter followers to select by Christmas post for me by way of a poll. I like to include both obvious and obscure options and was very pleased this year to see roast turkey receive no votes all (though I suppose I’ll have to write about it at some point!), and the most obscure on the list – the black bun – win out with 46% of the votes.^[1]

The black bun – sometimes called a Scotch bun – is a Scottish speciality that has changed in shape and constitution through the years, but is today a type of fruit cake baked in a loaf tin lined with shortcrust pastry. It is then covered with more pastry, egg washed and baked. The cake was often made black with the addition of black treacle; Sue Lawrence says of these very rich black buns, ‘the malevolent appearance of the black inner of its shiny golden pastry case might be off-putting to some black bun virgins.’ It might come as no surprise that the bun ‘is almost invariably served with a dram of whiskey.’^[2]

Black buns today are fruit cakes wrapped in pastry (pic: BBC)

It is traditional to eat black buns at Hogmanay, the Scots new year festival. Food writer and chef and Sue Lawrence writes evocatively of childhood experiences of the Hogmanay celebration:

‘As I grew up, Hogmanay…was always a time for friends and fun. Friends and neighbours would get together to have a drink and the traditional shortbread (often eaten with cheese), sultana cake, black bun and such delights as ginger and blackcurrant cordial.’^[3]

For many Scots Hogmanay, was – and is – more important than Christmas Day is the Christmastide calendar. The black bun is actually the Scots’ Twelfth Cake, but the food and the party was, according to F. Marion McNeill, ‘transferred to Hogmanay after the banning of Christmas and its subsidiary festival, Uphaelieday or Twelfth Night, by the Reformers.’ Christmas Day saw a similar treatment, hence the importance of Hogmanay over other days.^[4]

It’s worth mentioning that the black bun wasn’t eaten throughout Scotland: in the Highlands and islands the clootie dumpling was eaten instead.^[5] I talk about the clootie dumpling and other Hogmanay foods and traditions with Ulster-Scots chef Paula McIntyre in a new episode of The British Food History Podcast published on 28 December 2022:

You may be wondering why it is called a bun. Well. If you look at older recipes, you’ll see that it was using an enriched white bread dough, a proportion of which is mixed with all of those ingredients one might expect in a Twelfth/Christmas cake: currants, raisins (sultanas are avoided because of their paler colour), candied peel, etc. The mixture was then wrapped in the remaining dough, proved and baked. They were huge and ‘graced many a festive table in the big houses of Scotland over the centuries’, one recipe, provided by Sue Lawrence, used 15 pounds (6.8 kilos) of flour!

I first heard of the black bun, not in a Scottish cookery book as one might expect but in Elizabeth David’s English Bread and Yeast Cookery.^[6] She described it as ‘a remarkable confection’, and it is one of the few British, but not English, recipes included in the volume. Indeed, as I found out whilst researching this post, black buns were sold by Edinburgh bakers and sent as gifts all across the British Isles; so it was, at a time, well-known outside of Scotland. Because her book is on yeast cookery, Elizabeth only includes older recipes that use yeast as a leavening agent. She provides several recipes from several sources, and it is interesting to see how the bun became richer and fruitier as time went on. Black buns grew to be so enriched that it became almost impossible to leaven them using yeast, luckily this happened around the same time chemical raising agents were commercially available. At first the chemically-leavened buns were made with bicarbonate of soda and buttermilk – just like a soda bread – but over time, it became more like a regular fruit cake.^[7] The pastry initially used was a huff paste – a pastry somewhere between a hot water pastry and a shortcrust. At first it wasn’t eaten, the paste simply protecting the interior, however as time went on, the pastry was swapped for a richer, more buttery shortcrust.^[8]

The black bun also gets a special mention in another classic book of English food, Dorothy Hartley’s Food in England,^[9] where it is described as a pastry-lined cake. Interestingly, in this book, there is a rare illustration showing the variety of shapes in which the black buns were made:

There are many fantastic recipes for the cake/pastry sort of black bun; Sue Lawrence has one in her forthcoming Scottish Baking Book, and there is one is F. Marion McNeill’s wonderful The Scot’s Kitchen^[10] too, so I thought I’d give the yeast-leavened one a go.

I read through a few recipes and based mine on a recipe by Florence Jack, provided by Ms. David in her book. What I liked about it was that it seemed very black: loads of currants and raisins as well as added treacle. I did tone some of the ingredients down because it seemed to me that it enriched it simply wouldn’t rise.

I’ll let you know how I got on in the next post….

Notes:

[1] The other two options were Brussels sprouts and buche de Noel which attained 21% and 33% of the votes respectively.

[2] Mason, L. and Brown, C. (1999) The Taste of Britain. Devon: Harper Press.

[3] Lawrence, S. (2003) Sue Lawrence’s Scottish Kitchen. Headline.

[4] McNeill, F. M. (1968) The Scots Kitchen: Its Lore & Recipes. 2nd edn. Blackie & Son Limited.

[5] Mason, L. and Brown, C. (1999)

[6] David, E. (1977) English Bread and Yeast Cookery. Grub Street.

[7] Hartley, D. (1954) Food in England. Little, Brown & Company.

[8] McNeill, F. M. (1968)

[9] Hartley, D. (1954)

[10] McNeill, F. M. (1968)

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Filed under baking, bread, Britain, Christmas, Festivals, food, General, history, Recipes, Scotland

Tagged as baking, black bun, bread, cake, Christmas, festivals & celebrations, food, history, Hogmanay, new year, regional cookery, Scotland, Sue Lawrence, Teatime

17/12/2022 · 12:00 pm

Eggnog

Merry Christmas everyone! It’s been yet another long and arduous year, but now it is time to kick back your heels – even if it is only for a short time – and to aid you in this I present my annual Christmas boozy drink post. This year, it one of my favourites: eggnog (regular readers will know of my love of anything custardy).

Eggnog isn’t really drunk that much in Britain, but it is very popular in the United States. Indeed, it is where I discovered it; I remember walking through the campus of Washington University in St. Louis, Missouri, in the winter term seeing several students chugging big cartons of the stuff on their way to lectures (it’s worth pointing out that the bought stuff in cartons contains no alcohol; you add your own later, should you wish to).

For those not in the know, eggnog is a thick, creamy drink made from a dark spirit, usually rum (though brandy, whisk(e)y or sherry can be used), cream or milk, eggs, sugar and spices. The ingredients are either whisked up and served chilled and frothy, or cooked like a custard and drunk hot or cold. Here’s a description of the process from nineteenth century American historian and politician Nathaniel Bouton, writing about the US in the late eighteenth and early nineteenth centuries:

Another favourite drink was egg-nog, which was composed of an egg beaten and stirred together with sugar, milk and spirit…The stick used for this purpose was split at the end and a transverse piece of wood inserted, which was rapidly whirled around, back and forward, between the palms of the hands. Skilful men made graceful flourishes with…“egg-nog” sticks in those days.[1]

The drink was invented in the late colonial era, and was enjoyed all year round; it became associated with Christmas because two of the primary ingredients – eggs and cream – were expensive in wintertime and so could only be enjoyed as a treat. Therefore, it was saved for Christmastide (unless you were rich, then it didn’t matter). A tradition, one I whole-heartedly agree with, was quickly established to breakfast upon eggnog on Christmas morning. This was extended, for those who could afford it, to the full twelve days of Christmas.[2] So ubiquitous was it that eggnog was ‘consumed heartily by slave owners, slaves and children alike.’[3]

There was a drop in popularity during Prohibition,[4] but it has certainly since recovered because according to Indiana University ‘[i]n 2007, eggnog consumption nationwide was 122 million pounds with peak sales occurring the week before Thanksgiving, the weeks of Christmas, and just after Christmas.’[5]

You may be wondering: “Er, why are you telling me about an American drink on a blog about British food history?”

Good question.

Well first you could argue that colonial America was a part of Britain, being part of its proto-empire; and second, eggnog is part of the evolution of a British drink called posset, something I have already written about. Possets were made[6] by beating or whisking alcohol – usually sweet wines and sack – with hot milk or cream, sugar and spices. Sound familiar? There was a problem for anyone making a posset in North America because sweet, imported wines were very expensive, prohibitively so for many, and so a cheap alternative was required. In eighteenth century America this was rum, and so the posset was adapted and became eggnog.

You can make your eggnog hot or cold. The hot version is a wonderful, luscious silky-thick custard, and with freshly grated nutmeg it’s just like a boozy, liquid custard tart. This you can enjoy cold too. The uncooked cold one is very different, the eggs, milk and cream froth up after a good shaking, to produce a surprisingly light and refreshing drink.

My recipe makes enough for two people so that if you are going for the uncooked version you can fit the ingredients in a cocktail shaker. If you want to make more, you’ll have to froth the mixture in a bowl with your best eggnog stick, or failing that, a whisk.

If you want to make a cold eggnog, use sugar syrup,[7] if hot can use sugar syrup or caster sugar. Note that the cold one uses raw eggs, so buy good quality free-range eggs, and avoid giving the drink to anyone immunosuppressed.

Serves 2

4 shots (100 ml) dark rum (or brandy, whisk(e)y, sherry etc.)

50 ml sugar syrup or 25-30 g caster sugar

2 eggs

150 ml whole milk

150 ml double cream

Freshly grated nutmeg

Ice cubes (if drinking cold)

To make cold: In a cocktail shaker filled with cubed ice, add the alcohol, sugar syrup, eggs, milk and cream. Shake very well indeed and strain the eggnog through a fine sieve into two glasses filled with more ice cubes. Grate some nutmeg over the top and serve.

To make hot: place the alcohol, three-quarters of the sugar or sugar syrup, eggs, milk and cream in a saucepan and place over a medium-low heat and beat with a small whisk. When fully mixed, keep stirring until the mixture begins to thicken. Remove from the heat but continue to stir. Taste, and add more sugar if desired.

Pass through a fine sieve into two glasses, grate nutmeg over the top and serve.

Notes:

[1] Bouton, N. The History of Concord From Its First Grant in 1725, to the Organization of the City Government in 1853. (Benning W. Sanborn, 1856).

[2] Wondrich, D. The Oxford Companion to Spirits and Cocktails. (Oxford University Press, 2021).

[3] Shanahan, M. Christmas Food and Feasting: A History. (Rowman & Littlefield Publishers, 2019).

[4] Wondrich, D. (2021).

[5] Christmas by the Numbers. Indiana University https://www.ibrc.indiana.edu/studies/factoid/dec09.pdf.

[6] I say were made. Modern day possets are not really a drink, more a set dessert. Very delicious, but really quite different to those of the eighteenth century.

[7] To make a sugar syrup mix equal weights of white or golden caster sugar and hot water. Stir to dissolve and leave to cool. Easy.

Manchets and Payndemayn

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As I mentioned last post, I used Elizabeth David’s research on the medieval and early modern bread roll called payndemayn (medieval period) or manchet (medieval and early modern), to recreate my own. The two words at one point, it seems, were interchangeable. There are many spellings of payndemayn, the root of this word being French, pain demesne, from the Latin panum dominicum, the lord’s bread.[1] The word appears in medieval manuscripts such as Forme of Cury. Manchet is believed to be a contraction of the word payndemayn – main – and cheat, the name for another, similar bread made from refined flour that wasn’t quite as white as the really good stuff. Main and cheat eventually became manchet.[2]

It was ‘the lord’s bread’ because the small bread rolls – weighing in at around only 7 ounces (200 grams) – were so expensive that only the lord, at the head of the top table, would receive one. The small loaf would be cut by the lord’s server as described here in the Boke of Keruynge (the Book of Carving) written in 1513:

…take a lofe in your lyfte hand. & pare y lofe rounde aboute / than cut the over cruste to your souverayne, and cut the nether crust, & voyde the parynge, & touch the lofe no more after it is so served.[3]

The over crust, being considered the best part was eaten by the lord, and the rest divided up and given to whomever he so pleased. This is the origin of the idiom the upper crust we sometimes use when referring to the upper classes.

There are mentions of this bread all over, but there are no real recipes in the Middle Ages. There are several mentions of these loaves in recipes though, take this recipe for ‘Soppes Dorre’ from fifteenth century manuscript Harl.4016 (c.1430):

…take a paynmain, And kut him and tost him, And wete him in wyne, And ley hem in a dish, and caste [almond flavoured] syrup thereon.[4]

Elizabeth David went to great lengths in writing English Bread and Yeast Cookery to try and get an idea of what these breads were really like, gleaning cues from several sources and combining them. The earliest decent recipes and descriptions crop up in the late sixteenth and early seventeenth centuries, but there are no complete ones: sometimes the ingredients are listed, but the amounts or the shape of the loaves are not given; other times, the shaping is described but the ingredients are missing. She also used artwork from the era to work out the likely shapes.

It seems that they were also enriched with milk and/or butter and/or eggs, or none of the above, so perhaps something rather like a brioche (sometimes). Elizabeth took the information and created a flour mix of plain white flour, with some strong white flour and a little wholemeal flour, to replicate the lower gluten, not-quite-white nature of the wheat flour used at the time. She enriched her dough with butter and milk, avoiding egg. It put me in mind of my recipe for Cornish/Devonshire splits. She liked that in some descriptions the loaves were oval in shape. To replicate this, she made a deep slash in the dough before it went into the oven. However, I much preferred the sound of Gervase Markham’s 1623 way of shaping his loaves. He instructs us to take the risen dough and

mold it into manchets, round, and flat, scotch [cut] about the wast to give it leave to rise, and prick it with your knife in the top, and so put it into the Oven, and bake it with a gentle heat.[5]

He stabs their tops so that they wouldn’t rise too much in the oven.

My attempt at ‘scotching’ my manchet loaves

I used my Devonshire splits dough as the basis of my manchet recipe, which, as it turned out, was pleasingly very close to Elizabeth’s, except – of course – I used much less salt than she. I decided to make some in the oval shape preferred by Elizabeth, and some like those described by Gervase Markham.

By the way: coincidentally just as I was cooking and researching this post, esteemed food historian Ivan Day posted on his excellent Instagram page a photo of Markham’s manchet, showing that scotched waist, along with some other breads of the same era. Here’s a link to his post, if you want to take a look at those.

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References

[1] David, E. English Bread and Yeast Cookery. (Grub Street, 1977).

[2] Hieatt, C. B. & Butler, S. Curye on Inglysch: English culinary manuscripts of the fourteenth century. (Oxford University Press, 1985).

[3] de Worde, W. The Boke of Keruynge. in Early English Meals and Manners (ed. Furnivall, F. J.) (The Early English Text Society, 1897).

[4] Two Fifteenth-Century Cookery Books. (The Early English Text Society, 1888).

[5] Markham, G. Country Contentments, or The English Huswife. (I.B., for I Jackson, 1623).

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Filed under baking, bread, Britain, cooking, food, General, history, Mediaeval Age, Recipes, Seventeenth Century

Tagged as baking, bread, Elizabeth David, English Bread and Yeast Cookery, food, history, manchet, Mediaeval, payndemayn, premium content, recipe, seventeenth century

18/10/2022 · 1:27 pm

My Best Yorkshire Pudding Recipe

Carrying on from my conversation about Yorkshire pudding with Elaine Lemm on the podcast recently, I thought I should toss my hat into the ring with my own recipe.

This post complements the episode ‘Yorkshire Pudding with Elaine Lemm’ on The British Food History Podcast:

This is a simple affair, and after some rigorous recipe testing, using fewer eggs or different mixtures of milk and water, as well as different receptacles in which to cook the batter, I think it is both excellent and fool proof. It goes by the tried-and-tested equal ratio method: i.e. equal volumes of plain flour, milk and eggs, plus a good pinch of salt, and animal fat (in my case, lard).

The pudding takes around 40 minutes to cook, the perfect amount of time to rest your roast meat before carving and serving.

In the podcast episode Elaine and I came to the conclusion that anything made in a muffin tin, isn’t really a proper Yorkshire pudding. Indeed, the consensus on my Special Postbag Edition of the podcast, cooking the batter in a tray achieves the best proportion of crispy, crunchy bits on the fringes and nice puddingy softness in the base. Listen to that episode here:

Have something to add to the debate? Please get in contact or leave a comment at the end of this post, I’m sure I shall be revisiting the subject in future postbag episodes.

A large pudding has both softness and crunch

Cooking in a dish that is good and thick is important for a good rise: you need something that will heat up in the oven, but also retain it when the cool batter is poured in. Don’t go for anything flimsy here: a really thick metal tin, or even better, an earthenware dish: it’s thickness and its property of retaining heat creates a pud with a fantastic rise: I got such a good one it almost hit the grill elements in my oven when put on the middle shelf! I give the dimensions of my dish in the recipe, but don’t worry if yours is slightly different; puddings like this are very forgiving with respect to dish size.

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Make the batter a few hours (minimum one) before you want to cook it.

Serves 6 to 8 if eaten with a roast dinner:

¾ cup (180 ml) plain flour

A good three-finger pinch of sea salt

¾ cup (180 ml) eggs

¾ cup (180 ml) milk, full fat, if possible

30 g lard, dripping or goose or duck fat

Put the flour and salt in a bowl, make a well in the centre and pour your eggs inside the well. Use a whisk to combine the eggs and flour, starting in the well, gradually mixing the flour into the eggs. This prevents lumps forming.

Once the flour and eggs are mixed, add the milk, whisking slowly at first, until it is fully mixed in, then give it a good thrashing for 30 seconds or so. Leave, covered, at room temperature until you want to cook it. If you like, pour the whole lot into a jug, for easier handling later.

When you are ready to cook your pudding, preheat the oven to 200°C.

Place the fat in your tin or dish – I used an earthenware dish of dimension 20 x 28 cm, with steeply sloping sides – and place on the centre shelf of your oven. Give the dish and fat plenty of time to get fully hot: I leave it in there for a good 25 minutes.

Now give the batter a final good whisking, quickly (but carefully) open the oven door, pull the shelf of the oven out slightly so that you can pour in the batter. The batter should sizzle and frill up in the fat.

Quickly push the shelf back into place and close the door. Do not open the door until 25 minutes have elapsed.

Bake for 25 to 30 minutes, depending upon how dark you like your risen crispy edges.

Remove and slice into squares, serving it up with your roast dinner.

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Filed under baking, Britain, cooking, food, General, history, Podcast, Puddings, Recipes, Uncategorized

Tagged as baking, food, meat, Podcast, pudding, recipe, regional cookery, roast, Yorkshire

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